Apply to this Assistant Editor Job

Possibility to extend more than 4 months.

NYC/ NJ based, in office position.

Afternoon-evening shifts.

Transcoding, ingesting, syncing, grouping, exporting, unrezzing.

Adobe experience, media encoded, after effects, are all a plus.

Will be responsible for ingest, syncing and grouping, support of editors.

Looking for an Lead Assistant Editor for a first season Netflix Documentary Series.

Job is hybrid in person DTLA / remote.

Looking for someone who is experienced with Adobe Premiere and is a problem solver, detail oriented, and a good communicator.

Duties include Ingest, Grouping, Syncing, Online / Mix Prep. Perfect opportunity for someone trying to establish themselves with a rapidly growing company. Lots of opportunity for the right person.

We are looking for an Assistant Editor to help with our post-production workflow for a project over the summer.

Experience in Adobe Creative Suite required. Experience in DaVinci Resolve is a plus (or willingness to learn).

Primary duties: Footage copying, footage assembly, media management, proxy generation, multi-cam project creation, hard drive logging, etc.

Expected time frame = late June through late September. Please respond with your experience and desired rate.

Job Description:
We are seeking a highly skilled Assistant Editor to join our production team for the TV show "Relative Race." As the Assistant Editor, you will play a crucial role in assisting the lead editor in organizing, cutting string-outs, and starting rough cuts. "Relative Race" is a reality TV show that follows four teams as they compete in a race to find their relatives across the United States. The show incorporates emotional and suspenseful moments, and your contribution to the editing process will be instrumental in creating engaging episodes that resonate with our audience.

Responsibilities:
Assist the lead editor in organizing and managing the show's footage
Review and log raw footage, ensuring accurate labeling and categorization
Collaborate with the lead editor to assemble rough cuts of episodes
Implement requested edits and changes, maintaining project organization.
Collaborate closely with the post-production team to meet project deadlines

Requirements:
Proven experience as an Assistant Editor in a film or television production setting
Proficient in video editing software Adobe Premiere
Solid understanding of post-production workflows and file management systems
Strong organizational skills and attention to detail to ensure accurate asset organization
Ability to work collaboratively in a fast-paced environment, taking direction from the lead editor and production team
Strong problem-solving skills to address technical issues and troubleshoot errors
Ability to work under tight deadlines and prioritize tasks effectively

Although this position is contracted 1 season at a time, we're looking for someone who will be a good enough fit to stay for multiple seasons. We edit 2 seasons a year and have a month or two down time between seasons.

Pool Party Creative is a trailer house/ad agency specializing in movie trailers, TV and digital spots. Our most recent work includes The Flash, The Batman, The Bachelorette and The Machine. We work efficiently under tight deadlines and need someone who won't be afraid to jump into the deep end with us!

What You'll Do

Transcoding a variety of media for editors and producers
Posting internal and external cuts for producers/clients
Building finish preps and exporting deliverables
Creating supporting finishing materials (Scripts, Dialogue Lists, Shot Lists, VFX Stringouts)
Creating cue sheets


Basic Qualifications

1-3 years assistant editing experience
Technical proficiency in all video codecs and formats
Expertise in Adobe Premiere
Familiarity in After Effects and Photoshop
Strong understanding of post-production workflows


Additional Information

Rate is $28/hour with overtime, benefits, 401K, paid vacation and sick days
Swing shift from 11 am - 8 pm / 12pm - 9pm, which includes one hour lunch

ABOUT THE JOB
Popular YouTube creator with over 20 million subscribers on the main channel (and rapidly growing sub channels/socials) is looking to hire a full time Assistant Editor! Ideal candidates are detail oriented, collaborative, and eager to learn. We are looking to build and invest in a core team that understands the content we create, so we are open to a variety of experience levels.

