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Union Assistant Editor - Second Shift - (Afternoon into the evening/early mornings)

**This is a Union Job and Four Days a Week** Current Union daily base hourly rate.

Seeking a talented and motivated Assistant Editor to join our post-production team. The ideal candidate will have a strong passion for the craft, and be proficient in Adobe Premiere alongside the Adobe Creative Suite applications. The Assistant Editor will support the editing team in various aspects of post-production, ensuring smooth workflow and timely delivery of content.

- Work with the lead Assistant editor in all aspects of Post.
- Manage and organize media assets, ensuring all footage is properly labeled and stored.
- Perform basic edits, including cutting, splicing, and sequencing footage.
- Adjust and integrate graphics, effects, and other visual elements using Adobe After Effects if needed
- Collaborate with producers, editors, and other team members to ensure the final product meets the show's high standards.
- Maintain up-to-date knowledge of Adobe Premiere
- Assist in the creation of promotional materials and social media content as needed.
- Handle other post-production tasks as assigned.

What will set you apart:

- Proficiency in Adobe Premiere and the Adobe Creative Suite
- Strong understanding of video editing principles and techniques.
- Excellent organizational skills and attention to detail.
- Ability to work under tight deadlines
- Strong communication, collaboration skills, and well organized
- Extensive knowledge of editing, transcoding, and media management is mandatory
- Minimum of 5 years of experience in video editing or a related field.

CWK Media is a creative agency that specializes in the automotive industry. This role would work with our brand, Cruisin With Kendra, to enhance social media and YouTube storytelling.

Role Description

This is a contract role for a Creative Assistant at CWK Media. The Creative Assistant will be responsible for performing day-to-day tasks related to communication, image editing, video editing, production, and graphics. This is an on-site role located in Pasadena, CA.

Qualifications

Strong communication skills & writing
Willing To Travel
Self Motivated
Proficiency in image editing
Experience in photography and video production
Experience With Adobe Premiere & Creative Suite
Attention to detail and creativity
Ability to work independently and collaboratively
Knowledge of social media platforms and trends
Excellent organizational and time-management skills
Industry
Advertising Services

Employment Type
Contract - Our company payment is hourly.

Looking for a solid Lead AE for a Live series for a Streamer. Must be extremely proficient in both Avid and Resolve. Responsibilities will include syncing, grouping, ingesting, exporting, stringing, as well as assisting 1-2 editors. Will need to be familiar with ingesting content in/out of Resolve. Also will handle Deliverables on the back end.

Seeking a Night (possibly Swing) Assistant Editor to join our team for a game show starting production in August. Position will be hybrid, working in the office for the first 3-4 weeks, then remote from home for the remainder of the schedule. Avid workflow for KiPro media from production to post.

Thanks

True Stories is looking for a junior/assistant editor to help us with assemblies, selects, social media posts, etc! True Stories is currently growing and looking to bring on an assistant editor to help our main editor with a variety of tasks. This is a new position that may evolve or grow over time! Looking for someone with an interest in storytelling, making cuts for social media, learning as they go, and solving problems on the fly.

Ideally looking for someone who can work 10-20 hours a week, potentially more as we scale up. May include some on-site editing in Seattle.

We are looking for AEs with streaming experience to work in AVID/MediaCentral from ingest to final delivery on a new game show. This position will be largely remote but will require occasional in-person work, particularly at the top and tail of the season.
Some position details and expectations are listed below.
Details:
- 10/hr guarantee
- Largely remote but some in-person work is required
- Non-Union
- AVID/MediaCentral
Expected Tasks:
- Assist Editors & Producers with requests to find, organize, pull, or export media.
- Ingest, group, timeline, & organize source material.
- Export and deliver internal and network cuts.
- Prep and deliver media requests from promo and marketing teams.
- Export final HD/SDR texted masters.
- Create, B/U, & deliver all final archival materials.
- Keep projects well organized and current.
- Work with all team members positively to find creative, well-informed, efficient solutions when challenges arise.

