Tim Seely

Ingest/Sync/Group, Online Prep, Next on/Tease Editor

Ingest/Sync/Group, Script Sync

Offline of the live-to-tape production, after effects graphics work, turnover to online

Night assist; Sound passes/sound design on outgoing cuts, ingest of footage, stack/sync/group multi-camera stage performances (5-12 cameras), Turnover to online, Network Deliverables

Turnovers to sound and color

Lead AE/Additional Editor on 6 part docuseries for Sundance Channel. Duties included normal documentary lead assistant editor technical work, handling dailies, keeping archival materials organized, cut and asset tracking, but heavily used in story-telling, assisting editors with coverage, finding materials for specific beats, and cutting scenes.

Did all turnovers of locked cuts to audio mix and prepped for color in DaVinci Resolve

Transcoding, Grouping, Syncing, Scripting, Pulls, Online Work.

Transcoding, Grouping, Syncing, Scripting, Pulls, Online Work.

Trained and managed a team of as many as 4 AEs to the completion of 6 hour length documentaries. Sync/Grouping, Maunal Script Sync, Terrablock setup/management, stringouts, dailies exports, communicating with producers about deadlines and expectations and many other tasks.

Transcoding, Grouping, Syncing, Scripting.

Lead AE and Sole Online Editor at post online/offline facility. Music Videos, Indie Features, VFX, Docs and many other projects came through our doors and it was my responsibility to design and execute workflow for each individual job as it came in.

silent film scored by 29 individual songs, each cut by its own editor offsite. With the low-budget nature of this indie, I did all of the assist work as well as all of the workflow planning, coordinating the editors, graphics team, and making everything run smoothly.

Online prep, VFX pulls and Checking of colored materials.

Online editor in compressed schedule of 6x1hr documentary series. Color Prep from Avid, Communicating with Colorist, Conversion of archival materials, Creation of master graphics/chyrons, output of deliverables, CC, 5.1, 4k

Produced full pitch of potential piece for Uninterrupted from concept through to character sizzle and client pitch. Unfortunately the project didn't fit what the client had in mind for this project.

Trained and managed a team of as many as 6 AEs to the completion of 6 hour length documentaries. Sync/Grouping, Maunal Script Sync, ISIS setup/management, stringouts, dailies exports, communicating with producers about deadlines and expectations and many other tasks.

Acted as a liaison between the team of Producer/Director/Editor and the various graphic artists conveying needs and wants from the creative team to the vendors.

Assistant Editor on a Documentary about the James Webb Space Telescope for Discovery one hour special. Dir. Nathaniel Kahn Editor - Brad Fuller

Feature length Documentary. AVID, Script Sync, Archival materials, Overcutting, Upressing, Dir. Matt Trynauer

Feature Length Doc w/ Marketing Videos. Transcode/Sync of dailies, Script Sync, AVID, DaVinci Resolve, Edit of short form pieces for client. Dir. Matt Trynauer

Cut a few packages on the project in Addition to being the lone assistant editor on the project

Night AE on the show, import, showbuild, LTO, ISIS, After Effects, Stringouts of selects. Footage types: EX1/EX3, XDcam, GoPro, various stock footage.

transcoding, syncing, grouping. Filled in for lead assist while she was away for a week.

Night lead AE on the show, import, sync, group, exports, uprezzing. Also had to work on the SAN and distribute/backup/sync all the separate projects involved. Footage types: XDcam, HDV, GoPro, FLIR, various stock footage.

Grouping, Syncing, Transcoding of footage (GoPro, Cannon, Sony FS 700, RED, XDcam), and outputs for online. Used unity and shared storage.

Grouping, Syncing, Transcoding of footage (GoPro, Cannon), and outputs for online. Used unity and shared storage.

Sync and Group of 6+ cameras including XDCAM and GoPro footage.

Worked as a PA in both the Production office and in Post Production. Duties included but were not limited to organization, looking for stock footage, working in excel, making calendars/schedules, answering/making phone calls, etc etc

Was the night assist. Multi-grouped and synced dailies from XDcam, GoPro, and production audio files, made exports to be sent out for transcription.

On this job I was the night assist. Ingested XD Cam footage, multi-grouped and synced dailies, made exports to be sent out for transcription.

In addition to organizing and working on shoots as a camera operator, I was the main assistant editor of over 60 hours of B-Roll, Interviews, and Stock footage, and the main editor for the video located here: http://www.youtube.com/watch?feature=player_embedded&v=_86mrgZrfkk

Editor of short, local advertisement. Was also my own on set logger/assistant editor. http://www.youtube.com/watch?v=OjG15NABwQc

Transcoded Videos Used an online video hosting service to migrate over 1500 videos and embed them into a new website design on www.iop.harvard.edu Acted as content manager using the Drupal 7 CMS and HTML editing

Transcoding, Syncing clips, organizing dailies, burning dvds for producers. Shot in Milford, MA in fall 2011. Directed by Jesse Peyronel. Worked on AVID

Was an intern, fulfilling all of the duties of a post PA; making runs, deliveries, looking through stock footage, spot checking DVDs and Tapes, etc etc

Short 20 minute indie project shot in Waltham, Ma and Boston, Ma

Importing, Transcoding, Dubbing, and matching up with script sync for lead editor. Directed by Michael Corrente

40-minute featurette shot in Boston, Ma, Scranton, PA, and Philadephia, PA.

A selection of promotional materials for the 'Theatre Offensive' troupe in Boston, Ma