Apply to this Audio Assistant Job

Assist A1 with audio layout on setup day and the facilitation of organizations on field during live day. Primary liaison between FloMarching A1 and audio personnel for bands on field during event, may be required to relocate spot microphones and connect direct channels into outside audio systems. Assists FloMarching Production when A1 needs are met. Must have reliable transportation.

Assist A1 with audio layout on setup day and the facilitation of organizations on field during live day. Primary liaison between FloMarching A1 and audio personnel for bands on field during event, may be required to relocate spot microphones and connect direct channels into outside audio systems. Assists FloMarching Production when A1 needs are met. Must have reliable transportation.

The Audio Assistant (A2) directly assists the Audio Lead (A1) with set up and during the live event.

Audio Assistant (A2) responsibilities include:
Proficient knowledge of broadcasting audio equipment set up and live operations
Acts as the primary liaison between the A1 and audio personnel for FloSports live events, facilitates relocation of spot microphones and connects direct channels into outside audio systems.
Assists FloSports Production as needed
Reliable transportation required

Assist A1 with audio layout on setup day and the facilitation of organizations on field during live day. Primary liaison between FloMarching A1 and audio personnel for bands on field during event, may be required to relocate spot microphones and connect direct channels into outside audio systems. Assists FloMarching Production when A1 needs are met. Must have reliable transportation.

The Audio Assistant (A2) directly assists the Audio Lead (A1) with set up and during the live event.

Audio Assistant (A2) responsibilities include:
Proficient knowledge of broadcasting audio equipment set up and live operations
Acts as the primary liaison between the A1 and audio personnel for FloSports live events, facilitates relocation of spot microphones and connects direct channels into outside audio systems.
Assists FloSports Production as needed
Reliable transportation required

Assist A1 with audio layout on setup day and the facilitation of organizations on field during live day. Primary liaison between FloMarching A1 and audio personnel for bands on field during event, may be required to relocate spot microphones and connect direct channels into outside audio systems. Assists FloMarching Production when A1 needs are met. Must have reliable transportation.

The Audio Assistant (A2) directly assists the Audio Lead (A1) with set up and during the live event.

Audio Assistant (A2) responsibilities include:
Proficient knowledge of broadcasting audio equipment set up and live operations
Acts as the primary liaison between the A1 and audio personnel for FloSports live events, facilitates relocation of spot microphones and connects direct channels into outside audio systems.
Assists FloSports Production as needed
Reliable transportation required

Assist A1 with audio layout on setup day and the facilitation of organizations on field during live day. Primary liaison between FloMarching A1 and audio personnel for bands on field during event, may be required to relocate spot microphones and connect direct channels into outside audio systems. Assists FloMarching Production when A1 needs are met. Must have reliable transportation.

The Audio Assistant (A2) directly assists the Audio Lead (A1) with set up and during the live event.

Audio Assistant (A2) responsibilities include:
Proficient knowledge of broadcasting audio equipment set up and live operations
Acts as the primary liaison between the A1 and audio personnel for FloSports live events, facilitates relocation of spot microphones and connects direct channels into outside audio systems.
Assists FloSports Production as needed
Reliable transportation required

Assist A1 with audio layout on setup day and the facilitation of organizations on field during live day. Primary liaison between FloMarching A1 and audio personnel for bands on field during event, may be required to relocate spot microphones and connect direct channels into outside audio systems. Assists FloMarching Production when A1 needs are met. Must have reliable transportation.

The Audio Assistant (A2) directly assists the Audio Lead (A1) with set up and during the live event.

Audio Assistant (A2) responsibilities include:
Proficient knowledge of broadcasting audio equipment set up and live operations
Acts as the primary liaison between the A1 and audio personnel for FloSports live events, facilitates relocation of spot microphones and connects direct channels into outside audio systems.
Assists FloSports Production as needed
Reliable transportation required

Assist A1 with audio layout on setup day and the facilitation of organizations on field during live day. Primary liaison between FloMarching A1 and audio personnel for bands on field during event, may be required to relocate spot microphones and connect direct channels into outside audio systems. Assists FloMarching Production when A1 needs are met. Must have reliable transportation.

The Audio Assistant (A2) directly assists the Audio Lead (A1) with set up and during the live event.

Audio Assistant (A2) responsibilities include:
Proficient knowledge of broadcasting audio equipment set up and live operations
Acts as the primary liaison between the A1 and audio personnel for FloSports live events, facilitates relocation of spot microphones and connects direct channels into outside audio systems.
Assists FloSports Production as needed
Reliable transportation required

Assist A1 with audio layout on setup day and the facilitation of organizations on field during live day. Primary liaison between FloMarching A1 and audio personnel for bands on field during event, may be required to relocate spot microphones and connect direct channels into outside audio systems. Assists FloMarching Production when A1 needs are met. Must have reliable transportation.

The Audio Assistant (A2) directly assists the Audio Lead (A1) with set up and during the live event.

Audio Assistant (A2) responsibilities include:
Proficient knowledge of broadcasting audio equipment set up and live operations
Acts as the primary liaison between the A1 and audio personnel for FloSports live events, facilitates relocation of spot microphones and connects direct channels into outside audio systems.
Assists FloSports Production as needed
Reliable transportation required

Assist A1 with audio layout on setup day and the facilitation of organizations on field during live day. Primary liaison between FloMarching A1 and audio personnel for bands on field during event, may be required to relocate spot microphones and connect direct channels into outside audio systems. Assists FloMarching Production when A1 needs are met. Must have reliable transportation.

