Apply to this Aerial Cinematographer Job

I am seeking an Assistant Camera Operator with corporate experience to assist our Director of Photography filming a corporate retreat in Key Biscayne, Florida. The rate is for 10 hours and I expect us to work 10 hours every day, meals provided.

The AC would be responsible for maintaining cameras to ensure camera packages are charged, cards have been backed up, lenses are clean, etc. In some situations, the AC may have to babysit a camera during interviews, which the DP will prelight.

- Professionalism is Paramount
- Experience with the Sony FX systems
- Experience with the DJI RS3 Systems
- Able to work independently

We will film with a Sony FX6 and Sony FX3 in Key Biscayne, Florida. The dates will be May 16th - May 18th, with the possibility of adding May 15th as a prep day on location.

One day production of educational content in Miami. Talking head with beauty lighting.

We are looking for Camera Operators who are professional, positive, outgoing and can adapt to a fast paced filming environment and are okay filming uncomfortable subject matter for a new health and wellness show. You will need to have experience filming with FS7's and GoPro's. If you are interested, please shoot me a message including your cover letter and list of credits. $600/12 (minus lunch).
*This is a Non-Union job*

We’re gearing up for a Food delivery app brand project in BANGOR, MAINE. The idea is to create engaging content by visiting local restaurants that utilize the Food Delivery App.

The goal is to capture compelling moments with restaurant owners, showcasing their unique stories. It promises to be an enjoyable project filled with creativity and collaboration.


If you’re interested or have any questions, please apply with some previous work
and we’re going to be in touch soon!
Looking forward to the possibility of creating something fantastic together!

Need 2nd AC to come be a part of our merry band of travelers bringing a new show for Discovery to town. Think American Pickers or Antique Roadshow in terms of the style and logistics we will be dealing with. We'll be tied to the filming locations (the homes) without any real company moves once we get rolling.

ISO people experienced with on-set protocol and communication, can-do attitude and comfortability in fast-paced shooting environments. Your job should be solely supporting cameras (we will have a Lead AC and Media Manager in tow), but looking for someone ideally not afraid to help a PA with a case either. Please include a little about the energy you bring to a job like this and an example or two of some busier shoots you've been on! Thanks!

We are shooting a corporate event at U.S. Bank Stadium and will need help setting up and operating multiple Sony mirrorless cameras.

This job will take place on MAY 16th between 3pm and 9pm.

We would love to rent any stabilization gear you have (gimbal, etc)!

Camera Operating:
- ensuring proper exposure for multiple cameras set up on tripods (camera settings will be dialed in prior to your arrival)
- making sure that the main speakers are being captured by our all 3 of our cameras on tripods
- steadily tracking/capturing key talent with stabilization equipment (gimbal, etc)

Some things you should know about this job:
- This job is based in Minneapolis, MN. If you do not live in the Minneapolis Area—please do not apply.

Guaranteed dates:
THURSDAY MAY 16TH

Pay:
~$350 hours for 6 hours (3:00pm-9:00pm). Unfortunately our budget is fixed. We can’t exceed $350/6 hours, so if your rate is higher than that, you need not apply.

We are dedicated to building diverse teams that fuel an authentic workplace and sense of belonging for each and every employee. We know applying for a job can be intimidating, please don’t hesitate to reach out — we encourage everyone interested in joining us to apply.

WOAH LABS provides equal employment opportunities (EEO) to all employees and applicants for employment without regard to race, color, religion, sex, national origin, disability, genetics, gender, sexual orientation, age, marital status, veteran status. In addition to federal law requirements, WOAH LABS complies with applicable state and local laws governing nondiscrimination in employment in every location in which the company has facilities. This policy applies to all terms and conditions of employment, including recruiting, hiring, placement, promotion, termination, layoff, recall, transfer, leaves of absence, compensation, and training.

I am the production manager on a documentary series for a major sports association that will be airing on a ESPN.

Looking for a local Philly AC for a field shoot on 4/27.

The series is a typical documentary series, featuring: run and gun components, sit-down interviews, on-the-fly interviews, scenics, and "hero/portrait" shots.

We will ask AC to pick up the gimbal bcam (usually FX3 on Ronin RS3) to shoot a few scenes.

We have $650/12 budgeted.

We are filming a sports documentary series for a major sports association that will air on ESPN.

We are looking for a Media Manager for a field shoot happening in the Philly area on 4/27.

The series is a typical documentary series, featuring: run and gun components, sit-down interviews, on-the-fly interviews, scenics, and "hero/portrait" shots.

