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Looking for an Lead Assistant Editor for a first season Netflix Documentary Series.

Job is hybrid in person DTLA / remote.

Looking for someone who is experienced with Adobe Premiere and is a problem solver, detail oriented, and a good communicator.

Duties include Ingest, Grouping, Syncing, Online / Mix Prep. Perfect opportunity for someone trying to establish themselves with a rapidly growing company. Lots of opportunity for the right person.

Looking for an Assistant Editor for a busy unscripted prod co. Must know Media Composer 2018.5 and NEXIS experience is a plus. The facility is an all Apple environment.
Responsibilities include, but are not limited to, grouping, syncing, and ingesting tapeless formats. Knowledge of uprezzing and outputting a plus.
Please be a team player, an excellent self-manager, and proactive.
This will be a full-time, IN OFFICE position with a private workspace.
Days/Hours: M-F Day Shift, 40 hour week
Rate: $35/hour Non-exempt
Benefits include: (401K, Healthcare, Sick Time, Paid Holidays, and Paid Vacation all available after various terms)
Term: Approx 6 months with likely extension
Non-Union
EOE - This company is an EQUAL OPPORTUNITY EMPLOYER and does not unlawfully discriminate on the basis of race, color, religion, sex, gender, gender identity or expression, pregnancy, national origin, ancestry, age, sexual orientation, veteran status, marital status, mental or physical disability, or any other basis prohibited by applicable law. The company complies with all applicable Fair Chance regulations in employment decisions.

Looking for an Assistant Editor for a busy unscripted prod co. Must know Media Composer 2018.5 and NEXIS experience is a plus. The facility is an all Apple environment.
Responsibilities include, but are not limited to, grouping, syncing, and ingesting tapeless formats. Knowledge of uprezzing and outputting a plus.
Please be a team player, an excellent self-manager, and proactive.
This will be a full-time, IN OFFICE position with a private workspace.
Days/Hours: M-F Day Shift, 40 hour week
Rate: $35/hour Non-exempt
Benefits include: (401K, Healthcare, Sick Time, Paid Holidays, and Paid Vacation all available after various terms)
Term: Approx 6 months with likely extension

Non-Union
EOE - This company is an EQUAL OPPORTUNITY EMPLOYER and does not unlawfully discriminate on the basis of race, color, religion, sex, gender, gender identity or expression, pregnancy, national origin, ancestry, age, sexual orientation, veteran status, marital status, mental or physical disability, or any other basis prohibited by applicable law. The company complies with all applicable Fair Chance regulations in employment decisions.

Organize, edit, revise, and render videos for use on social platforms, full-length episodes of podcasts and other episodic web series, short films, docuseries, television and radio commercials, online advertisements, and other forms of visual media
Perform simple graphics edits as required to implement or update lower thirds, start or end cards, bugs, branding screens, and other on-screen graphic content.

● Ingest, transcode, sync, lineup, and prepare projects for editing
● Pull and cut clips for playback on podcasts and other video projects
● Seamlessly and efficiently work with other video editors on the
Production team throughout the editing process to deliver all projects on
time, on budget, and without error.
● Basic motion graphics skills, color correction skills and creative color-
grading instincts
● Basic audio post-production skills, including dialogue editing, sound
mixing, repair and sweetening

Adobe Premiere and knowledgeable in Adobe Creative Cloud.
Familiarity with DaVinci Resolve and Avid Pro Tools (preferred)

Assistant editor to provide post-production support for a documentary project

Looking for detail oriented AE for a 4 part docu-series on AMC. Normal AE duties; group/sync/org footage, prep and send locked cuts to mix, export EDLs, sending footage to GFX company and exporting cuts. Must know Avid and have experience with archive heavy projects. We are fully remote but our team works east coast hours.

Assistant an editor on location to prepare a cut that needs to be completed same evening as principal photography for a keynote next day. Would need to ingest footage during shoot day, log and stack takes and generally set up the material for a very fast turnaround.

