Summary

All phases of Post-Audio and Music Composition, from concept to delivery. The goal, and the trick is finding that perfect balance between quality, price, and the ever looming deadlines. ASCAP composer and publisher.

Credits

8/10 – 3/13

Supervising Sound Editor (Pro Tools, Logic) 24/7 Chicago (Season 2)

NBC — TV — 24/7 Productions Details
8/10 – 3/13

All post audio, including editing, mixing, music editing, clean up, general sweetening, and preparation for broadcast. Occasional Spots in addition to main program. Additional musical stingers, etc, created.

6/12 – 7/12

Sound Editor (Pro Tools, Logic) Flost

Film (Feature-length) Details
6/12 – 7/12

Sound Design, including Dialogue Edit, SFX Edit, and Music Edit. All aspects of audio outside of Foley and final mix.

3/12 – 7/12

Composer Pan Tadeusz Szermer

Film (Feature-length) — King Plus A Details
3/12 – 7/12

Composed, recorded and cut all music for feature length documentary.

4/12 – 5/12

Sound Re-Recording Mixer Ex-Girlfriends

Film (Feature-length) Details
4/12 – 5/12

5.1 and stereo mixing.

5/11 – 8/11

Supervising Sound Editor (Pro Tools) Game Time Dine (Season 2)

TV Details
5/11 – 8/11

All post audio, including editing, music editing, mixing, and prep for broadcast. Aired on Comcast Sports network.

3/11 – 5/11

Supervising Sound Editor (Pro Tools) When Skies are Blue

Film (Feature-length) Details
3/11 – 5/11

All post audio, including dialogue and SFX editing, music editing, some music recording, final mix.

3/10 – 4/10

Sound Editor Vera Klement: Blunt Edge

Film (Feature-length) Details
3/10 – 4/10

Post audio, including SFX and Dialogue editing, Music editing, and mixing.

2/10 – 3/10

Composer Educating Cooper

Film (Feature-length) Details
2/10 – 3/10

Composed, recorded, and edited original music.

Recos

Would you like to write a recommendation for William Lewis? Write a Recommendation »

Education

Columbia College Chicago

Audio Arts and Acoustics, BA