Craig Constantine

Conceiving, outlining and writing videos on bias in the workplace against LGBTQUI+ members. Screening at corporate work spaces worldwide as part of a compehensive anti-bias educational campaign.

For mainstay History show, craft advanced stringouts with dialog, OTF, ITM, VO, nat sound and first-pass sound design. Everything but the music.

Structure, write and story produce miniseries on the modern-day hunt tor the lost George Armstrong Custer treasure.

Scriptwriting and story producing responsible for three episodes of number one hit series for History.

Write narration and edit storylines. For season-opening special, design creative, write and produce.

Writing. Terse. Concrete. Hardboiled. Knowing. For high-caliber true crime series hosted by Joe Pistone of Donnie Brasco fame.

Scriptwriting and post overseeing for 6-part Nat Geo series about the state of sex in America since the sexual revolution.

Focus and contextualize story from raw field footage. Stakes, process, character development, cliffhangers etc. while capturing the unique rugged poetry of the series.

Wrote script for re-creation driven international true crime series pilot. Researched story, brainstormed re-creation sequences, drafted potential bites to prep for interviewing, completed VO with cold open and teases.

Writer and Story Producer for hit series about Rocky Mountain gemstone miners. Building tight 15 minute storylines with polished VO from 10+ hours of footage replete with character, comedy and stakes.

Working from home office while generating paper cuts for editors in Montana. Crafting story while writing information-driven and atmospheric narration. Completing as much as a full storyline (1/3 to 1/4 of an episode) per day.

Returned for seasons 3-4 (both seasons produced simultaneously) of highest-rated series on Fuse. Brainstorm story and outline episodes. Run post when Show Runner is in field - schedule and supervise story producers and editors. Execute notes. Bask in glow of one of the most original series on television.

Joined Post team to help oversee cuts and delivery of critical season-ending episodes 709-712. Brainstormed story. Supervised editors. Wrote out questions and sample bites. Arranged rundowns for shows 710-711 and worked with editors for delivery of network rough cuts. Wrote season-ending/cliffhang monologues for 712.

Working with master filmmakers to produce 2 documentaries. One features a major music star and the other a prominent choreographer (both are confidential at this time). Write treatments and outlines, craft material into stringouts and work with editor(s) to complete cuts, while executing notes from EPs.

Returned for second season of network's highest-rated show. Ran Post while Showrunner was in field, and supervised when he was present Oversaw multiple edit bays and story producers; outlined shows; wrote the season show bible; wrote interview questions and bites for the talent; wrote narration for season 2 supertease.

Worked with master storytellers Fenton Bailey and Randy Barbato to shape story for major follow doc. While helping to organize hundreds of hours of footage I created FCP stringouts for editors, pulled bites and other scene material, supervised the day-to-day film outline, and oversaw the rundown for UK version.

Supervised Post for eight-episode season of long-running DIY series. Sitcom-like mix of comedy and home renovation process. Wrote all voice over in economical tongue-in-cheek style including cold opens and teases. Supervised multiple edit bays and story producer. Ran Post when showrunner was on set.

Crafted story and season arcs with editors; managed multiple edit bays and Story Producers; wrote Show Bible, synopses and other material for network; managed the execution of internal and network notes; pitched in as Story Producer when needed.

Ran Post while Showrunner was in Field. Oversaw the smooth transition of Showrunner from Field to Post. Delivered one-plus hours of network preview scenes that were given grades of "A-" and "B+" by top network executives. Day-to-day responsibilities include supervising story producers and editors and generating Post schedules.

Avid Story Producer. Edited A-roll senes and stringouts, wrote narration and suggested soundbites, worked with ScriptSync, and supervised multiple editors to put together episode.

Led small production team that fully pre-produced and shot four episodes. Responsibilities included casting talent, directing and editing casting reels, writing detailed shooting scripts, and producing in field with director, star and cast. Also wrote one minute promo for the series that aired during season premiere as an innovative promo-within-a-show.