The Audio Assistant (A2) directly assists the Audio Lead (A1) with set up and during the live event.

Audio Assistant (A2) responsibilities include:
Proficient knowledge of broadcasting audio equipment set up and live operations
Acts as the primary liaison between the A1 and audio personnel for FloSports live events, facilitates relocation of spot microphones and connects direct channels into outside audio systems.
Assists FloSports Production as needed
Reliable transportation required

Hiring sound mixer for popular video podcast with celebrity host and guest

Easy gig. We bring all gear except..

You just bring your mixer to record (and card), and kindly some standard wires as backup.

*Mixer should be able to input/record 6 XLRs and run an output to on-set headphone splitter*
-- headphone splitter input is 1/4 (you can run output from your mixer anyway you’d like)

submit invoice
get paid promptly
easy gig, few hours

Thursday 8/1 6pm-10pm
Sunday 8/4 8am - 12pm

Looking for a local IATSE audio mixer for a one day ENG style shoot (we cannot travel anyone from out of town). Will be doing a story on a local entrepreneur in Anchorage. Shoot includes filming an interview and B-roll of them at their home and office.

Filming on a single Sony FX9 camera. Shooting an interview, and ENG style B-Roll (will need to be mobile to move with camera).

Rate is $65.375/hr with an 8hr guarantee. It's paid through our payroll company: Entertainment Partners. We cannot process this position as a Loan out, and cannot accept invoicing for labor. Travel between locations (between call time and wrap) is reimbursed at .67 cents a mile.

Kit Rental of (3) Wireless Lavs, Boom, Mixer, Mono Hop to Camera is budgeted at $450. We travel with memory cards that you can record to on your rig, and we'll grab it at end of day.

8hr guarantee

Jupiter Entertainment seeks an experienced Sound Mixer as local as possible to Cleveland, OH to join us for a true crime series on 8/1-8/3.

Gear will be provided and a full list of equipment will be shared upon hire/request.

This shoot will consist of single on-camera talent with one camera for sit-down interviews (taking place indoors) and BRoll. True crime experience is strongly preferred.

You will be joined by a small crew consisting of a Field Producer and DP so a team-oriented attitude is a must!

If you are interested and available, please include your rate for a 10-hour day excluding any rentals, as well as your reel/credit list along with your application. Thank you!

Searching for a Sound Mixer for sit-down interview day in Des Moines, IA on 8/6. Comfort with Sound Devices 688 and Lectrosonics wireless. 2 people on camera.

Looking for a sound mixer in nashville tn for a fun youtube video for a new long form youtube series on a big social media page.

This will be a run and gun reality tv style dating series filmed in Nashville TN on Monday 7/29, We will need 2lav mics and one boom.

Please leave your contact info in the cover letter so I can reach out!

Thanks so much for your help in advance!

Looking for audio mixers for a female-focused sports doc. Applicants must own their own gear.
Applicants must be local to Brooklyn, MI or the surrounding area. We will not consider applicants who are not local.

$650/12

Looking for audio mixers for a female-focused sports doc. Applicants must own their own gear. Applicants must be local to Charlotte and able to travel to Michigan and Ohio.

DATES
8/8-8/18
9/30-10/4
*additional dates late August/September TBD

$60/DAY PER DIEM
$650/12

This is a follow documentary, we would need (1) Sound Mixer with the following gear (3 Lavs, Transmitters, Receivers, Mixer, Boom, Lock It Boxes, IFB - If Possible But Not A Deal Breaker). We will film and follow the subjects on 08/21.

This is a half day, would be less then 6 hours of work. The shoot is in Oakland Park, Florida, just north of Fort Lauderdale.

Please note, we can not accommodate hotels & travel so if it is going to be a concern please do not apply.

$650/ 6 Hours

Jupiter Entertainment seeks an experienced Sound Mixer as a local in Bethalto, IL to join us on a true crime series on 8/15 - 8/18.

This shoot will consist of single on-camera talent with one camera for sit-down interviews (taking place indoors) and b-roll. Gear will be provided. True crime experience is strongly preferred.

You will be joined by a DP and remote producer.

If you are interested and available, please include your rate for a 10-hour day excluding any rentals, as well as your reel/credit list along with your application. Thank you!

Looking for a Sound Engineer that can facilitate basic interviews over 2 days (boom and lav setup). 8 interviews in total (4 on day 1 / 3 on day 2)

ISO sound mixer for a shoot in the Santee, SC area on August 2, 2024.

As stated above, the exact location of this shoot is TBD, but somewhere near Santee. We are looking for someone who is flexible and able to make this work.

The project: Our team is shooting a day-in-the-life mini doc for a care advocacy nonprofit, and the talent includes a VIP. We will have a very tight window of time to film, and need to be nimble to accommodate multiple set-ups. Verité and/or reality experience essential, as is a good attitude and willingness to be a team player. We are a small crew and you might be asked to assist with moving a modest amount of gear, small lighting kit, etc.

Gear needed: mixer/recorder, boom, 3 lavs, and timecode/audio to 2 cameras (must have Jam sync; Tentacle Sync system is highly preferred). Gear rental included in rate.

- Must have own vehicle and a valid driver’s license. Will be required to lift up to 50 lbs.

- Must be local or willing to work as local; mileage reimbursement included for commute within 100 mile radius of central Santee.