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NIGHT AE NEEDED

NEWS CLIP show looking for a Night AE to help out our Lead AE.

***PREVIOUS TV EXPERIENCE IS A MUST***

Basic Duties:
Ingest/Transcoding
Manually Syncing
Exports (with TC)
Experience with EDL process in Premiere NEEDED
Basic Premiere troubleshooting skills REQUIRED

Excellent Premiere knowledge REQUIRED
Productions Experience preferred but not necessary.

PC & Mac OS

Pay: Competitive (Based on Experience)

Location: REMOTE/LOCAL PREFERRED (Canoga Park)

Looking for a Non Union AE for a weekly political show. Ideally, this person could start as soon as possible, but can be flexible with start dates.

Seeking an AE to finish out a currently in production series. This position will manage ingesting and transcoding, syncing and grouping footage, and project organization. This role is fully remote and any person applying should be experienced with Avid, have excellent communication skills, be organized, detailed oriented, and professional. TLC/Discovery experience preferred.

Breakwater Studios, an Academy Award®-winning studio championing the short documentary, is looking to hire a dedicated, passionate, driven, and highly organized Assistant Editor to join our team! This role reports to the Director of Post Production, but will work closely with many different team members, including editors, directors, Breakwater’s Marketing Department, and the finishing team, among others.

Looking for an AE to organize footage and set up a Premiere Pro project in a cloud based footage system. Editor to start the following week.

Paramount is seeking an Adobe Premiere assistant editor to provide support for a live event special (pre-show). This includes basic assistant editor duties, working with the operations team to execute various editorial projects which involve but not limited to organizing media using Adobe Premiere and sharing it with multiple editors. Experience with Adobe Productions a plus and organizing various sources of media.

Looking for experienced AEs with network show backgrounds that can troubleshoot on their own using Adobe Premiere and assist editors in a remote environment. Must have a laptop or desktop to work off as well as strong internet bandwidth.

Preferred experience having worked on a live show or event and have a deep understanding of prepping for network delivery. (Online prep, mix, exports)


Responsibilities:

-organize/sync/group various forms of media for handoff to editors, and keep project organized using Adobe Productions
-Assisting editors for string outs, exporting cuts, and creating screening cuts.
-Media management of multiple projects in an Adobe Premiere environment using RGS/Jump systems (Remote Edit)
-Follow naming conventions for all media and keeping it consistent thru the workflow.
-Working with other groups for ongoing needs

Basic Requirements:

-Must be comfortable/expert user with Adobe Suite not limited to Adobe After Effects, Photoshop and encoding apps. Adobe Productions Preferred
-Experienced in workflows of sending full shows to mix (prepping projects, AIF/AAF, log sheets, etc.)
-Demonstrate the ability to troubleshoot edit maintenance issues (ex: media offline, audio issues, reconnecting old projects, etc.) current with Premiere bugs.
-Able to handle multiple requests in a fast-paced environment.
-Understand the digital delivery process and the types of files exported for on/air & online.
-Troubleshoot QC notes from deliverables
-Comfortable in a Mac environment as well as the ability to multitask under changing priorities.
-Team player and open to various workflows from different groups.
-Flexible hours
-Effective verbal and written communication skills are necessary

Reality production company is looking for an experienced Assistant Editor for a UHD project. Must have strong skills in working with PC Avid Media Composer, Script Sync and Adobe Photoshop/Creative Suite. Must be familiar with multiple formats and codecs.
Must have excellent media management skills in working with field and archival footage. Experienced in transcoding, prepping files for transcripts, pulling interviews, sound bites and b-roll, as well as organizing sting-outs and rough cuts. Must have a solid understanding of network deliverables and how to prep for online sessions. This is an on-site job in West Los Angeles.

Looking for an assistant editor local to midtown Manhattan for new Roku Original series.
This person will need to come into our midtown office (near Penn Station and NJ Transit) during evening hours to receive drives from production, ingest footage, and bring into AVID.
On non shoot days, daytime hours (9-5) and be able to come into the office or work remotely.

