Apply to this Camera Operator Job

Looking for cam ops local to Galveston, TX.


The ideal candidate should possess the following qualifications:

Demonstrate the ability to cross-shoot with the DP and capture live action as it unfolds.
Comfortable working independently.
Comfortable working in construction zones.
Comfortability with Sony FX9, FX6 and FX3 cameras.
Proficiency in creating visually attractive and meaningful frames while filming b-roll, a significant aspect of this position.
Must be comfortable with occasionally handling media.
Experience working on home reno shows a plus

Looking for a camera operator with verite documentary experience as well as experience filming live sporting events. We are shooting on FX6’s.

If you could please send over reels with documentary and/or verite filming.

Uses the camera as instructed by the Director. They ensure the required action is correctly captured in the frame and must react instinctively as the proceedings take place. The camera operator also helps establish the theme and appearance of the show. Must have reliable transportation.

The Camera Operator must be experienced in camera operations in fast-paced, live conditions. Sports production knowledge is a plus.

Camera Operator responsibilities include:
Strong camera operating skills with the ability to execute shots quickly
Understands broadcasting methodology in establishing themes and appearances of shows
Reliable transportation required

We are looking for an experienced PTZ Operator for a live, three-camera shoot in Reno on May 2nd. The operator must be familiar with Panasonic AW-UE40 PTZs and will be responsible for building, painting, and operating each camera. The program is largely talking heads, so minimal camera moves other than re-framing to account for different panel sizes.

Looking for a confident and experienced camera operator and camera assistant. Two days filming interviews and b/roll.

MUST BE LOCAL IN TORONTO - we won't accept any applications outside of this location.

Confident will setting up lighting for sit down interviews, as well as recording audio.

Ideally has workers compensation or exemption from workers compensation.

Dates 14th & 15th of May - 2 full days
Filming for a documentary

We are seeking a B-cam operator to capture interviews and B-roll at our client's location Tukwila, WA. They are in the construction industry.

SEEKING LOCAL HIRES ONLY

Call Time: TBD, will be a 10-hour Shoot
Gear Required: Camera, Tripod
Rate is $375/10 hrs on set.

Non union reality show seeking local cam op for a one-two day shoot in the Jacksonville area. Gear will be provided by our DP, we looking for a local op to join us.

Experience with reality, non union shows required. Filming one-two talent at their home docu-reality style.

Rate- $500/12
*please do not apply if you are not local and willing to work with this rate- thank you!

*We are an Equal Opportunity Employer and do not discriminate on the basis of race, religion, color, sex, gender identity, sexual orientation, age, or any other basis covered by applicable law. All employment is decided on the basis of qualifications, merit, and business need. Applicants from diverse backgrounds are encouraged to apply*

Looking for an experienced camera operator with an ENG camera and light kit for a one-camera news broadcast in Sheridan, WY, on Tuesday, May 21st, 2024.

Should have a news style camera, Sony HXC or comparable is preferred.

Must have experience with live-streaming events and broadcast cameras. Must have camera and lighting gear.

Professional attire and a photo ID are required. Please provide work samples, a description of your experience and your gear, and your 10-hour day rate.

We will be in Memphis, TN covering an AAU basketball tournament. We are looking for an experienced camera operator with familiarity with Sony FX3.

Crew Position: Cam Op (big plus if you have drone/own/operate/insured)
Date: 4/29-5/6
Rate is negotiable

JOB POSTING: Sharp Entertainment is an Equal Opportunity Employer and does not discriminate on the basis of race, religion, color, sex, gender identity, sexual orientation, age, or any other basis covered by applicable law. All employment is decided on the basis of qualifications, merit, and business need. Applicants from diverse backgrounds are encouraged to apply.

Looking for a camera operator to follow a reporter around during the BYB Extreme show on May 10th. This person should have a gimbal or steadicam for smooth motion. Camera should be Canon C200 / Sony FS5 or better. Lighting / Audio will also be needed.

Please show examples of your work in motion.

Looking for a camera operator for a one day shoot in Beaverton. We will be filming interviews, broll, and product shots. Experience filming with Ronin's are a plus. Please respond with your gear list, previous work examples, and day rate. Thank you!

Looking for a camera operator who has VR Camera experience for a concert shoot. Rates based on experience.

