Apply to this Assistant Editor Job

We are a Los Angeles-based production company, looking for an AE to work with us on this project during the 3 days our team will be in NY.

For this role, it would be for the evenings of October 16th-18th. It would require meeting up with us on set (a different location each night) taking all footage back with you each evening and we would need you to ingest all footage, sync sound to all cams (all video files are multicam), create proxies, and upload to the cloud.

Day rate for an overnight shift

We are looking to hire a seasoned assistant editor for a high volume, fast-paced show. This is a Union show - it's not required to be in the union prior to being hired, but must be willing to join if hired. This job will be shooting and posting in Atlanta. This is NOT a remote position.

Extensive experience with Avid required, possessing all the typical technical skills needed for assistant editing on an unscripted show - syncing, grouping, ingesting stills, exporting, lock prep and turnover, etc. The ideal candidate will be a great communicator and able to work quickly and efficiently under deadlines. They should also be able to troubleshoot issues on their own, and know when to raise the flag. This person will be helping to support a large edit staff so being a team player is vital to success in this role.

Organize, edit, revise, and render videos for use on social platforms, full-length episodes of podcasts and other episodic web series, short films, docuseries, television and radio commercials, online advertisements, and other forms of visual media
Perform simple graphics edits as required to implement or update lower thirds, start or end cards, bugs, branding screens, and other on-screen graphic content.

● Ingest, transcode, sync, lineup, and prepare projects for editing
● Pull and cut clips for playback on podcasts and other video projects
● Seamlessly and efficiently work with other video editors on the
Production team throughout the editing process to deliver all projects on
time, on budget, and without error.
● Basic motion graphics skills, color correction skills and creative color-
grading instincts
● Basic audio post-production skills, including dialogue editing, sound
mixing, repair and sweetening

Adobe Premiere and knowledgeable in Adobe Creative Cloud.
Familiarity with DaVinci Resolve and Avid Pro Tools (preferred)

Looking for an Assistant Editor for a busy unscripted prod co. Must know Media Composer 2018.5 and NEXIS experience is a plus. The facility is an all Apple environment.
Responsibilities include, but are not limited to, grouping, syncing, and ingesting tapeless formats. Knowledge of uprezzing and outputting a plus.
Please be a team player, an excellent self-manager, and proactive.
This will be a full-time, IN OFFICE position with a private workspace.
Days/Hours: M-F Day Shift, 40 hour week
Rate: $35/hour Non-exempt
Benefits include: (401K, Healthcare, Sick Time, Paid Holidays, and Paid Vacation all available after various terms)
Term: Approx 6 months with likely extension

Non-Union
EOE - This company is an EQUAL OPPORTUNITY EMPLOYER and does not unlawfully discriminate on the basis of race, color, religion, sex, gender, gender identity or expression, pregnancy, national origin, ancestry, age, sexual orientation, veteran status, marital status, mental or physical disability, or any other basis prohibited by applicable law. The company complies with all applicable Fair Chance regulations in employment decisions.

Looking for an Assistant Editor for a busy unscripted prod co. Must know Media Composer 2018.5 and NEXIS experience is a plus. The facility is an all Apple environment.
Responsibilities include, but are not limited to, grouping, syncing, and ingesting tapeless formats. Knowledge of uprezzing and outputting a plus.
Please be a team player, an excellent self-manager, and proactive.
This will be a full-time, IN OFFICE position with a private workspace.
Days/Hours: M-F Day Shift, 40 hour week
Rate: $35/hour Non-exempt
Benefits include: (401K, Healthcare, Sick Time, Paid Holidays, and Paid Vacation all available after various terms)
Term: Approx 6 months with likely extension
Non-Union
EOE - This company is an EQUAL OPPORTUNITY EMPLOYER and does not unlawfully discriminate on the basis of race, color, religion, sex, gender, gender identity or expression, pregnancy, national origin, ancestry, age, sexual orientation, veteran status, marital status, mental or physical disability, or any other basis prohibited by applicable law. The company complies with all applicable Fair Chance regulations in employment decisions.

Assistant an editor on location to prepare a cut that needs to be completed same evening as principal photography for a keynote next day. Would need to ingest footage during shoot day, log and stack takes and generally set up the material for a very fast turnaround.