One of New York City's largest production companies is seeking a night Avid assistant editor / loader to work on a two month long project.

We are looking for a AE / loader who is organized, responsible and well-versed in Avid transcoding and data management. Knowledge of Shotput Pro and DaVinci Resolve is also very helpful.

Applicants must have good working knowledge of Avid, ideally 1+ years of experience working on the platform.

This is an in-office, night position.

Movie marketing/advertising agency based in Downtown LA is looking for an enthusiastic assistant editor.

Starting as soon as possible.
Non-union DOE min 250/10hrs
Premiere. In Person/DTLA
Main responsibilities: cue-sheets/transcripts/logging/transcoding media

We are a tight-knit, friendly team looking for someone with a fantastic attitude that is comfortable working in Premiere. The current project will start out as a short-term 1-month commitment but could extend into the fall, depending on project needs. This is a great opportunity to learn more about the Post process and Premiere. We'll train you in our workflow and be with you every step of the way.

We are looking for Assistant Editors for a 10-episode documentary series. Must be proficient on Premiere Pro and have at least 1 year of experience as an AE. Must be a resident of Ontario, Canada.

Looking for an AE for ingesting, syncing and grouping footage. This person should be comfortable in Avid and a remote environment. Additionally will be completing tasks assigned by the editors.

We are currently looking to add some AEs to our team, specifically a night shift and possibly a swing shift. Experience with a stage competition show a plus!

There is a possibility of long-term work and potential to grow within the company. Familiarity with Avid is a must. Responsibilities would include processing and grouping, outputs and possibly some online prep.

This is a team environment even as we work remotely. Please let me know if you're interested and we look forward to hearing from you!

Lucky 8 is a full-service unscripted production company founded in 2014 that has created and produced a wide range of successful series and specials, from blue-chip documentary to formatted reality, in genres spanning crime, science, food, comedy and more.

We are looking for a highly capable Assistant Editor for our Post Production Department. This position will manage the ingest and transcoding, project organization, footage grouping and syncing, sequence string outs, and exports of cuts. This role is fully remote.

Duties/Responsibilities:
- Backing up and verifying Raw footage from the field as it comes in to the office
- AMA linking and transcoding the footage in Avid Media Composer
- Sorting all footage into proper bins
- Submitting interviews for transcription
- Working with the Post Supervisor, Editors, and Producers to group, sync, script sync, and stringout pertinent material
- Exporting cuts for both internal and network review
- Assisting with the online process during final finishing

Required Skills/Abilities:
- Familiarity with Avid Media Composer, AMA Linking, Transcoding and Avid NEXIS Environments
- Familiar with various camera card structures and codecs
- Able to troubleshoot technical issues that arise
- Must be organized and reliable to ensure no footage is lost or missing
- Must be able to effectively and continuously communicate with multiple team members and members of the Post Production Department on a daily basis

Education and Experience:
- Minimum of 1 years experience in this role
- Salary commensurate with experience

Paramount is seeking an experienced assistant editor to provide support for a live special event edit. This position requires to be in person at our midtown location.

This includes basic assistant editor duties, working with producers to execute various editorial projects which involves but not limited to keep track of existing show media, building multi groups under a tight deadline, strong syncing and organizational skills desired.

Looking for experienced top level AEs with network show backgrounds that can troubleshoot on their own.