Role would be to:
Back up using ShotPutPro or similar MD5 checksum software
Input footage descriptions and information into a copy of the footage log
No transcoding, no proxies, no coloring

500/12 + 50 kit fee = $550/per day

In search of a Assistant Camera (AC) for a two-day shoot in Jacksonville, FL scheduled for June. The specific dates are yet to be determined, but we are currently in the process of assembling the crew. The initial day will involve verite filming and potentially capturing some B-Roll footage, while the second day will primarily focus on conducting interviews. A Supervising Producer will be present to oversee the verite filming process, provide assistance, and prepare questions for the interviews. A designated room will be available for you to store your equipment and access any necessary supplies.

Experience working with a small crew (7) is a plus;

Supervising Producer & Production Manager will be in the field in addition to;

Cam Ops (x2)
AC
Audio
PA

Talent is a well known Social Media Influencer and Rapper. Positive attitued and engery is also a plus. Ultimate goal is being able to work together as a team to produce the best results for this new project.

The exact dates are still pending but are expected to fall within the timeframe of 6/13/2024. Kindly ensure your availability aligns with the indicated timeframe.

We're seeking a DP and local crew for a 2-day fairly run and gun doc-style shoot in Sacramento for a large non-profit organization. Owner-operators are encouraged to apply with additional budget for camera and G&E kit rentals. Sony FX9/FX6 or comparable would be sufficient.

The shoot will consist of formal interviews, OTF's, stylized b-roll and some verite. The crew will be paid as employees via Media Services. Candidate needs to be experienced with fast-moving unscripted production where things can change quickly.

In search of a Camera Operator for a two-day shoot in Jacksonville, FL scheduled for June. The specific dates are yet to be determined, but we are currently in the process of assembling the crew. The initial day will involve verite filming and potentially capturing some B-Roll footage, while the second day will primarily focus on conducting interviews. A Supervising Producer will be present to oversee the verite filming process, provide assistance, and prepare questions for the interviews. A designated room will be available for you to store your equipment and access any necessary supplies.

Experience working with a small crew (7) is a plus;

Supervising Producer & Production Manager will be in the field in addition to;

Cam Ops (x2)
AC
Audio
PA

Talent is a well known Social Media Influencer and Rapper. Positive attitued and engery is also a plus. Ultimate goal is being able to work together as a team to produce the best results for this new project.

The exact dates are still pending but are expected to fall within the timeframe of 6/13/2024. Kindly ensure your availability aligns with the indicated timeframe.

NLV will be hiring videographers to help us cover a high school lacrosse event at DE Turd in Frederica, DE. This event will be held on 6/29 and 6/30 and will pay a flat rate of $250.00 per day. Please feel free to reach out for additional information. You may also apply on the NLV website.

All gear will be provided by the company. There will be an Event Manager onsite who will set up equipment and give direction throughout the day. Must sign up for both days. Meals will also be provided during shift hours.

What: Lacrosse tournament
Where: Frederica, DE
When: June 29-30, 2024
Why: $250/day. Meals included.

Responsibilities:
- Assist with set up upon arrival
- Operate camera with tripod mounted atop podium ladder or scaffolding
- Monitor and maintain power, storage, and bitrate
- Help break down equipment at the end of the day

Qualifications:
- Must have experience with sports video production.
- Must have transportation to athletic facility.
- Must be able to climb ladder or scaffold.
- Must be 18 or older.
- Must be eligible to work in US.
- Must be capable of all day activity, standing / walking for long periods.

NLV will be hiring videographers to help us cover a high school lacrosse event at Yale University in New Haven, CT. This event will be held on 6/15 and 6/16 and will pay a flat rate of $250.00 per day. Please feel free to email us at [Please reply using Staff Me Up] for additional information. You may also apply on the NLV website.

All gear will be provided by the company. There will be an Event Manager onsite who will set up equipment and give direction throughout the day. Must sign up for both days. Meals will also be provided during shift hours.

What: Lacrosse tournament
Where: New Haven, CT
When: June 15-16, 2024
Why: $250/day. Meals included.

Responsibilities:
- Assist with set up upon arrival
- Operate camera with tripod mounted atop podium ladder or scaffolding
- Monitor and maintain power, storage, and bitrate
- Help break down equipment at the end of the day

Qualifications:
- Must have experience with sports video production.
- Must have transportation to athletic facility.
- Must be able to climb ladder or scaffold.
- Must be 18 or older.
- Must be eligible to work in US.
- Must be capable of all day activity, standing / walking for long periods.

