Do you like good sound? Yes, you say? Me too, that's why I do it for a living whenever possible. I'm a jack-of-all trades on set, so I'm open to other departments as well. I primarily work in VA and DC, but am willing to travel.


4/16 – 4/16

Sound Mixer Dell - Biocomplexity Institute of Virginia Tech

Corporate — Media Agents Inc. Details
4/16 – 4/16

Placing lavalier microphone on multiple interviewees, operating boom mic and sending 2 channel hard line to camera.

2/16 – 4/16

Sound Mixer College Board AP European History

Corporate — VPS studios Details
2/16 – 4/16

Mixed boom mic and wireless lavalier to mixer and then sent 2 channel wireless feed to camera. This was in a classroom environment and an interview environment for a training video for teachers for College Board's AP European History training modules. Two shoots: one in February and one in April.

3/16 – 3/16

Sound Mixer U.S. Patent and Trademark Office - Asian American Pacific Islander Heritage Month

Corporate — Creative Liquid Productions Details
3/16 – 3/16

Finding optimal placement of boom mic and placing lavalier microphones on multiple interviewees with quick turnarounds. Providing direct line to camera.

1/16 – 1/16

Sound Mixer PNC Bank

Corporate — Creative Liquid Productions Details
1/16 – 1/16

Operated Schoeps boom mic and Sennheiser wireless mic directly into camera for a training video for teachers sponsored by PNC Bank.

12/15 – 12/15

Sound Mixer Dell - Roanoke County Public Schools

Corporate — Media Agents Inc. Details
12/15 – 12/15

Recorded interview audio with boom and lav. Captured b-roll audio. Fed guide track to camera via breakaway cable.

10/15 – 10/15

Sound Mixer Deadly Sins 5

DISCOVERY — Reality/Doc (TV) — Optomen USA Details
10/15 – 10/15

Recording interview audio with lav and boom, sending straight to camera from mixer. Recording separate transcription audio with portable recorder.

10/15 – 10/15

Sound Mixer – Mazda

Commercial/Ad — CACTEX Media Details
10/15 – 10/15

Recorded interview audio and b-roll audio including boom and 2 lavs with multiple speaking talent. Fed breakaway cable to camera.

10/15 – 10/15

Sound Mixer – Fiat

Commercial/Ad — French Exit Details
10/15 – 10/15

Captured interview audio on lav and boom, fed guide track to camera, and obtained b-roll audio.


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George Mason University

BA in Film and Video Studies

My Gear

  • (3x) Oktava MK-012 condenser microphone system
  • (4x) Tram TR-50
  • 14' aluminum K-tek boom pole
  • 25' carbon fiber K-tek boom pole
  • 4x Lectrosonics UM200/UCR210D wireless systems
  • Comtek 216 series IFB system (1 Tx 3 Rx)
  • Rode NTG-3 with blimp
  • Roland R-44
  • Shure FP-32A
  • Tascam DR-100 MkII
  • Tascam HS-P82
  • Tentacle Sync wireless timecode system (×2)
  • Timecode Buddy wireless timecode system
  • Zaxcom TRX900AA to RX900S wireless 2 ch camera hop


  • Adobe Photoshop CS6
  • Adobe Premiere Pro CS6
  • Basic grip techniques
  • Boom operating
  • Canon DSLR cameras
  • IFB systems
  • Lavalier microphone placement
  • Production sound mixing
  • Timecode
  • Vehicle audio setups
  • Wireless audio systems