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Greetings!

We are looking for a detail oriented person for our Avid Loader position. This is an entry level position and is a great way into the assistant editor track.

You would be loading/ transcoding footage, including archival, photos, graphics, music. You would also be responsible for exports for transcription and other exports, creating Avid projects, keeping our music and graphics projects up-to-date, organizing Broll, mastering DVDs, working with music cue sheets, to name a few things.

We are asking for a 1-year commitment.

There is an expectation that you will be able to go into the office ~ 2 days per week. Maybe weeks it's less.

Need an experienced Assistant Editor who can work from home and has good knowledge of Avid. Need someone with the ability to group/sync, do exports, bring in music, organize projects. A plus if you have After Effects knowledge. This job will run through the end of summer with the possibility of extending. Although this is mostly a remote gig, we will need someone in office once we start the online process to do a final QC check before sending to the network. This will be once a week or less depending on when shows get delivered.


1600/week.

Seeking two Assistant Editors for upcoming cooking competition series. Job responsibilities include, but are not limited to, receiving media from field teams, backing everything up, transcoding, syncing, grouping, exporting for transcription, verite cutdowns, network exports, and other post prep.

This is a hybrid position, so candidates must be able to come to our office in NYC. Candidate must be highly organized, detail oriented and have a great attitude.

We're looking for both AEs to start mid-March and the position would run through July/August. Thank you!

NYC-based reality competition series seeking an experienced AE (Avid) to join our team. We look forward to hearing from you!

Will be responsible for ingest, syncing and grouping, online prep, deliverables, support of editors.

Rate: $1750/wk

Looking for AVID Assistant Editors with experience working on multi-cam, verite driven TV shows in the true crime genre. Documentary experience is a plus!

Start date is 3/20/23. This is a CT production and the position is currently remote but may become hybrid at some point during production.

The ideal candidate will have the following:
- 5+ years proficiency in Avid MC
- Expert in Media Management and AVID
Project organization
- Proficiency in After Effects
- Strong organizational skills and the ability to
multitask
- Ability to communicate and relay progress
and tech issues to Post Management teams
- Knowledgeable in Microsoft Office and Google
Docs / G-Suite

Responsibilities include:
- Prepping material for edit including syncing /
grouping and organizing shot footage
- Organizing third party / archival media
- Importing GFX
- Creating cutdowns and scene selects
- Importing and organizing music selects within
Avid project
- Maintaining project organization (ie: space
allocation, project cleanup)
- Working closely with Editors and Post
Producers to address requests or to help
troubleshoot
- Prepping sequences for exports going to
network and promo departments
- Creating EDL and music report files for
internal teams
- Prepping episodes for online, including
upresing episodes

Rate Range:
$24.22/hr - $39.48/hr for a 9-hour day

The role is in-office assistant editor supporting mostly ADOBE workflow. Grouping syncing, media ingest, tech support, etc. Office is located in Greenwich Connecticut. Experience with LucidLink, Servers and Frame.io a plus.

COMPANY: Keyper Company
POSITION: Assistant Editor
POSITION TYPE: Full-Time
LOCATION: Thousand Oaks, CA - THIS IS NOT A REMOTE POSITION

WHO WE ARE
Keyper Company is a leading new media production company intensely focused on the production and worldwide distribution of innovative, engaging, and brand-friendly content. The assets under management have generated over 7 billion+ views and 40 million+ followers across digital and social platforms. Keyper Company continues to create content that engages a dynamic and diverse audience from around the globe.

THE CANDIDATE WE ARE SEEKING
You will be working as part of our nimble and passionate Post Production team who creates content that generates hundreds of millions of views across YouTube and TikTok. We are seeking a highly passionate Assistant Editor who is hungry and excited to learn, work hard and take on as much responsibility as possible to grow into a Lead Editor position. The ideal candidate has a native understanding of YouTube and TikTok, is organized, creative and is a quick learner.

