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Assistant Editor - Social Media Project (Fully Remote, Based in LA)

Are you interested in a longer-term position on an exciting project? Film 45 is currently seeking a highly proactive and detail-oriented assistant editor to join our team and help create top-notch social media content for a high profile client in both aerospace and philanthropy. Experience with AVID and Adobe Premiere is a must. This is a fast-paced role that requires strong communication skills, the ability to work well in a team, and the flexibility to adapt to changing needs in a dynamic work environment. If you think you have what it takes, we encourage you to apply for this exciting opportunity.

Responsibilities:
Assist the editorial team in all aspects of the post-production process to ensure a smooth flow of projects
Import and organize media
Sync audio and video
Work with templated graphics and captions
Export various formats for review
Relink, up-res, and prep media for online editors
Maintain and organize project files
Meet tight deadlines and work efficiently under pressure

Requirements:
2+ years of experience as an assistant editor or similar role
Proficiency in AVID and Adobe Premiere
Strong communication skills and the ability to work well in a team environment
Flexibility and adaptability in a fast-paced work environment
Must be a US citizen

Preferred Skills:
Experience with After Effects and Photoshop
Experience with social media workflows and best practices for content creation

Growing Reality Production Company expanding into Orange County, CA.
Currently seeking Assistant Editors for Reality Series and Pilots as well as Branded Content.

Overview:
The Assistant Video Editor will support the entire post-production operation by being the first set of eyes and hands on media after production. This role will be responsible for media management and will prepare all project assets and Premiere sequences for editorial teams. The AE will play a critical role in ensuring editors have a seamless, easy to understand start to their projects with minimal delay as CNE works within tight and shifting deadlines.

Primary Responsibilities:
- Collect memory cards/drives from Production teams, offload/upload media ensuring no footage is lost or corrupted, and verify data backups
- Gather assets from Production teams, ensuring media is accounted for, thoroughly organized, tagged, and stored in the proper locations in a timely manner
- Upon review of media, catch and flag any production errors, issues, or inconsistencies to all stakeholders and affected parties
- Import and prepare all project assets into Adobe software (Premiere, After Effects, etc.)
- Work with Media Asset Management team to correct and reconform problematic media codecs before assets are sent to editorial teams
- Build and connect multicam sequences to project specs
- Diligently organize, connect, and synchronize media in sequences ready for internal and external editorial teams to take over without questions
- Annotate and label all media based on shoot/project notes, as well as using your own intuition and understanding of the shoot to organize media in the project in a concise manner to set up the editorial and graphics teams for success
- Export and share sequence stringouts with project stakeholders
- Ensure correct project templates are being utilized and distributed to creative teams
- Recall old projects and media from archives when required
- Responsible for the distribution of hard drives to Production teams and updating tracking documentation

Desired Skills and Qualifications:
- Minimum 3 years of post-production experience including work as an Assistant Editor, preferably with digital content
- Advanced experience with Adobe Creative Suite / other post-production technologies and software
- Strong commitment to thoroughness and detail as well as an aptitude for organizing and labeling media content for a Post Production facility
- Proficiency with Google Suite required
- Proficient knowledge of the main broadcast and digital video and audio formats
- Work independently and with teams, able to decipher problems and create solutions; able to complete tasks with minimal guidance if necessary
- Adept at determining priorities and able to hit deadlines under pressure; ability to adapt quickly to changing priorities in a deadline-driven environment
- Communicate well and be flexible with other departments
- MAM experience a plus

We're looking for an Assistant Editor to aid with content creation on brand-new social media channels focused on internet culture, gaming, and lifestyle. This person will be responsible for assisting in weekly content uploads and episode prep as well as assisting editors with media acquisition and ingestion.

The successful candidate must show the ability to:
- Develop and maintain Interactive digital content for Snapchat Discover
- To work in Adobe Premiere
- Ability to edit rough cuts for the web and assist editors in episode completion
- Be social media savvy with Snapchat, Facebook, Twitter, Instagram and YouTube
- Knowledge of video game, celebrity, or automobile culture a plus

Position to start freelance with chance to extend to long-term based on channel success

Looking for an AE on a scripted half hour on HBOmax. Scripted experience preferred. Experience on an HBOmax show is even better.

