Apply to this Assistant Editor Job

Looking for a professional assistant editor. Applicant must be proficient and very knowledgeable with premiere. Must be able to travel and work remotely on the road. Travel cost and lodging will be covered. Must be a fan of hip hop culture.

We are looking for a Lead AE who is extremely organized and well-versed in:
- Transcoding
- Syncing footage
- Multigrouping

Applicants must have in-depth knowledge of Avid and ideally 2+ years of experience working on the platform.

We will be organizing footage on a drive to then edit remotely. Opportunity for additional part time work.

Looking for an Assistant Editor for coverage while our Lead AE is away. This person should be comfortable in Avid and a remote environment. Duties will include, Music/GFX ingest and organization, Sync and Group as needed. Exports as needed. Additionally complete tasks assigned by the editors.

Responsibilities :

Monitor and execute the delivery of content to a variety of linear and digital platforms
Administer the procurement and ingest of source media for all edit sessions
Ensure the continual creation and registration of archival content
Manage, ideate and edit multiple internal videos for our internal All Hands meeting
every two weeks.
Edit videos create lower thirds, title cards, captions, etc. as needed
Assist all editors and audio engineers by prepping new projects for edit and prepping mix files for new edits, including creating proxies.  Comfort working with data transport and storage.
Create final assets once programming is finalized and archive and organize all raw original media.
Pull selected still frames for thumbnail images
Pull marketing selects as directed by Producers/Editors

Basic Qualifications:

Minimum 3 years experience working in a high volume post production facility or similar production experience.
Familiarity with various tape formats, file formats, the encoding process, and digital delivery methods.
Experience with navigating and updating media and administrative databases. Google suite, Monday.com or similar systems.
The ability to juggle multiple priorities and communication streams at once through a variety of platforms.
The ability to maintain a professional demeanor during periods of higher-volume work and/or pressing deadlines.
Strong knowledge/ proficiency of Adobe creative suite (most notably Premiere Pro, After Effects, Photoshop), DaVinci, and Final Cut
Experience in motion graphics with strong After Effects skills and experience in
graphic design.
Strong knowledge of post production workflows, asset dams and A/V file management, and proficiency in media management and media sharing systems
Strong knowledge of video and audio codecs and broadcast delivery specifications
Strong communication and organizational skills online and in person
Knowledge of audio programs (pro-tools, Adobe Audition)
Junior Editor experience a major plus
Based out of Bay Area with ability to work on-site on Oakland office

Immediate need for Assistant Editors skilled in Avid.

THIS POSITION IS REMOTE.

Applicants must have experience ingesting, transcoding, syncing, grouping multi-cam footage, exporting, posting cuts for network, and handling editor requests.

Other responsibilities include assisting the online editor with the uprez, prep for mix, bleep and blur passes, etc.

- Be extremely organized, detail-oriented, able to complete tasks quickly, and have strong communication

- Proficient in Avid

- Must be available on some weekends if needed

This position will be remote, applicants must have their own computer and reliable internet speed to remote into company systems.

Immediate need for Assistant Editors skilled in Avid.

THIS POSITION IS REMOTE.

Applicants must have experience ingesting, transcoding, syncing, grouping multi-cam footage, exporting, posting cuts for network, and handling editor requests.

Other responsibilities include assisting the online editor with the uprez, prep for mix, bleep and blur passes, etc.

- Be extremely organized, detail-oriented, able to complete tasks quickly, and have strong communication

- Proficient in Avid

- Must be available on some weekends if needed

This position will be remote, applicants must have their own computer and reliable internet speed to remote into company systems.

Immediate need for Assistant Editors skilled in Avid.

THIS POSITION IS REMOTE.

Applicants must have experience ingesting, transcoding, syncing, grouping multi-cam footage, exporting, posting cuts for network, and handling editor requests.

Other responsibilities include assisting the online editor with the uprez, prep for mix, bleep and blur passes, etc.

- Be extremely organized, detail-oriented, able to complete tasks quickly, and have strong communication

- Proficient in Avid

- Must be available on some weekends if needed

This position will be remote, applicants must have their own computer and reliable internet speed to remote into company systems.