RESPONSIBILITIES FOR THIS ROLE
Support the Lead Editor and Post-Production Coordinator in the following areas:
Ingesting footage
Multicam syncing
Creating proxies
Setting up and maintaining projects for the Lead Editor
Completing initial cut downs and rough cuts
Prep shots for the VFX team
General file management
Making sure videos meet our QC standards
Finding/creating SFX
Creating GFX in Photoshop and After Effects
Potentially editing TikToks and YouTube Shorts (for 2 creators with 7 million and 8 million TikTok followers respectively)
We are looking for you to ultimately work into a Lead Editor position for YouTube Shorts and TikTok content.
Constantly looking for ways to take as much off of the Lead Editor and Post Coordinator's plates as possible.
Passionate about learning new skills and techniques related to software and storytelling.

QUALIFICATIONS FOR THIS ROLE
Experience as an Assistant Editor
2-5+ years experience editing in Premiere Pro
2-3 years of experience using Photoshop and After Effects
Extremely fast and skilled with MacOS
Extremely fast learner
Detail-oriented and organized in all facets of work
Driven to grow in responsibility within the Post-Production department
Passionate about the social and digital media space

Looking for a professional assistant editor. Applicant must be proficient and very knowledgeable with premiere. Candidate for must be able to trouble shoot and be a problem solver. Candidate must be able to handle deadlines and be accountable.

Looking for a Korean-fluent AE for a documentary project ramping up over the next few months that will likely last 3-6 months.

Must be Avid proficient, working in-office in Los Angeles, 10am-7:30pm.

Also if you're an AP that might fit that description, we're open to that too. Can be flexible on start time/availability for the right candidate. Rate $1500/week negotiable.

Thanks so much!

Production company with over 200 hours of food television experience is looking for a bilingual English/Spanish speaking assistant editor for 13 episodes of a new streaming food/travel series featuring a celebrity chef host.

This position will prepare projects, cut-down, and string-out dailies. Tasks include but not limited to: media Ingest, proxy workflow, media transferring, project organization, media and project archiving, preparing assets for finishing, and aiding in the online (color/QC) process.

Qualifications:
-Bilingual (Fluent Spanish/English) (REQUIRED)
-1+ years of Adobe Premiere (REQUIRED)
-Ability to work in fast-paced environment under tight deadlines (REQUIRED)
-Da Vinci Resolve (Bonus)
-After Effects (Bonus)

Responsibilities include:
-Cut down, string-out dailies for story producers.
-At times provide an A-CUT or Radio Cut
-Export and deliver master episode and supporting elements.
-Coordinate with the post supervisor and team to ensure a smooth workflow and meet deadlines.
-Cut down episodes to create social media content as requested.

Looking for an Assistant Editor on a feature-length documentary about K-Pop. Applicant should be proficient in Adobe Premiere Pro (experience in Premiere Productions workflow a plus), as well as bilingual in Korean and English. Project will be remote at a full rate, and applicant should be able to work during regular business hours in PST.

Hi -
I have a project upcoming that has several parts that I could use help with. Perhaps you can do all of them, but I am willing to offer the project of subtitles separately if that is what the right person wants to do.

I will be very clear here and say that I do not want any AI or automated translation or subtitles. We have tried that previously for the Korean language series and it was not successful. Please, if you are not fluent in Western Armenian and willing to do this personally, decline to participate in this project.

The project has interviews of people speaking in Armenian, and I am told Western Armenian although we are in the Los Angeles area and I think it is a bit of a lingua franca here. You would know better than I how different the two languages might be. These interviews will be 45 minutes to 1 hour long and will require transcription and translation from Western Armenian language into English. Those transcriptions and translations then need to be approved by my client.

Once the approved by my client here, we will need creation of English subtitles and addition of those subtitles, very accurately, to the video so that I can edit the content. That video can be lower resolution, 720 is OK, and will only be used to overlay the actual video for editing purposes. I do not want an SRT file, I want an actual subtitle burned-in movie from the one I will post for this purpose.