Assistant Editor for documentary film in post-production. Trailer-teaser for fundraising and promotions in progress. Proficient in Adobe Premier, technically savvy, collaborate with Producers and work on-site. Review current rough cut of trailer and feature, archive film available, upscale and color if needed. Organized, positive attitude. Opportunity to co-edit 'directors cut' with more complex visuals, sound design, transitions, flow. This doc has a West Coast theme and National appeal.

Rate is $200/8 with meals and expenses paid. IMDb credits and access to all events. Chance to work on future projects. Must be able to work on-site in Greater Palm Springs offices. Please include demo reel.

We're in search of a full-time Video Editor and Videographer to join our team at the office.

Your tasks will include editing videos on Adobe Premier and shooting footage. You're familiar with Adobe after effects, that's a plus. We're looking for someone who can work well with our team, meet deadlines, and has a keen eye for detail.

We are looking for an organized and professional graphic design artist. Candidate must have a strong work ethic and have extreme attention for detail. Candidate must be a problem solver and a team player. Love for hip hop culture is a plus.

We are assembling a crew for a feature-length digital series to be released on social apps. The script is approximately 70 pages long, and the production will take place in the Los Angeles area (within the 30-mile zone) as a Non-Union project.

The Editor's role is to serve as an all-in-one editor, responsible for editing, adding music, sound effects (if needed), and performing simple color grading on the final cut. We require the Editor to be present on set to initiate the rough cut process. The final cut must be completed within 2 to 2.5 weeks, with no more than three rounds of revisions.

There is no VFX editing involved. Music licenses and stock footage costs will be additional.

If you meet the above requirements, we will be able to share more details.

We Are HIRING!

Looking for an established comedy editor that has an eye for making content funnier for online distribution.

Previous work must be submitted for review!

Thank you!

Looking for an experienced bilingual Post Production Coordinator (ENG/SPA)

Duties will include managing and tracking assets (footage, music, archival) and liaising with the assistant editors, producers helping keep the schedule on track.

Experience with building and completing network deliverables a must.

Job is remote but requires PST hours.

Looking for a post production supervisor for a 6 ep series for a streamer. Required 3 days in the office. Prefer a candidate with higher level technical knowledge around field/post workflows/unique media capture etc. Candidate should be highly organized, flexible and a great communicator.

We are a LA-based production company looking for an editor who has experience editing unscripted dating shows. Examples would be "Married at First Sight", "90 Day Fiancé", "Temptation Island", "Farmer Wants a Wife", etc. If you are the right candidate you know that it requires finding the right moments, building the suspense, and tugging on the heartstrings of the viewer. It truly is an art that we respect and need for our pilot.

If you have the skills and love to craft unforgettable stories we would love to talk with you.

Based on 5 days per week, 10 hours per day.

Award winning production company looking for an experienced post production supervisor for a premium documentary series. Cutting on AVID with Macs using a remote edit workflow. Must have experience delivering to major streamers Amazon, Disney+ or another large streaming platform. Please highlight your streaming credits. This project is Los Angeles based and the super will need to work LA hours.

We have just completed an absolutely hilarious indie feature film. Everything from the script, to the actors, the cinematography (shot on Red Komodo 6k), to the craftie was on point. When the comedy hits, it hits hard. But when the big heart moment at the end of the movie reveals itself, the audience will be left in tears. We know we have something great for upcoming festivals, but we need the color to reflect the awesomeness of the rest of the film. That's where you come in!

We're looking for someone who can bring some real artistry to the table. There are things that need to be fixed colorwise, that's to be expected. But there are other moments that could heightened by the color. Our main character suffers from anxiety. How would you go about accenting this???? There are dramatic fantasy sequences. Is there anything you can think of that can help the audience have a visceral reaction to these? MAKE THIS YOUR BABY!!!

Obviously, we're an indie feature and can't afford to pay you a quadrillion dollars. But we can pay you a minimum of $4k plus deferments. So if you're looking to sink your teeth into something you can really put your stamp on, this is the project for you! We just started editing, but are looking at a November-December start for color. If interested, shoot us over your reel, and let's set up a meeting this week to talk!

The pay for this project is based on a minimum payment of $4k plus deferred pay which can go up to $10k.