Hearst Media Production Group is seeking a freelance Assistant Editor to join post-production. This role will be responsible for managing and prepping incoming and outgoing media for the editorial team.

This position reports to the Executive Producer (Head of Post-Production).

This position is based in Burbank, CA.

Duties & Responsibilities

• Logging
• File management
• Syncing
• Exporting
• Light graphics (within Premiere)
• Creating ancillary deliverables such as press release stills, show clips, & music cue sheets

Experience

• 2+ years of relevant experience in digital post-production
• Military training from Defense Information School (DINFOS) with related experience will be considered

Qualifications

• Mastery of Premiere is a must
• Experience with AfterEffects and Photoshop preferred
• The ability to adapt and work quickly under short deadlines
• Understanding of video codecs and workflows
• A high level of attention to detail
• Strong written and verbal communication skills

Education

• Highschool diploma or GED preferred

Additional Requirements

As part of its continued efforts to maintain a safe workplace for employees, Hearst Media Production Group requires that all newly hired employees be fully vaccinated (as defined by the CDC) against the coronavirus by the first day of employment as a condition of employment, to the extent permitted by applicable law. Hearst Media Production Group will consider requests for reasonable accommodations due to medical and/or religious reasons on an individual basis in accordance with applicable legal requirements.


About Hearst Media Production Group

Hearst Media Production Group (HMPG), a business unit of Hearst Television, is an independent producer and distributor of original programming for TV stations, broadcast and cable networks and streaming services. H-MPG produces hundreds of hours of programming annually across linear, streaming, digital and social media platforms for domestic and international distribution in nearly 100 countries. Its popular shows include “Matter of Fact with Soledad O’Brien,” America’s #1 syndicated political program; the Emmy Award-winning educational/informational (E/I) programming blocks airing weekends nationwide including “Weekend Adventure,” on ABC stations; “CBS Dream Team,” on the CBS Network; “The More You Know,” on the NBC Network; “One Magnificent Morning,” on The CW Network; “Mi Telemundo” on the Telemundo Network and “Go Time!” on independent stations. HMPG also distributes a diverse slate of other programming and content including “Law&Crime Daily,” “Prime Crime,” “Consumer Reports TV,” and the company’s dedicated FAST channels “Xplore” and “The Jack Hanna Channel,” available on some of the most popular smart TVs and streaming platforms.

Looking for a day or night AE that is great at blurring and comfortable blurring at a fast pace.

We have a position open on a tv show that can possibly go for 10 months at a time/yearly. The show is a cop show that requires various scenes to be blurred weekly for delivery every week to air Friday and Saturdays live. Please do not apply if you are not comfortable/knowledgeable with blurring. 95% of the AE's job will be to blur each shift.

This is a remote job that's based out of NY but we are willing to work with west coast hours as well. Non Union- M-F shift but can also accept weekends as well (i.e Wed-Sun)

We are looking for an assistant editor for a feature documentary and working closely with our amazing editor , David Zieff. Must be experienced, organized, a problem solver, a great collaborator, as we head to the finish line of an amazing feature documentary working with an award winning team. At least 2-3 years experience working in post-production on documentary feature films or television series with Avid Media Composer.

Strong knowledge of post production workflows and proficiency in media management and media sharing systems
experience with conforming and finishing workflows
technically savvy
worked with script sync
Ability to pull selects
Prior experience working on archival films a plus
Hybrid position - must have ability to commute to Manhattan

NIGHT AE NEEDED

NEWS CLIP show looking for a Night AE to help out our Lead AE.

***PREVIOUS TV EXPERIENCE IS A MUST***

Basic Duties:
Ingest/Transcoding
Manually Syncing
Exports (with TC)
Experience with EDL process in Premiere NEEDED
Basic Premiere troubleshooting skills REQUIRED

Excellent Premiere knowledge REQUIRED
Productions Experience preferred but not necessary.

PC & Mac OS

Pay: Competitive (Based on Experience)

Location: REMOTE/LOCAL PREFERRED (Canoga Park)

Looking for a Non Union AE for a weekly political show. Ideally, this person could start as soon as possible, but can be flexible with start dates.