I will also have six English language scripts for teleprompter presentation, each of about 300 to 500 words. These will need to be translated into Western Armenian.

Timing is a ways off. Likely I will have scripts at the end of March and need them back in a week or two. The interviews won't be captured until April some time and again, each step, transcription, translation, and subtitles, may take a week or two. The boxes here on StaffMeUp want a "Duration" of the hire. I don't expect to hire anyone for two months but do think the span of the project will be that or longer. Absolutely will to pay as portions are completed.

Let me know what parts of this project would you like to be involved with, and give me an idea of cost, please?

Thank you,

Rich

Looking for an AE with technical proficiency to join our team for the upcoming Biggest Little Farm series.

The Assistant Editor will be responsible for ingest and dailies string outs, media management, server management, technical support for the production and post team as needed, and maintenance of post computers as well as occasional selects edits.

High proficiency in Premiere and Macs required. Experience with media management and server operation strongly preferred.

Self-motivated, can work efficiently with quick turn-around, both as a team and autonomously. Potential for growth.

Some natural history experience is ideal. Please note if you have editing experience/interest, but not required. Non-union.

Candidate should be prepared to work from the production office on-farm in Moorpark, CA as this is not a remote position. Position would start mid-to-late March and extend through May 2024. Health benefits are available after 3 months.

Deliverable Date: ASAP (4-8 weeks depending on status of footage organization)

Needed Asset:
My team and I are looking for a short trailer to promote our news program, SYSTEM UPDATE (hosted by investigative journalist Glenn Greenwald), which premieres weeknights on independent media platform, Rumble. The plan is to use this trailer in a paid social media advertising campaign, primarily YouTube, placed in front of videos on peer channels. It will also live for some time in other places: pinned video on social media, the trailer on our YouTube channel, our website, etc.

We are looking for an exceptionally professional, polished end-product, highlighting the unique attributes of the show that distinguish it from an ever-expanding number of competitors. Among them:

Glenn Greenwald is a world-renowned journalist, with a long list of accomplishments and awards. He is best known for the Snowden reporting, which ultimately received a Pulitzer and was the subject of an Oscar-winning documentary. Fiercely independent and adversarial to power, he brings an important perspective to the current political/media landscape.
In contrast to corporate media and other competitors, we tend to dive deeply into a small number of issues every night, often covering stories that are misreported or under-reported in mainstream media. Beholden to no overbearing editorial oversight, we have the freedom to explore current events and pursue truth without concern for appeasing third-party stakeholders.

Our team has little capacity to be hyper-involved in this process. While we can definitely provide needed support and information, we are really hoping to find an editor who can create and implement the vision with as much independence as possible.

Post Coordinator/Media Manager needed for multiple projects. This is an in-office position located in Stamford, CT; it is NOT a remote or work-from-home position. Duties will include coordinating media drive deliveries, creating LTO backups, and assisting with wrap documents. Avid experience is a plus.

This is for six weeks to start but could turn into a much longer gig. Looking to start someone as soon as possible, but we can be flexible for the right candidate. Again, this is in-office, not remote, in Stamford, CT.

Great opportunity for the right candidate to get their foot in the door with a busy production company.

Seeking a bilingual Japanese/English editor for a corporate project, must either be based in Tokyo or work Tokyo hours.

Please identify in cover letter whether you'd work in Tokyo or Tokyo hours.

Varying dates between March 26th - April 14th.

Rate: $750/day

We are looking for Junior Editors to join our Post team. We have a steady stream of projects of varying size and we want to bring in new folks who are looking to hone their skills and grow their reels. Motion graphics skills, while not necessary, are definitely a plus.

With all positions that we seek to fill, we're looking to start creative collaborations that will hopefully last for years to come.

Interested parties should include a reel/portfolio with their resumes.

* We are a New York-based ad agency with full in-house production and post production capabilities. Our work includes broadcast spots, digital ads, paid and organic social, emerging media, and plenty of other fun formats/outlets.