***Avid MC AES with network live show credits) are preferred.***

Responsibilities:

-Media management of multiple projects in a shared storage environment.
-Transcoding files for multiple platforms.
-Assisting editors for string outs, prepping multi-group edits/synching, exporting cuts and take over smaller edits
-Follow naming conventions for all media and keeping it consistent thru the workflow.
-Working with other groups for ongoing needs

Basic Requirements:

-Must be comfortable/expert user with Avid Media Composer not limited to Adobe After Effects, Photoshop and encoding apps.
-Has worked in a stressful near live event delivering assets for live show EVS playout
-Experienced in workflows of sending full shows to mix (prepping projects, AAF, log sheets, etc)
-Executed creating final deliverables for full length shows
-Demonstrate the ability to troubleshoot edit maintenance issues (ex: media offline, audio issues, reconnecting old projects, etc) Avid errors
-Able to handle multiple requests in a fast-paced environment.
-Know the differences between file codecs from tapeless material.
-Understand the digital delivery process and the types of files exported for on/air & online.
-Comfortable in a Mac environment as well as the ability to multitask under changing priorities.
-Team player and open to various workflows from different groups.
-Flexible hours (late nights and weekend work)
-Bachelor's Degree and someone genuinely interested in post-production who wants get on track to be an editor.
-Effective verbal and written communication skills are necessary

Hot Snakes Media, a cutting-edge TV production company is looking for AVID assistant editors with experience in multi-cam sync & grouping, proxy workflow, and dealing with various frame rates/resolutions. The office is located in Greenwich CT but can be remote. Programming is reality, docu, wildlife, and much more.

We are looking for an experienced assistant editor to work overnights. Experience remoting into editors work stations to assist with troubleshooting is a must.

This role will mainly be to send the editor any missing media via aspera or frame, troubleshooting, pulling new media for import, exporting and distributing cuts.

Must have own computer, reliable internet and Avid experience.

Non-Union

Growing production company seeking experienced Avid AEs to join a variety of remotely edited projects. Projects range from history to true crime, to food and many other genres. We are hiring for all shifts and applicants from any location are welcome!

Candidates Must Have:
- Strong organizational skills
- Extensive multi-grouping experience
- Extensive experience with mixed frame rates
- Avid troubleshooting experience
- Basic After Effects experience

Our orders are expanding and we try to give anyone who excels a chance to stay on after their project.

This position of Assistant Editor would assist post production for a long-term documentary, on-site in our Van Nuys, CA production office, and provide front-line technical support for the projects editorial infrastructure.

Responsibilities include (but are not limited to):

- Manage and maintain Adobe Premiere Pro Productions hardware/software pipeline and workflow
- Collaborate with the post-production team to create workflows, organize and future-proof projects, initiate best practices, and resolve software issues

Essential Functions:
- Sets up and organizes edit projects according to the specific needs of the production
- Responsible for leading other assistant editors and prioritizing tasks
- Accountable for all media including proper ingest, media location etc.
- Orchestrate proper labeling, syncing and grouping techniques required by each productions needs
- Prepare the show offline sequences for delivery to online/finishing facility
- Archive media and projects for future rebuilding and retrieval

What you bring:
- Premier Productions experience
- AVID experience
- Experience with High performance media servers - NAS, Nexis
- Able to visually distinguish fine details and edits in order to maintain uniformity and consistency across various show elements, including all fonts, colors and graphics
- Able to learn and master archiving protocols for shows and company media for future retrieval
- Able to appropriately handle stress, respond to time-sensitive deadlines, and maintain overall composure
- Adapt to changed situations or changing demands, and adjust priorities quickly as circumstances dictate (including emergencies)
- In-depth experience supporting software and hardware for Post Production
- Ability to clearly communicate, support and maintenance issues with outside system engineers
- Strong problem-solving abilities
- Excellent communication and documentation skills
- Excellent interpersonal skills, and the ability to juggle multiple priorities
-The ability to analyze and prioritize production needs and tasks
-Ability to proactively anticipate requirements and identify/mitigate potential issues before they occur

We're looking for an experienced Assistant Editor to join our upcoming 21-episode season. Typical unscripted AVID workflow, where duties will include ingesting, transcoding, grouping/syncing, exporting, prepping for online and mix, creating master delivery files, and general problem solving along the way. This will be a hybrid position where there will be a balance between working on-site and being able to use JUMP to remote into a system at the office. This team will have 2 Assistant Editors.