Seeking an AE to finish out a currently in production series. This position will manage ingesting and transcoding, syncing and grouping footage, and project organization. This role is fully remote and any person applying should be experienced with Avid, have excellent communication skills, be organized, detailed oriented, and professional. TLC/Discovery experience preferred.

Breakwater Studios, an Academy Award®-winning studio championing the short documentary, is looking to hire a dedicated, passionate, driven, and highly organized Assistant Editor to join our team! This role reports to the Director of Post Production, but will work closely with many different team members, including editors, directors, Breakwater’s Marketing Department, and the finishing team, among others.

Looking for an AE to organize footage and set up a Premiere Pro project in a cloud based footage system. Editor to start the following week.

Paramount is seeking an Adobe Premiere assistant editor to provide support for a live event special (pre-show). This includes basic assistant editor duties, working with the operations team to execute various editorial projects which involve but not limited to organizing media using Adobe Premiere and sharing it with multiple editors. Experience with Adobe Productions a plus and organizing various sources of media.

Looking for experienced AEs with network show backgrounds that can troubleshoot on their own using Adobe Premiere and assist editors in a remote environment. Must have a laptop or desktop to work off as well as strong internet bandwidth.

Preferred experience having worked on a live show or event and have a deep understanding of prepping for network delivery. (Online prep, mix, exports)


Responsibilities:

-organize/sync/group various forms of media for handoff to editors, and keep project organized using Adobe Productions
-Assisting editors for string outs, exporting cuts, and creating screening cuts.
-Media management of multiple projects in an Adobe Premiere environment using RGS/Jump systems (Remote Edit)
-Follow naming conventions for all media and keeping it consistent thru the workflow.
-Working with other groups for ongoing needs

Basic Requirements:

-Must be comfortable/expert user with Adobe Suite not limited to Adobe After Effects, Photoshop and encoding apps. Adobe Productions Preferred
-Experienced in workflows of sending full shows to mix (prepping projects, AIF/AAF, log sheets, etc.)
-Demonstrate the ability to troubleshoot edit maintenance issues (ex: media offline, audio issues, reconnecting old projects, etc.) current with Premiere bugs.
-Able to handle multiple requests in a fast-paced environment.
-Understand the digital delivery process and the types of files exported for on/air & online.
-Troubleshoot QC notes from deliverables
-Comfortable in a Mac environment as well as the ability to multitask under changing priorities.
-Team player and open to various workflows from different groups.
-Flexible hours
-Effective verbal and written communication skills are necessary

Reality production company is looking for an experienced Assistant Editor for a UHD project. Must have strong skills in working with PC Avid Media Composer, Script Sync and Adobe Photoshop/Creative Suite. Must be familiar with multiple formats and codecs.
Must have excellent media management skills in working with field and archival footage. Experienced in transcoding, prepping files for transcripts, pulling interviews, sound bites and b-roll, as well as organizing sting-outs and rough cuts. Must have a solid understanding of network deliverables and how to prep for online sessions. This is an on-site job in West Los Angeles.

Looking for an assistant editor local to midtown Manhattan for new Roku Original series.
This person will need to come into our midtown office (near Penn Station and NJ Transit) during evening hours to receive drives from production, ingest footage, and bring into AVID.
On non shoot days, daytime hours (9-5) and be able to come into the office or work remotely.

One of New York City's largest production companies is seeking a night Avid assistant editor / loader to work on a two month long project.

We are looking for a AE / loader who is organized, responsible and well-versed in Avid transcoding and data management. Knowledge of Shotput Pro and DaVinci Resolve is also very helpful.

Applicants must have good working knowledge of Avid, ideally 1+ years of experience working on the platform.

This is an in-office, night position.

Movie marketing/advertising agency based in Downtown LA is looking for an enthusiastic assistant editor.

Starting as soon as possible.
Non-union DOE min 250/10hrs
Premiere. In Person/DTLA
Main responsibilities: cue-sheets/transcripts/logging/transcoding media

We are a tight-knit, friendly team looking for someone with a fantastic attitude that is comfortable working in Premiere. The current project will start out as a short-term 1-month commitment but could extend into the fall, depending on project needs. This is a great opportunity to learn more about the Post process and Premiere. We'll train you in our workflow and be with you every step of the way.