Job Title: Spanish Language Video Editor - Freelance Per-Project

Overview:
Condé Nast Entertainment is looking for video editors to cut Spanish-language digital content. Candidates must speak fluent Spanish and be able to translate and edit videos involving Spanish-speaking talent. CNE Video Editors bring compelling, culturally-impactful, entertaining, and diverse creative content to life every day. Candidates should be natural storytellers and creatives first, interested in a role that spans a wide array of projects and styles, and able to collaborate with many creative partners in Production and Programming. This position works closely with Directors, Producers, Post Production Supervisors, other post-production team members, and reports to the Supervising Editor.

Primary Responsibilities:

-Edit a variety of complex digital video concepts across Condé Nast’s portfolio of brands, primarily for YouTube in both English and Spanish

-Collaborate with Directors and Producers to meet the creative and technical goals of each unique project

-Able to quickly and independently cut to the essence of a story, and create compelling and entertaining narratives from diverse raw materials

-Maintain active lines of communication with Post Production Supervisors, Directors, and Producers throughout the course of a project; be vocal when it comes to a project’s scheduling, creative, and technical needs, and flag concerns or delays promptly

-Time management skills and flexibility are key to successfully stay on schedule in CNE’s fast-paced, high-volume post-production environment.

-For any assigned project, complete motion graphics, color correction, sound design and mix, deliverables, and cue sheets

Desired Skills and Qualifications:

-Fluency in Spanish required

-Minimum 4 years editing experience, primarily in digital video content; past work in a fast-paced, high-volume studio, media company, or post facility environment preferred

-Must be proficient in Adobe Premiere, with advanced capabilities with After Effects strongly preferred

-Strong finishing skills; able to handle color correction, sound mix, motion graphics, and possess the capability to deliver high quality design and stylized content

-Strong understanding of editing principles and current digital trends, with an ability to tell a cohesive story

-Must have impeccable organizational and communication skills

-Must be able to self-organize priorities to ensure that deadlines are met, adhering to best practices set forth by senior management

-Ability to problem solve and work through issues and produce under the pressure of deadlines


What happens next?
If you are interested in this opportunity, please apply below, and we will review your application as soon as possible. You can update your resume or upload a cover letter at any time by accessing your candidate profile.

A portfolio, viewing room, or links to individual, applicable pieces of past work is required. Videos that have achieved demonstrable success on YouTube are desired. Demo or sizzle reels are discouraged.

Condé Nast is an equal opportunity workplace.
Duties and responsibilities may be adjusted based on years of experience.
Salary is also commensurate with experience.

About the show:
TV series where reality meets sitcom.
Olga X is an x-Russian, x-actress, and 2x-wife who tries to fix everyone & everything, starting with her BF and American Reality TV. A few issues: she speaks almost no proper English, knows no one in show biz, and even less about men.

Video Story editor

Description: part-time position includes but is not limited to editing scripted episodes from 13 to 26 minutes; editor will create rough and final cuts of the episodes.
Remote work is possible, however, preferable if editor has the ability to meet in person with the Director in NYC for final cut review/editing session.
Starting time: end of November 2023
Requirements:
• Expertise with Avid and Adobe Premier
• Ability to edit independently
• Bachelor’s degree
• Minimum 3 years of experience in professional TV reality story editing and/or sitcom video editing.
• Demonstrable video editing ability with a strong portfolio.
• Ability to work with a sound and music library and to independently choose music theme for the story mood.
• Strong storytelling abilities, sense of humor, and understanding of jokes.
• Fluent in English
• Good work ethic; attention to detail; self-discipline; ability to work on your own and meet deadlines; openness to feedback from other team members; ability to work collaboratively in a team environment and communicate effectively.
Provide a link to your portfolio, CV, and resume when applying. Applications without a portfolio will not be considered.
Compensation starts from $1,350 per episode.
Scripted episodes from 13 to 26 minutes.

Mostly stock footage. corportate HYPE video for an event 1-2 min long.
Not looking to do interview footage. It will just be stock footage editing for copy. Please note that I'm only looking for brand/ advertising reel/experience. Not editorial content.

Looking for a post team, if you have AE, colorist, gfx team let me know.

invoice payment
For two weeks. Can discuss the details further.

