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Job Posting: Camera Operator for Sports Matches

Position: Camera Operator (Will hire lead and assistant camera operator)

About the Tournament:
Inviting an experienced camera operator for live rugby matches. The role involves filming rugby action using a zoom lens on sticks, gimbal, or monopod, according to your expertise.

Matches are 14 minutes long, with 7-minute halves. Expect to film 3 matches per day for a total of 42 minutes of game time. The schedule is dynamic, with games spread throughout the day - typically one in the morning, early afternoon, and later afternoon.

About Us: Video production company who specializes in corporate video production and content creation for social media.

Job Description & Responsibilities:
As a camera operator, you will be responsible for capturing high-quality footage of rugby matches, ensuring dynamic and engaging content for our viewers. The role demands a keen eye for detail, the ability to follow fast-paced sports action, and a solid understanding of sports filming techniques.

The two types of acceptable styles that you can use on this project:
1. Lead Cam A Operator: Filming with a zoom lens on sticks, preferably up to 200 or 300mm to follow the player with the ball
2. Assistant Cam B Operator: Filming using a gimbal or monopod following as closely as possible to the action.

Responsibilities:
Operate camera equipment to capture high-quality footage of rugby matches.
Work closely with the producer and client to achieve desired visual outcomes.
Ensure all equipment is set up and tested before each game.
Be flexible and ready to move between different field locations as required.
Capture the energy and excitement of the game, focusing on key moments, plays, and player reactions.

Requirements:
Proven experience as a camera operator, preferably with sports events.
Strong understanding of sports filming techniques and ability to capture fast-moving action.
Excellent communication and teamwork skills.
Ability to move quickly and adapt to schedule changes.

Example of a highlight reel from a recent match is on my profile.

We are seeking a B-cam operator to capture interviews and B-roll at our client's location Tukwila, WA. They are in the construction industry.

SEEKING LOCAL HIRES ONLY

Call Time: TBD, will be a 10-hour Shoot
Gear Required: Camera, Tripod
Rate is $375/10 hrs on set.

Non union reality show seeking local cam op for a one-two day shoot in the Jacksonville area. Gear will be provided by our DP, we looking for a local op to join us.

Experience with reality, non union shows required. Filming one-two talent at their home docu-reality style.

Rate- $500/12
*please do not apply if you are not local and willing to work with this rate- thank you!

*We are an Equal Opportunity Employer and do not discriminate on the basis of race, religion, color, sex, gender identity, sexual orientation, age, or any other basis covered by applicable law. All employment is decided on the basis of qualifications, merit, and business need. Applicants from diverse backgrounds are encouraged to apply*

Looking for an experienced camera operator with an ENG camera and light kit for a one-camera news broadcast in Sheridan, WY, on Tuesday, May 21st, 2024.

Should have a news style camera, Sony HXC or comparable is preferred.

Must have experience with live-streaming events and broadcast cameras. Must have camera and lighting gear.

Professional attire and a photo ID are required. Please provide work samples, a description of your experience and your gear, and your 10-hour day rate.

We will be in Memphis, TN covering an AAU basketball tournament. We are looking for an experienced camera operator with familiarity with Sony FX3.

Crew Position: Cam Op (big plus if you have drone/own/operate/insured)
Date: 4/29-5/6
Rate is negotiable

JOB POSTING: Sharp Entertainment is an Equal Opportunity Employer and does not discriminate on the basis of race, religion, color, sex, gender identity, sexual orientation, age, or any other basis covered by applicable law. All employment is decided on the basis of qualifications, merit, and business need. Applicants from diverse backgrounds are encouraged to apply.

Looking for a camera operator to follow a reporter around during the BYB Extreme show on May 10th. This person should have a gimbal or steadicam for smooth motion. Camera should be Canon C200 / Sony FS5 or better. Lighting / Audio will also be needed.

Please show examples of your work in motion.

Looking for a camera operator for a one day shoot in Beaverton. We will be filming interviews, broll, and product shots. Experience filming with Ronin's are a plus. Please respond with your gear list, previous work examples, and day rate. Thank you!

Looking for a camera operator who has VR Camera experience for a concert shoot. Rates based on experience.

We are looking for a local 3rd cam op to shoot two days in Victoria MN and Minneapolis.

Must have docu-follow/reality experience. Please list credits that showcase experience.

Camera is Sony A7S III

Seeking experienced camera op with corporate experience for a 1-day executive leadership shoot in Dallas, TX on May 14th to support DP as a b-camera operator.

-2x camera shoot
-Total of 3x talent delivering reads from a script/teleprompter throughout the day.
-B-roll of the corporate offices.
-Ability to provide own gear for an additional kit rental fee is a plus.

Job Opportunity: Camera Operator

Date: April 25th, 2024
Location: Atlanta, Georgia
Call Time: 6:30 AM - 3:30 PM

We seek a skilled Camera Operator to join our team for corporate video production in Atlanta, Georgia, on April 24th, 2024. The Camera Operator will capture interviews and b-roll footage using a Sony FX3 camera. This is a one-day assignment at a company location. This is also a pretty simple, straightforward corporate shoot. Whoever is selected doesn't need even to bring any gear. Show up, build equipment, shoot, tear down equipment, leave.