Director and producer of multiple award-winning documentary mixing reality-style elements with traditional history sections. Shown in festivals worldwide.

Built story and character arcs across season. Supervised story producer, story editors and editing bays. Wrote several scripts including rewrite of premiere episode and start-to-finish scripts for other episodes. First full rough cut I oversaw received the following network note: "Now that's a great f***ing episode!"

Built story and character arcs across season. Supervised story producers, story editors and editing bays. Wrote several scripts including rewrite of premiere episode and start-to-finish scripts for other episodes. First full rough cut I oversaw received the following network note: "Now that's a great f***ing episode!"

Writer for documentary, narrated by Tom Brokaw, about one of the last untold mysteries of World War II. The story of the "Lost Squadron," VMF-422, echoes Laura Hillenbrand's "Unbroken" and is told in first-hand accounts and re-creations.

Development Supervising Producer for early stages of Adam Savage and Jamie Hyneman vehicle showcasing competing teams in Rube Goldberg machine builds.

Wrote pitches, cast talent, produced casting reels and met with production and network executives to craft innovative spin-off of Deadliest Warriors. Developed creative until it was fully approved.

Wrote pitches, cast talent, produced casting reels and met with production and network executives to craft innovative spin-off of Deadliest Warriors. Developed creative until it was fully approved.

Crafted story, wrote script and supervised edit for season finale, called the "best of the series" in online review.

Crafted story, wrote script and supervised edit for season finale, called the "best of the series" in online reviews.

Scriptwriter for documentary following Sir Richard Branson's audacious bid to launch a space tourism program - and change the way we explore the heavens.

Writer for documentary following Sir Richard Branson's audacious bid to launch a space tourism program - and change the way we explore space.

Lead Story Producer for Seasons 1-3, Supervising Story Producer, Season 4. Wrote and story-produced 15 episodes, including some of the highest-rated programs ever on the network (Season 1 premiere and finale; Season 2 premiere; Season 3 premiere; Season 4 premiere).

Wrote script for episode of documentary series.

Wrote script for episode of documentary series.

One of the architects (in post) of this runaway hit series. Lead Story Producer for Seasons 1-3, Supervising Story Producer, Season 4. Wrote and story-produced 15 episodes, including some of the highest-rated programs ever on the network (Season 1 premiere and finale; Season 2 premiere; Season 3 premiere; Season 4 premiere).

One of the architects (in post) of this runaway hit series. Lead Story Producer for Seasons 1-3, Supervising Story Producer, Season 4. Wrote and story-produced 15 episodes, including some of the highest-rated programs on the network (Season 1 premiere and finale, Season 2 premiere, Season 4 premiere).

Built story and character arcs across season, supervised writers, story producers and editors, and wrote scripts for ten-episode series.

Built story and character arcs across season, supervised writers, story producers and editors, and wrote scripts for ten-episode series.

Writer for reversioning of hit BBC series for American release. Worked directly with network executive and BBC production team to make the show more information-driven and colloquially American.

Wrote several episodes of this documentary-and-recreation series following the real-life CSI scientists of the L. A. Morgue.

Wrote several episodes of this re-creation driven documentary series following the real-life CSI scientists of the L. A. morgue on Mission Road.

Directed, wrote and story-produced eight episodes over three seasons.

Directed, wrote and story-produced eight episodes over three seasons of the this high-rated Discovery series.

Directed, wrote and post-produced three episodes of this iconic History series including the two-hour Motorcycle special featuring Jay Leno.

Field-produced, post-produced and wrote narration for special showing the real science behind the powers of superheroes such as Spider-Man and Wolverine.

Wrote all five episodes of this documentary series about the devastating (and socially revealing) earthquakes that struck San Francisco, Mexico City, Turkey, Kobe Japan, and Alaska.

Wrote all five episodes of this documentary series about the devastating (and socially revealing) earthquakes that struck San Francisco, Mexico City, Turkey, Japan, and Alaska.

Directed, produced and wrote lighthearted special exploring the real-life science behind fictional superheros like Spider-Man, Wolverine etc.