WHAT YOU WILL BE DOING
- Synchronizing footage and audio to create assemblies of a variety of content, ranging from multi-camera shoots to vlogs
- Initial content trims on video assemblies to create an extended rough cut
- Support tasks including searching for footage and creating/adjusting minor FX, such as open captions
- Working closely with the Post Supervisor and Lead Editors to improve efficiency for the post department, including longer term projects like maintaining and organizing shared asset libraries, and documenting processes and workflows

WE OFFER
- Salary Range: 35-50k
- Paid 2 weeks of vacation per year
- Paid holidays (list provided at hiring)
- Insurance will be available to employees after 60 days of full time employment
- - - Health and Vision insurance provided with 70% paid by company
- - - Life insurance covered 100% by company
- - - Dental insurance available as an add on, per the employee

YOU'RE A GOOD FIT IF
- You have experience with and interest in unscripted content - especially for YouTube.
- You are collaborative, organized, and proactive with your communication.
- You’re always looking for ways to improve workflows and will bring those ideas to your team to talk them through.
- You’re local to Austin, TX (or live within a comfortable driving distance), for ease of attending in person meetings and coordinating footage and equipment handoffs.

JOB REQUIREMENTS
- Our post team is currently fully remote - so ability to work from a home set up is required.
- Must be proficient in Premiere Pro and have a general knowledge of Adobe products.
- Experience with the larger Adobe suite, especially Photoshop and After Effects, is a plus.
- Experience with Maxon Universe, especially PluralEyes, is a plus.
- Experience editing for social media (TikTok, Instagram, etc) is a plus.
- A test edit will be done before you are brought on as full time. The test edit will be paid with a flat rate agreed upon before start.
- We encourage you to send an editing reel / portfolio of your work if available

We need an editor to cut a true-crime sizzle for a Brazilian audience. Experience in crime and editing sizzle reels a plus. Must speak Portuguese and English.

This is a weekly rate. Short term gig only should last 2 weeks max. Negotiable based on experience.

One of New York City's largest production companies is seeking a Lead AVID Assistant Editor to work on a high profile project.

We are looking for a Lead AE who is extremely organized and well-versed in:
- Transcoding
- Syncing multicam footage
- Multigrouping
- Creating AAFs and EDLs
- Uprezzing
- Exporting, converting & posting cuts for network

Applicants must have in-depth knowledge of Avid and ideally 2+ years of experience working on the platform. After Effects knowledge is a plus but is not required.

This is a hybrid position and will require you to work in the office 3 days a week.

We are looking for an avid editor for a HGTV show from 6/12-7/1 and again starting 7/24-8/18.

Online Editor | Final Frame

We're a small team with a great company culture looking for an individual to come in with at least 1-3 years of experience in an online editor role. The ideal candidate will have a desire to learn, a solution oriented mindset, and the ability to work well in a collaborative environment. If you have the drive to grow your skills with us we will give you the support to do so. *Please read the job description carefully, this role is for an online editor - this is not a video editor/offline editor.

This role will report directly to Final Frame’s DI Manager and will be in-person Monday – Friday, 10 am-7 pm.

Responsibilities and duties:

Relink and copy media from client drives to our internal SAN, transcoding when necessary.

Migrate offline edit from the editing program to the color correction platform.

Conform picture at the highest resolution and quality possible, recreating all scaling, positioning, and effects.

Work in tandem with the colorist to integrate graphics, text, replacement shots, and fixes throughout the color grade.

Communicate with the client, audio mixer, and other third party vendors to shepherd each project through the finishing process.

Export and review final deliverables, ensuring the highest quality possible.

Communicate with distributors, networks, and streaming services to ensure deliverables adhere to the relevant specifications.

Preferred Knowledge:
Proficiency in Avid Media Composer and Adobe Premiere.
Experience with Davinci Resolve and/or Adobe After Effects a plus.
Knowledge and understanding of various video frame rates, resolutions, and codecs.
Ability to problem solve and create efficient workflows under tight deadlines.
Attention to detail and good communication skills are crucial.


About Us: The Frame One platform is Final Frame’s sister company which provides state-of-the-art, shared offline editing functionality for high-profile programming. This platform is currently running 30+ shows.
Final Frame and Frame One are Equal Opportunity Employers and do not discriminate on the basis of race, religion, sex, gender identity, sexual orientation, age, or any other basis covered by appropriate law. All employment is decided based on qualifications, merit, and business need.