* Coordinate workflows across multiple concurrent projects
* Organize multiple sources of footage, audio, music, sound effects, graphics, etc.
* Collaborate with video team to discuss edits, workflows and roadblocks
* Apply creativity and storytelling to enhance narrative and entertainment value of content
* Provide frequent updates via project management tools
* Other duties as assigned
* Create skeleton of edits so senior editors can finish
*Organize clips into bins so make workflow easier for senior editors

If you have editing reel send to cam@times10net

AE knowledgeable in a remote work-flow for up to 8 editors for an hour-long adventure / travel series set in México for a streamer.

Seeking Assistant Editor to help organize approx. 150 hours of documentary footage for a documentary feature film. There is some recent new footage from the last 1-2 years that has to be synced to sound. Half of the film is shot in German, so an Assistant Editor who understands German is a necessary requirement.

The documentary is a feature length film about the iconic German architect Mies van der Rohe. The film was shot over the last 12 years from Chicago to Berlin, among other locations.

It would be ideal for the Assistant Editor to be able to work out of the Venice, Los Angeles editing studio, but if necessary we can arrange for you to bring hard drives home to complete work afterhours.

Heavy lifting of assistant editing (plus syncing new footage, exporting audio files for transcriptions and English translation, etc) will be done from February through mid-March, with the actual story editing to start in mid-March and to last for the rest of the year. If the AE does a good job, they can stay on as the AE assisting the Film Editor throughout the rest of 2023.

Looking for an AE with technical proficiency to join our team for the upcoming Biggest Little Farm series.

The Assistant Editor will be responsible for ingest and dailies string outs, media management, server management, technical support for the production and post team as needed, and maintenance of post computers as well as occasional selects edits.

High proficiency in Premiere and Macs required. Experience with media management and server operation strongly preferred.

Self-motivated, can work efficiently with quick turn-around, both as a team and autonomously. Potential for growth.

Some natural history experience is ideal. Please note if you have editing experience/interest, but not required. Non-union.

Candidate should be prepared to work from the production office on-farm in Moorpark, CA as this is not a remote position. Position would start mid-to-late February and extend through May 2024. Health benefits are available after 3 months.

The role is in-office assistant editor supporting mostly AVID editors who are remote. Grouping syncing, media ingest, tech support, etc. Office is located in Greenwich Connecticut.

Seeking an Assistant Editor for a cooking competition series. Job responsibilities include, but are not limited to, receiving media from field teams, backing everything up, transcoding, syncing, grouping, exporting for transcription, verite cutdowns, network exports, and other post prep. This is a hybrid position, so candidates must be able to come to our office in NYC. Candidate must be highly organized, detail oriented and have a great attitude.

We're looking for someone to start in mid-February and the position would run through July.

Thank you!

ASSISTANT EDITOR // AVID

-PRIMARILY REMOTE- 100% remote work, hybrid, or onsite out of our mid-town Manhattan office with proof of vaccination

RATE:
- $35-40/HR DOE
- W-2 through staffing company
- 18month employment term maximum pending performance and workload needs

SCHEDULE:
- (8 hour day, 30 min unpaid break)
- 3:30pm - midnight to start
*Occasional OT and weekend work

SKILLSET:
- Fully fluent in Avid Media Composer and Interplay
- Familiarity with Adobe Premiere Pro, Media Encoder, and Post production workflows
- Strong organizational skills, attention to detail, know ingesting/syncing/grouping, handling mixed frame-rates, stringouts, script sync
- Must be comfortable uprezzing, prepping for online/mix, QC (familiarity to Broadcast and International specs), submit files for delivery, troubleshooting and supporting editors and producers
- Self-directed and collaborative. Should be able to prioritize under tight deadlines and comfortable using Microsoft teams to be accountable to team members and provide regular status updates
- Familiarity with Broadcast longform and short-form is a plus

TECH:
- Company laptop provided
- Must have reliable high speed internet with around 100mbps upload and download speeds

Hello in need of a n AE for 4-6 weeks to start for Higher Education online content. We are the production company for Strayer University. Need to be proficient in Abode premier. We are also working off Lucid Link. This is an AE rate. Mostly a remote position but we do have an NYC office we will need you to go to every once in a while especially during training.