One of New York City's largest production companies is seeking a Lead AVID Assistant Editor to work on a high profile project. This series will be bilingual so you must be proficient in Italian.

We are looking for a Lead AE who is extremely organized and well-versed in:
- Transcoding
- Syncing multicam footage
- Multigrouping
- Working with SubCaps
- Creating AAFs and EDLs
- Uprezzing
- Exporting, converting & posting cuts for network

Applicants must have in-depth knowledge of Avid and ideally 2+ years of experience working on the platform. After Effects knowledge is a plus but is not required.

This is a hybrid position.

After 90 days of employment you become eligible for health benefits, sick time, and other benefits.

Prior Bilingual project experience is a plus.

Looking for experienced editors for a new A&E series. Must have experience with AVID Media Composer.

Looking for AVID Editors in the tri-state area (NY, NY, or CT) with experience working on multi-cam, unscripted TV shows in the docusoap and formatted series genres. Experience working on series for OWN, or shows like the Housewives or Kardashian series is preferred. Experience with formatted series such as The Bachelor, Love is Blind, or Hell's Kitchen is also a plus.

Start date is [date] and tentative wrap date is [date]. While this position is remote, you must reside in the tri-state area (NY, NJ, CT).

The rate is based on experience and this company doesn't take loan outs

Ideal candidates will have the following:

Ability to work independently as well as collaborate with Producers
Must be able to address notes from producers and network on a quick turnaround
Work with selecting and editing music
Attention to detail and ability to stay organized in a fast-paced environment
Clear and concise communication skills
Positive attitude, collaborative team spirit, good energy, and proactive approach a must!

Our people are our greatest asset and, as an equal opportunities employer, we welcome applicants from diverse backgrounds to work both in front of and behind the cameras.

Seeking an editor starting this Sept for about 8 months for a feature documentary about Southeast Asians in American politics. The film is verite driven, following various political candidates throughout the country leading up to the election. Must have prior experience on a feature doc, must have references. Experience w/ political and/or verite centric projects a plus.

Looking for a strong editor with feature doc experience.

Need someone creative who likes to unique ways to present material, loves to find comedy in the story and has a feel for making music pop in the edit.

Editor will start with a rough build of the movie, looking to really bring to life and polish up for festival submission.

In ATL or with the ability to work local in ATL for part of the project is preferred.

paid weekly

DaVinci Resolve Colorist and Online Editor Wanted.

Los Angeles based colorist and online editor needed for a 10 episode 1hr unscripted docu-drama series. Remote work is possible but you will need to come into the office for review sessions. UHD and HD deliverables. Position starts within the next 2 weeks.

The Post Associate Producer is responsible for the clearance and deliverables for 10 1-hour compilation docu-series specials. The AP is responsible for working with the clearance department to ensure all materials used in each special are clear for use. This includes pulling releases for archival materials, acquiring releases for any new material, submitting backup as needed, tracking new material as it is added to the episode.

For budgeting, the AP will assist in tracking the costs of the third party materials used in each episode including which materials need to be relicensed based on the clearance department's evaluation, filling out purchase order forms and putting together the cost reports at each official milestone stage of the cut (Rough Cut / Fine Cut / Picture Lock).

The AP will also be responsible for putting together the Rundown for each episode which breaks down all of the material and timecode reflecting the final episode.

Looking for an editor to finish an assembly edit. The film will be approx 70min and about 60% is done.

Must be available to start right away.

Audio has all been connected and logged.

So it’s taking the remaining scenes and creating individual sequences.

We will put the final timeline together later.

Someone with good timing and works very proficiently. You will have many samples of the rhythm of it from the other scenes

Must be able to work with our rate. $1,500 flat fee for the work. 10 days/8 hour days

Must work only on Adobe premiere. Timeline is set up with Adobe "pancake" style layout. Using two sequences on top of each other.