Looking for Production Assistants familiar with Avid to review, mark and organize footage for national cable outdoor program. Additional duties include tracking storylines and weekly meetings with story producers & editors. Must be highly organized, proficient at AVID, Google Docs, Microsoft Excel & Word

Online Editor | Final Frame 150 W 22nd St. 3rd Fl. New York NY 10011

We're a small team with a great company culture looking for an individual to come in with at least 1-3 years of experience in an online editor role. The ideal candidate will have a desire to learn, a solution oriented mindset, and the ability to work well in a collaborative environment. If you have the drive to grow your skills with us we will give you the support to do so. *Please read the job description carefully, this role is for an online editor - this is not a video editor/offline editor.

This role will report directly to Final Frame’s DI Manager and will be in-person Monday – Friday, 10 am-7 pm.

Responsibilities and duties:

Relink and copy media from client drives to our internal SAN, transcoding when necessary.

Migrate offline edit from the editing program to the color correction platform.

Conform picture at the highest resolution and quality possible, recreating all scaling, positioning, and effects.

Work in tandem with the colorist to integrate graphics, text, replacement shots, and fixes throughout the color grade.

Communicate with the client, audio mixer, and other third party vendors to shepherd each project through the finishing process.

Export and review final deliverables, ensuring the highest quality possible.

Communicate with distributors, networks, and streaming services to ensure deliverables adhere to the relevant specifications.

Preferred Knowledge
Proficiency in Avid Media Composer and Adobe Premiere.
Experience with Davinci Resolve and/or Adobe After Effects a plus.
Knowledge and understanding of various video frame rates, resolutions, and codecs.
Ability to problem solve and create efficient workflows under tight deadlines.
Attention to detail and good communication skills are crucial.


About Us:
www.finalframepost.com - Learn more about the work we do, our locations, and our team.
https://frameone.com - The Frame One platform is Final Frame’s sister company which provides state-of-the-art, shared offline editing functionality for high-profile programming. This platform is currently running 30+ shows.
Final Frame and Frame One are Equal Opportunity Employers and do not discriminate on the basis of race, religion, sex, gender identity, sexual orientation, age, or any other basis covered by appropriate law. All employment is decided based on qualifications, merit, and business need.

Finishing Producer | Final Frame 150 W 22nd St. 3rd Fl. New York NY 10011

In this role, you will work with our post-production teams to coordinate and oversee projects undergoing picture and sound finishing. This includes bidding, scheduling, resource allocation, asset tracking, and final delivery. In this role, you will be responsible for overseeing anywhere between 5-15 projects at a given time. You will develop relationships with current and prospective business and act as a primary liaison between staff and clients. This is not an entry level post position. Ideal candidates have 3+ years of post experience. Those with the following credits are encouraged to apply: Post supervisor, Post manager or Project manager.

This role will report directly to Final Frame’s Senior Producer and will be in-person Monday – Friday, 10am-7 pm.

Responsibilities and duties
Greeting and checking in both clients and media for incoming sessions.
Managing and tracking online milestones across projects.
Preparing estimates and invoices (FileMaker Pro).
Tracking online digital deliverables between client and Final Frame.
Working cross-functionally with department heads to ensure all company calendars are updated regularly.
Oversee completion and quality assurance of requested tasks.
Completing all projects on time and on budget.

Preferred Knowledge
The ability to identify project needs and work proactively.
Working knowledge of post-production workflows, specifically online.
Experience managing logistics across multiple projects simultaneously.
Ability to manage client demands and expectations.
Knowledge of delivering to independent production companies, all major networks, streamers, and film festivals.
Previous experience with the following is a plus (training will be provided): Google suite, FileMaker Pro, FoxOMS.


About Us:
www.finalframepost.com - Learn more about the work we do, our locations, and our team.
https://frameone.com - The Frame One platform is Final Frame’s sister company which provides state-of-the-art, shared offline editing functionality for high-profile programming. This platform is currently running 30+ shows.


Final Frame and Frame One are Equal Opportunity Employers and do not discriminate on the basis of race, religion, sex, gender identity, sexual orientation, age, or any other basis covered by appropriate law. All employment is decided based on qualifications, merit, and business need.

Need advanced adobe premier skills to cut some promos for a documentary. And some timeline clean up.
PLEASE DO NOT APPLY IF YOU DO NOT HAVE MULTIPLE EDITOR CREDITS.