*AE // POST PRODUCTION TECHNICIAN*

LOCATION: Can be 100% remote work - optional in-office out of midtown Manhattan with proof of vaccination

SCHEDULE:
- Monday - Friday (8 hour shift, 30 min unpaid break)
- Hours flexible (most shifts are 10am - 6:30pm)

DURATION:
- 18month employment length maximum through staffing agency pending performance and workload needs

TECH:
- Must have reliable high speed internet for remote connectivity, will be asked for internet speed test.
- Company PC laptop provided

RATE: $40/hr (8 hour day // 40 hour week)
- Occasional OT on evenings and weekends

JOB DUTIES:
- Assist in managing all client based and internal storage allocations on Avid ISIS/NEXIS, and Nearline storage systems.
- Administer folders, partitions, rules, and access across post production systems and storage.
- Onboard and provide technical support to editors and assistant editors on site and working remotely.
- Collaborate with technical support teams on creating workflows and rules for media management, storage, and access. Help refine existing workflows to improve efficiency and increase employee knowledge base.
- Support Vantage workflows for automated QC, camera Ingest and file delivery.
- Assist in providing technical support within the facility as it pertains to the Avid edit environment, and MAM systems.
- Assist in administering and maintaining SaaS and cloud based solutions in the post environment.
- Maintain and update various systems trackers for resources, projects and assignments follow up and reporting.

SKILL SET:
- Self-directed, collaborative, solid communication (verbal and written) and commitment to follow through
- Proficiency with Avid Media Composer, Interplay, Adobe Creative Suite, TeleStream/ Vantage, MAM systems
- Experience in remote workflows and technologies a plus: HP-RGS, Avid Edit on Demand, Teradici *training also provided*
- Experience with file transfer and cloud solutions a plus: Aspera, Signiant, Frame.io, FTP, Box, Files.com - *training also provided*
- Comfortable using Office 365, MS Teams, Google G-Suite apps, Windows+ Mac OSX
+ Long-form, episodic and offline/online experience a plus
+ Broadcast-cable television network experience a plus

Looking for an Assistant Editor for a 1/30 start.

Must have at least 2 years of professional experience using Avid Media Composer. Ideally, some of your experience is in episodic. Must be able to work independently, be an excellent communicator, and able to take specific direction. Attention to detail is a must.

Swing shifts start between 12noon-2pm. 9 hour days. But we can talk if you need more flexibility.

Please provide 3 references (2 or more of which should be post supervisors, ideal).

This job will initially be remote, going hybrid TBD, at some point.

Actual location of office is Stamford, CT. There is an expectation that we will return to the office in some capacity in 2024. If you are not in the tri-state area, we still might be able to consider you.

Thanks!

Ark Media is a documentary production company in Brooklyn, and we’re looking for an NYC-based Assistant Editor for a limited true crime doc series. It is is being produced for a premium streaming company and is non-union. It is the 2nd AE position, working with the Lead AE and 2-3 editors. We’re cutting in Avid. Work can be a hybrid of on-site and remote, however, we encourage the AE to work on-site at our office in downtown Brooklyn as much as possible. We have a socially-distanced office environment.

Dates: Position begins on 01/30/23, ends 08/2023 (approx)

Technical Skills:
-At least a 5 years experience working in post-production on documentary feature films or television series with Avid Media Composer
-Experience with archival elements
-Experience working remotely, as well as experience assisting editors who are also working remotely
-Experience working within a team
-Basic understanding of codecs and frame rate conversion
-Experience with media management
-Proficient technical skills, with the ability to trouble-shoot and solve problems
-Basic knowledge of spreadsheets and Google docs (though advanced skills are not a requirement)

Preferred Skills:
-Experience working with archival assets and FileMaker Pro
-Experience up-rezzing, prepping and delivering Avid sequences for color correction and sound mixing
-Experience with DaVinci Resolve
-Knowledge of Adobe Creative Suite, specifically After Effects and Media Encoder
-Experience creating and assembling deliverables
-Experience working with shared storage systems, such as Isis and Terrablock

Greetings!

We are looking for a detail oriented person for our Avid Loader position. This is an entry level position and is a great way into the assistant editor track.

You would be loading/ transcoding footage, including archival, photos, graphics, music. You would also be responsible for exports for transcription and other exports, creating Avid projects, keeping our music and graphics projects up-to-date, organizing Broll, mastering DVDs, working with music cue sheets, to name a few things.

We are asking for a 1-year commitment.

There is an expectation that you will be able to go into the office ~ 2 days per week. Maybe weeks it's less.

San Francisco-based production company looking for Assistant Editor for a true-crime documentary television series.

Preferably a Bay Area local who is available for hybrid work and would be able to occasionally travel to a physical office, 1-2 days per week.

Responsibilities will be media management, ingesting, grouping, and syncing footage, archival labeling and organization, and troubleshooting technical issues.

Working with remote edit workflows is a plus. Must be organized, detailed oriented, and professional.

The rate is $1200/week. Please send resumes.