One of New York City's largest production companies is seeking a Lead AVID Assistant Editor who is bilingual in English and French to work on a high profile project.

We are looking for a Lead AE who is extremely organized and well-versed in:
- Transcoding
- Syncing multicam footage
- Multigrouping
- Creating AAFs and EDLs
- Uprezzing
- Exporting, converting & posting cuts for network

Applicants must have in-depth knowledge of Avid and ideally 2+ years of experience working on the platform. After Effects knowledge is a plus but is not required.

This project is bilingual and will contain French speakers and archival. You must be fluent in French.

This is a hybrid position and will require you to work in the office 3 days a week.

Seeking experienced Editor for a narrative feature for an award-winning director’s 6th film. Past projects have screened and won awards at prominent international festivals, including Sundance and Palm Springs, and have enjoyed world-wide distribution and streaming on multiple platforms, including Netflix, Amazon, and Hulu.

Work would begin late July 2023, and run roughly 15 weeks.

Candidate will be working closely alongside the director in person, and should be enthusiastic about creative collaboration and ready to bring their own ideas into the room.

Project is a SAG Ultra-Low Budget production, and Editor must be local to NYC. This is an opportunity to join an experienced team on a quality creative project.

Looking for a West Coast based Avid editor for a fully remote position. Prior experience working on a docu-follow reality type series is a must. Prior MTV or VH1 reality experience is a plus. Job starts around 6/20 till roughly 8/18.

Great team working on a long running reality show. Weekly rate is based on a 10 hour day.

TMZ is looking for a Editor to work in our fast-paced, TV news production environment. This role is responsible for editing content for multiple television shows as well as other creative projects. The Editor prepares and edits video procured from multiple sources for broadcast and website publication. It is vital for this person to be an engaging storyteller, who can produce (preditor) and piece together interesting stories within extremely tight daily deadlines. Must be highly proficient with Adobe Premiere, a Mac and PC user, and should be comfortable with basic aspects of computing, including Slack, MS Office Suite and navigating the internet. This position reports into the Supervising Producer and is located in Los Angeles, CA.

Responsibilities:
• Produce and edit video content daily with Adobe Premiere (with editorial sense/judgment/direction)
• Cut and export video images in Photoshop
• Other duties as assigned

Requirements:
• Experience working on a television show (news, broadcast, cable, daytime talk, reality, etc.) is preferred
• A strong interest in entertainment celebrity news, preferred
• 3-5 years of video editing experience required
• Adobe Premiere and Photoshop – advanced skill-level required
• Must be a team player who can work simultaneously with different departments on multiple projects

“Pursuant to state and local pay disclosure requirements, the pay range for this role, with final offer amount dependent on education, skills, experience, and location is: $46.90 - $50.90 per hour. This position is regularly scheduled for a 50-hour work week but scheduled overtime hours are not guaranteed”.

TMZ is a workplace that requires the COVID-19 vaccination as a condition of employment. Requested accommodations/exceptions will be evaluated on a case-by-case basis in accordance with law.


TMZ is an Equal Opportunity Employer.

“Pursuant to state and local pay disclosure requirements, the pay range for this role, with final offer amount dependent on education, skills, experience, and location is: $46.90 - $50.90 per hour. This position is regularly scheduled for a 50-hour work week but scheduled overtime hours are not guaranteed”.

CrunchLabs is a monthly STEM toy subscription box for kids, designed by former NASA engineer and YouTuber Mark Rober. Our mission is to get people stoked about learning. We help kids (and kids at heart) how to Think Like an Engineer and develop resilience in life. This position is a freelance, remote opportunity.

What will you be doing?

Are you a creative and enthusiastic editor passionate about bringing out the best in video content? If so, Crunch Labs needs you! We're looking for an individual who can sift through tons of footage to uncover the juiciest gems that'll keep our viewers hooked. Plus, we need someone who can add personality and comedy to their edits. 