However, production is traveling out of state, so if you have any gear that you feel may be useful, please let us know, and we may rent that equipment from you. That could include camera systems, gimbals, lighting, tripods, and c-stands. Essentially, anything that will spare production has to travel with those items.

Key Responsibilities:

Operate a Sony FX3 camera proficiently.
Capture high-quality interviews and b-roll footage as per production requirements.
Collaborate effectively with the production team and follow directorial guidance.
Help with an interview set up and tear down. (Cameras, Lighting, Very simple Audio)
Monitor Audio running directly into camera while operating

Requirements:
Prior experience operating professional video cameras, particularly Sony FX3 or similar models.
Strong proficiency in camera operation and framing.
Experience with interview and b-roll filming techniques.
Ability to work efficiently within a team and take direction from the director.

Additional Information:
All necessary cameras and filming equipment will be provided.
Professional demeanor and strong communication skills are essential.
This is an excellent opportunity for a talented Camera Operator to contribute to an engaging corporate video production. We would love to hear from you if you meet the qualifications and are available on April 24th, 2024!

Hello!

We're working on a documentary film about a man whose life ended while in police custody in the 1980's and the civil rights attorney that fought for justice on the case.

We are seeking an Assistant Camera Operator -or- Director of Photography that has experience with both shooting interviews (with light set-up) and verite in the field (follow-and-shoot).

This is a passion project, but will likely have a successful festival run and will be a great credit to add to your resume. This is a meaningful film intended to create conversations that spawn social/cultural awareness and change. The right candidate will have a high level of sensitivity to work with a family and community in mourning.

*Bonus if you have experience setting-up lights -or- have a light kit included in your gear list.

Three easy days (under 12 hours). We'll be working with an 86-year-old participant, so we'll only shoot for a few hours each day, at a slow pace. 3-4 Interview set-ups and two days of light verite / broll.

Sony Fx3 -or- Sony Fx6

We are looking for a CAMERA SHADER to work with us on a live stream for a Global Investor Conference from the Waldorf Astoria Hotel in Washington, DC. The dates would be from September 15-19, with the Conference happening on September 16-18.

Experience working with Ursa Broadcast G2 or Sony Bodies is preferred.

Must be local to the Washington DC area or be willing to work as a local. We will not reimburse or pay for transportation, parking, or accommodations.

Must be available for a 10-15 minute interview prior to hire.

Seeking a Cam Op with wildlife/nature experience to gather BRoll in Yosemite National Park. Would be provided a hit list of edit-specific footage/timelapses needed. Ideal candidates would have experience in Yosemite, their own vehicle, gear, and comfortable being a one-man-band.

Rate would depend on experience. Rate also does not include added kit rental if applicable.

We are seeking a DSLR videographer to capture BTS and crowd shots for a keynote speech for a 1-hour event, plus additional footage to equal 3-ish hours in total. The videographer will document the speaker's pre-speech preparation, audience interaction, and the speech itself. The videographer needs to bring a camera on tripod as well as a DSLR camera with gimbal for capturing dynamic follow shots.

Note: Videographer will not be responsible for capturing the main stage performance, or professional audio. Another Camera Operator will be doing that.

Key Responsibilities:

Capture footage of the keynote speaker getting ready backstage, including makeup, wardrobe, and final preparations.
Obtain engaging shots of the audience as they arrive and settle in.
Film the keynote speaker's entrance and introduction on stage.
Shoot high-quality b-roll footage throughout the speech to complement the speaker's presentation.

Operate two cameras simultaneously:
One camera will be set up on a tripod to capture static shots of the stage and audience.
The other camera will be used with a gimbal stabilizer for capturing smooth, dynamic footage as you follow the speaker around.
Utilize a gimbal stabilizer to achieve smooth, professional-looking footage with the handheld camera.
You dont need to capture audio of the event.

Please provide reel and mention similar events you've shot.

Thank you!

In need of a camera operator to fill my spot from 4:30pm - 7:30pm May 9th 2024 in Savannah, Georgia. It is just an event to capture BRoll and possible OTF Soundbites of a Spa Grand Opening.

You can use your equipment or mine. Mine will be available with settings already in place. This is a great job for a SCAD Student or Grad in the area.

Three hour shoot where there will be gear available to use. If you are more comfortable using yours I get it.

Sony FX3 or Comparable

Electrify Expo, Phoenix is in need of a camera operator for their e-skateboard series Asphalt Kings. This camera operator will work directly with the field producer shooting interviews and b-roll as well as filming practice, qualifying and the races from a scissors lift.

We will be starting a podcast/interview series in early May.

The requirements for this job are to meet us in our studio in St. Louis and operate our cameras for half days (2-5 hours max).

We are looking for 2 experienced camera operators to sit beside our cameras and make sure our interview subjects stay in frame/in focus and make sure our cameras and atomos ninja monitors stay recording for our full interviews. The cameras will already be up on tripods and the camera settings will already be set.

We are doing our first shoot on May 6th and will likely do a second shoot on the 13th. We will likely schedule more dates after that.

Interviews and B-Roll at retail store in Fairfax, VA with the following scope on 5/16:
1x Camera Op
4k/UHD camera
On Camera Shotgun Mic
2x Wireless Lav - TBD