All post audio, including editing, mixing, music editing, clean up, general sweetening, and preparation for broadcast. Occasional Spots in addition to main program. Additional musical stingers, etc, created.
Summary
All phases of Post-Audio and Music Composition, from concept to delivery. The goal, and the trick is finding that perfect balance between quality, price, and the ever looming deadlines. ASCAP composer and publisher.
Credits
8/10 – 3/13
Supervising Sound Editor (Pro Tools, Logic) – 24/7 Chicago (Season 2)
NBC — TV — 24/7 Productions Details
8/10 – 3/13
6/12 – 7/12
Sound Editor (Pro Tools, Logic) – Flost
Film (Feature-length) Details
6/12 – 7/12
Sound Design, including Dialogue Edit, SFX Edit, and Music Edit. All aspects of audio outside of Foley and final mix.
3/12 – 7/12
Composer – Pan Tadeusz Szermer
Film (Feature-length) — King Plus A Details
3/12 – 7/12
Composed, recorded and cut all music for feature length documentary.
4/12 – 5/12
Sound Re-Recording Mixer – Ex-Girlfriends
Film (Feature-length) Details
4/12 – 5/12
5.1 and stereo mixing.
5/11 – 8/11
Supervising Sound Editor (Pro Tools) – Game Time Dine (Season 2)
TV Details
5/11 – 8/11
All post audio, including editing, music editing, mixing, and prep for broadcast. Aired on Comcast Sports network.
3/11 – 5/11
Supervising Sound Editor (Pro Tools) – When Skies are Blue
Film (Feature-length) Details
3/11 – 5/11
All post audio, including dialogue and SFX editing, music editing, some music recording, final mix.
3/10 – 4/10
Sound Editor – Vera Klement: Blunt Edge
Film (Feature-length) Details
3/10 – 4/10
Post audio, including SFX and Dialogue editing, Music editing, and mixing.
2/10 – 3/10
Composer – Educating Cooper
Film (Feature-length) Details
2/10 – 3/10
Composed, recorded, and edited original music.
Recos
Education
Columbia College Chicago
Audio Arts and Acoustics, BA
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