As our Video Editor, you'll have the power to take footage and turn it into a massively entertaining piece of content that'll captivate audiences, maintain viewer retention, and deliver top-quality results. We are looking for someone who always goes above and beyond, loves taking responsibility, and enjoys video editing.

Your role will involve using Adobe Premiere Pro, Adobe After Effects, Adobe Photoshop, and other video editing software to work your magic. You'll adjust your videos with feedback from an art director. You'll also collaborate with other video editors to enhance your skills and share your ideas to make the best content possible.

We need someone who's highly accountable and can submit drafts before the deadline, taking constructive criticism in stride and using it to improve the quality and consistency of their work. We're seeking a quick learner who can adapt to new video strategies and workflows and is willing to learn and grow.

To apply, you'll need to provide us with a demo reel or example edit as part of your application. It's the perfect chance to show off your video editing style and skills and how you can infuse humor and personality into your edits.

Job Responsibilities:

Use Adobe Premiere Pro, Adobe After Effects, Adobe Photoshop, and other video editing software to create high-quality video content.
Collaborate with other video editors to enhance and develop your editing skills, as well as share ideas and insights.
Work with retention specialists, directors and creative directors to meet retention standards and ensure audience engagement.
Make creative choices during editing, such as developing scenario structures for animations, selecting music for certain clips and reactions, and determining what should be supported visually/audibly in the editing process.
Requirements:

Proficient in Adobe Premiere Pro & Photoshop.
Strong background in video editing with a passion for constantly improving your skills.
Highly accountable and able to meet deadlines without sacrificing quality.
Quick learner with the ability to adapt to new video strategies and workflows.
Provide a demo reel or example edit as part of your application.
18 years of age or older.

Looking for an experienced Post Coordinator to help manage day-to-day in offline on a reality competition show.

Duties include:

- Overseeing media transfer from field and keeping media tracker/log up-to-date
- Assist in managing AE team
- Liaise with other internal departments on various administrative matters
- Assist in creating deliverables documents for final delivery

Our Edit and Story teams will be working remotely; there is an option to work a hybrid schedule 3 days a week in office, but not required. However, willingness to go into office occasionally for specific scenarios that may arise a plus.

Ideally looking for someone with at least a few years experience and is interested in becoming a Post Supervisor.

Thanks!

Our Production Company’s policy is to provide equal employment opportunities to all applicants and employees without regard to race, color, religion, creed, gender, gender identity or expression, age, national origin or ancestry, citizenship, disability, sexual orientation, marital status, pregnancy, veteran status, membership in the uniformed services, genetic information, or any other basis protected by applicable law. We will consider for employment all qualified Applicants, including those with Criminal Histories, in a manner consistent with the requirements of applicable state and local laws, including the City of Los Angeles' Fair Chance Initiative for Hiring Ordinance.

The 2nd Assistant Editor will support Kin’s Post Production department in all aspects media management, including preparing media after production for our editors, sourcing media for projects as needed from our library of hard drives, and QCing masters before archiving them to our new asset library management system. The 2nd AE will play a critical role in supporting the 1st (Lead) Assistant Editor and our stable of freelance editors as we move through a robust production slate for 2023. We have recently transitioned from Final Cut Pro to Adobe Premiere, so knowledge of both platforms is required. This role requires extreme attention to detail, proficiency in organization, adherence to deadlines and a great level of proactivity. This is a freelance full-time position.

This is a remote position, but it will be required to go into our LA-based office for training and potentially one day a week.

What You’ll Do:
- Collect drives from production teams, offload/upload media and assets and ensuring all footage is accounted for, verify data backups, and stored in the proper locations in a timely manner
- Review media, catch and flag any production errors, issues, or inconsistencies to all stakeholders
- Import and prepare all project assets into Adobe Premiere working with the Lead Assistant Editor to maintain Kin’s workflow standards
- Build multicam clips from source material according to project specs
- Diligently organize, connect, and synchronize media in sequences for external editorial teams
- Annotate and label all media based on project notes, as well as using your own intuition and understanding of the shoot to organize media in the project in a concise manner to set up the editorial team for success
- Maintain logs and enter project metadata as needed
- Ensure correct project templates are being utilized and distributed to creative teams
- Recall old projects and media from archives when required
- QC episode masters to ready for distribution

