Summary

Producer | AP | PM - 20 years of experience in reality & scripted television and digital content. 5X Telly Award-winner for shows airing on Discovery, Travel Channel & NBC Sports. View my sizzle reel, production work, & more about me https://tvjamie.com/

Credits

1/05 – Current

Producer Please review attached Resume, Sizzle Reel, and Website

Various — TV — Various Production Companies Details
1/05 – Current

Pre-Production: ○ Create and pitch story ideas. ○ Extensive experience creating and maintaining budgets. ○ Breakdown of story/script and create production shoot schedule. ○ Location research and scouting. ○ Extensive experience booking freelance crews, negotiating rates and deal memos. ○ Extensive camera & audio gear knowledge. ○ Permits & certificate of insurance. ○ Call sheets & contact sheets. Production: ○ Direct cast & talent. ○ Delegate tasks to crew. ○ Extensive field producing experience. ○ Supervise production team. ○ Problem solve as production needs change. ○ Location preparation. ○ Keep shoot on time and within budget. ○ Follow story, take field notes and pivot as story develops. ○ Manage talent & location releases. ○ Manage credit cards, receipts, and PC. ○ Purchase & rent gear as needs change. Post-Production: ○ Extensive post-production knowledge. ○ Create rough cut edit outlines. ○ Provide editor revision notes. ○ Send rough cuts to clients and producers and work collaboratively on final edit lists. ○ Oversee post schedule to make sure edit date milestones are kept on schedule. ○ Advanced graphics knowledge. ○ Expense tracking, coding, and reconciliation. ○ Approve all crew timecards and reimbursements.

2/23 – 2/23

Production Coordinator (directed by Ashley Underwood a.k.a. Larry David's Wife) Untitled Pickleball Documentary Film

Netflix — Film (Feature-length) — Film45
2/23 – 2/23
6/22 – 9/22

Production Manager (Real Housewives of New York Spin-Off Series) Luann and Sonja: Welcome to Crappie Lake (Season 1)

Bravo — TV — Jeff Jenkins Productions
6/22 – 9/22
9/21 – 12/21

Production Coordinator (with Geoffrey Zakarian) Big Restaurant Bet (Season 1)

Food Network — TV — BSTV Entertainment
9/21 – 12/21
9/19 – 3/20

Production Manager (with Brian and Mika Kleinschmidt) 100 Day Dream Home (Season 1)

HGTV — TV — NorthSouth Productions
9/19 – 3/20
5/17 – 6/17

Production Coordinator (with Lara Spencer) Flea Market Flip (Season 11)

HGTV — TV — Flea Market Productions
5/17 – 6/17
4/17 – 5/17

Production Coordinator (with Lara Spencer) Flea Market Flip (Season 10)

HGTV — TV — Flea Market Productions
4/17 – 5/17
10/16 – 3/17

Production Manager Snapped: Drew Peterson Special (Season 20)

Oxygen — TV — Jupiter Entertainment
10/16 – 3/17

Self ID

I identify with the following groups:

  • Ethnicity: White or Caucasian
  • Gender: Woman

Media

  • Jamie Smith - Television Sizzle Reel - Producer | AP | PM | PC

  • Big Restaurant Bet with Geoffrey Zakarian - Food Network

Recos

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Education

Class of '05

University of Central Florida

BACHELOR OF ARTS DEGREE
Class of '99

Indian River State College

ASSOCIATE OF ARTS DEGREE

My Gear

  • Avid
  • Canon EOS 5D Mark III

Skills

  • Directing
  • Editing
  • Director
  • Producer
  • Casting
  • Writing
  • Field Producer
  • Research
  • Permits
  • Google Docs
  • Budgets
  • Locations
  • organization
  • scheduling
  • Microsoft Excel
  • Microsoft Word
  • Google Sheets
  • Travel
  • Insurance
  • Google Drive
  • Associate Producer
  • Production Manager
  • production coordinator
  • Basic shooting
  • Operations Manager
  • Talent Recruiting
  • Expense Coding
  • Shoot Schedules
  • Location research and scouting
  • contact sheets
  • Breakdown of story/script
  • production shoot schedule
  • Supervise production team
  • Problem solve as production needs change
  • Location preparation
  • Manage talent & location releases
  • Manage Receipts
  • Manage Rolling PC Advances and Reports
  • Purchase & rent gear
  • Extensive post production knowledge
  • Create rough cut edit outlines
  • Provide editor revision notes
  • Expense tracking
  • Expense Reconsiliation
  • Approve & process all crew timecards and reimbursements
  • Keep shoot on time and within budget
  • Create master shoot and post-production calendar