Hello!

Looking for a Cam Op to help us film some outdoor shots next week on May 2nd. Prep day May 1st & wrap May 3rd.

Reality TV / Documentary style

Still confirming Location, but likely Santa Clarita

Filming:
- Outdoor exteriors of our location in an empty field
- Capturing scenes
- Showing science experiments for education

Happy to discuss on a call about gear, rate, and what we will be filming.

Local Camera & Drone Operator needed for 2-3 days of interview and B-Roll footage, following a pro running team in Boulder, Colorado. Experience necessary, and owned gear is preferred but not essential. Willing to pay an additional rental fee for any gear. You will be working directly with the Producer/Director to capture supporting footage for a sizzle reel.

Additional compensation for gear rental.

Needing a few camera operators for an upcoming series of broadcasts in New Orleans, LA June 6-9, 2024. We are shooting with the Blackmagic URSA Broadcast. Cameras will be on sticks - possibly skates as well. Locals only, but parking will be reimbursed. Meals will be provided.

$600/10

1.5x OT after 10, 2x OT after 12

2024 Zurich Classic from 4/26-4/28 at TPC Louisiana in New Orleans

The overview of the camera assistant position details are listed below:

Some responsibilities include:
Golf cart driving
Assist the camera operator with sticks (tripod) approximately 20 pounds
Help change out camera batteries
*The camera assistants and talent drivers would need to work ALL 3 days.

We would like for people in these positions to wear golf attire – polo shirts are ideal. No cargo pants, no cargo shorts, no jeans, no crop tops or no leggings can be worn on the course. No open toe shoes are allowed. It is encouraged to wear a hat/sunglasses/suntan lotion if it is due to be a sunny day.

Here are more details on these positions:
1. Must be at least 18 years of age
2. Must have a valid driver’s license
3. The position pays $20 per hour and they are guaranteed a minimum of 8 hours per day. Overtime begins after 8 hours in a day and also after 40 regular hours in a week. Double time starts after 12 hours in a day. We are on a payroll system so they will be paid by direct deposit the following Friday after submitting their hours by Monday after the tournament.
These are local positions so there is no compensation for travel, hotel, per diem or expenses.

Freelance MEDIA MANAGER to do only media management overnight for a reality TV shoot in and near in Syracuse, NY.

• Shoot dates: 4/30-5/1 Overnight
• Day Rate: $350.00 / 12 hours Negotiable

• Travel / Self Report: You will need your own vehicle to travel / self report to the crew hotel / interview location on the production day.


JOB POSTING: Sharp Entertainment is an Equal Opportunity Employer and does not discriminate on the basis of race, religion, color, sex, gender identity, sexual orientation, age, or any other basis covered by applicable law. All employment is decided on the basis of qualifications, merit, and business need. Applicants from diverse backgrounds are encouraged to apply.

Seeking DP for ultra low budget feature film shooting September-October 2024. Looking for someone with a great eye for lighting. A plus if you also operate camera. 17 days at $500/day.

Please include links to relevant reels when applying.

*URGENT* We are seeking a skilled and creative videographer to capture exciting moments at a multi-day expo event. The shoot is tomorrow, April 25th, at the Dallas Market Hall. The videographer will be responsible for recording key highlights and interactions during the event, creating a dynamic video library to enhance our marketing and promotional efforts. The ideal candidate should be adept at capturing a diverse array of shots that effectively showcase the energy and scale of the expo, as well as the interactions between exhibitors and attendees.

Responsibilities:
- Attend and film the day of the expo, ensuring comprehensive coverage of key events and interactions.
- Work closely with the event organizers and participants to capture essential moments that align with the promotional goals of the event.
- Provide a variety of shot types, from sweeping views of the expo space to detailed close-ups of exhibitor displays and attendee engagements.
- Manage video equipment setup, operation, and breakdown, ensuring optimal function and quality.
- Collaborate with the marketing team to align the footage with strategic objectives, ensuring the final product meets promotional needs.

Requirements:
- Proven experience (1-3 years) with professional video recording and editing equipment.
- Excellent communication skills for effective collaboration with event organizers and participants.
- Strong creative vision and ability to capture footage that aligns with strategic marketing goals.
- Flexibility to adapt to dynamic event environments and modify filming approaches as needed.

Our budget is $400 per day and $200 per half day

Interested candidates should submit their resume, a link to their portfolio showcasing relevant work, and a brief statement describing their experience in event videography.