What You Have:
- 1-2 years of post-production experience, including work as an AE, preferably with digital content
- Advanced experience with Adobe Creative Suite / Final Cut Pro and other post-production software
- Advanced knowledge of video and audio codecs for digital media and broadcast distribution
- Working knowledge on how to navigate networks, servers and remote software such as Jump Desktop
- Strong commitment to detail and an aptitude for organizing and labeling media content
- Proficiency with Google Suite
- Ability to work independently and with teams, able to decipher problems and create solutions; able to complete tasks with minimal guidance if necessary
- Adept at determining priorities and able to hit deadlines under pressure; ability to adapt quickly to changing priorities in a deadline-driven environment
- Communicate well and be flexible with other departments

Who We Are:
Kin is an energetic, focused, and start-up minded company. We believe the best work comes from a happy environment. Kin makes shows for diverse women's audiences. Our shows super-serve this audience with meaningful and entertaining programming they can relate to in categories that include home, style, family and food.

Job Title: Freelance QC Coordinator

Overview:
The QC Coordinator reviews all project deliverables from internal and external post production teams before publishing and archiving. This role is indescribably meticulous in their work and is a strong communicator, interacting with a myriad of team members and departments during the final phases of a project. As the last line of defense before publishing, QC Coordinators play a critical role in ensuring that CNE video content looks and sounds its best, airs without errors, and adheres to strict standards for various types of deliverable assets. The QC Coordinator reports to the Supervisor, QC, and works closely with video editors, Post Production Supervisors, Scheduling, Video Operations, and the Media Asset Management team. This role may occasionally require extended hours and weekend work in order to get the job done.

Primary Responsibilities:
- Review in-progress edits and all project deliverables (video, audio, images, documentation) for quality and adherence to required technical specifications; catch spelling errors, improper framing, glitches, improper color and audio levels, off-brand/off-series errors, and more before air and archive
- Relay QC notes to editors and ensure all applicable assets are redelivered as needed
- Manage a steady queue of deliverables across several projects and brands with competing priorities and shifting air dates, pivoting when necessary and communicating deliveries and delays to Scheduling and Publishing teams
- Stay on the pulse of updated style guides and series tags, ensuring newly published content keeps up to date with brand/series refreshes.
- Help enforce standards, policies, and procedures for asset delivery and archiving
- Assist with media requests such as pulling archived episodes, transcoding videos for external delivery partners, etc.
- When possible, preview content ahead of initial delivery and QC review; provide quality-control feedback to editors, audio mixers, and colorists during a project, and provide feedback to associated team members
- Liaise with various CNE teams for inbound and outbound delivery requests, technical-related inquiries involving delivery specs, transfer credentials, and sending requests (via SFTP, Signiant, Hightail, etc.)

Desired Skills and Qualifications:
- 1-2 years of experience in a post-production environment, with skills revolving around asset management and delivery
- Working knowledge of Adobe Premiere Pro is required
- Excel in meticulous attention to detail, with experience in a wide array of video formats, quality control, archiving, and light-touch editing.
- Proficient knowledge of the main digital video and audio formats
- Understanding of media codecs, bit rates, aspect ratios, color spaces, and compression
- Effective organizer with proven ability to manage multiple projects and initiatives simultaneously
- Calm and deliberate demeanor with excellent communication skills in a highly dynamic, fast-paced environment; a team player with patience and empathy
- Proactive and strong ability to problem solve and work through issues
- Produce under the pressure of deadlines
- Communicate well and be flexible with other departments
- Someone who relishes noticing errors in media and day-to-day life, and won’t get bored or lose focus when reviewing multiple iterations or deliverables of the same piece of content
- Must always have the goal and mission of CNE in mind

What happens next?
If you are interested in this opportunity, please apply and we will review your application as soon as possible.

Potential candidates will receive a video export for a QC test.

On set Editor