We are looking for a local 3rd cam op to shoot two days in Victoria MN and Minneapolis.

Must have docu-follow/reality experience. Please list credits that showcase experience.

Camera is Sony A7S III

Seeking experienced camera op with corporate experience for a 1-day executive leadership shoot in Dallas, TX on May 14th to support DP as a b-camera operator.

-2x camera shoot
-Total of 3x talent delivering reads from a script/teleprompter throughout the day.
-B-roll of the corporate offices.
-Ability to provide own gear for an additional kit rental fee is a plus.

Job Opportunity: Camera Operator

Date: April 25th, 2024
Location: Atlanta, Georgia
Call Time: 6:30 AM - 3:30 PM

We seek a skilled Camera Operator to join our team for corporate video production in Atlanta, Georgia, on April 24th, 2024. The Camera Operator will capture interviews and b-roll footage using a Sony FX3 camera. This is a one-day assignment at a company location. This is also a pretty simple, straightforward corporate shoot. Whoever is selected doesn't need even to bring any gear. Show up, build equipment, shoot, tear down equipment, leave.

However, production is traveling out of state, so if you have any gear that you feel may be useful, please let us know, and we may rent that equipment from you. That could include camera systems, gimbals, lighting, tripods, and c-stands. Essentially, anything that will spare production has to travel with those items.

Key Responsibilities:

Operate a Sony FX3 camera proficiently.
Capture high-quality interviews and b-roll footage as per production requirements.
Collaborate effectively with the production team and follow directorial guidance.
Help with an interview set up and tear down. (Cameras, Lighting, Very simple Audio)
Monitor Audio running directly into camera while operating

Requirements:
Prior experience operating professional video cameras, particularly Sony FX3 or similar models.
Strong proficiency in camera operation and framing.
Experience with interview and b-roll filming techniques.
Ability to work efficiently within a team and take direction from the director.

Additional Information:
All necessary cameras and filming equipment will be provided.
Professional demeanor and strong communication skills are essential.
This is an excellent opportunity for a talented Camera Operator to contribute to an engaging corporate video production. We would love to hear from you if you meet the qualifications and are available on April 24th, 2024!

Hello!

We're working on a documentary film about a man whose life ended while in police custody in the 1980's and the civil rights attorney that fought for justice on the case.

We are seeking an Assistant Camera Operator -or- Director of Photography that has experience with both shooting interviews (with light set-up) and verite in the field (follow-and-shoot).

This is a passion project, but will likely have a successful festival run and will be a great credit to add to your resume. This is a meaningful film intended to create conversations that spawn social/cultural awareness and change. The right candidate will have a high level of sensitivity to work with a family and community in mourning.

*Bonus if you have experience setting-up lights -or- have a light kit included in your gear list.

Three easy days (under 12 hours). We'll be working with an 86-year-old participant, so we'll only shoot for a few hours each day, at a slow pace. 3-4 Interview set-ups and two days of light verite / broll.

Sony Fx3 -or- Sony Fx6

We are looking for a CAMERA SHADER to work with us on a live stream for a Global Investor Conference from the Waldorf Astoria Hotel in Washington, DC. The dates would be from September 15-19, with the Conference happening on September 16-18.

Experience working with Ursa Broadcast G2 or Sony Bodies is preferred.

Must be local to the Washington DC area or be willing to work as a local. We will not reimburse or pay for transportation, parking, or accommodations.

Must be available for a 10-15 minute interview prior to hire.

We are seeking a DSLR videographer to capture BTS and crowd shots for a keynote speech for a 1-hour event, plus additional footage to equal 3-ish hours in total. The videographer will document the speaker's pre-speech preparation, audience interaction, and the speech itself. The videographer needs to bring a camera on tripod as well as a DSLR camera with gimbal for capturing dynamic follow shots.

Note: Videographer will not be responsible for capturing the main stage performance, or professional audio. Another Camera Operator will be doing that.

Key Responsibilities:

Capture footage of the keynote speaker getting ready backstage, including makeup, wardrobe, and final preparations.
Obtain engaging shots of the audience as they arrive and settle in.
Film the keynote speaker's entrance and introduction on stage.
Shoot high-quality b-roll footage throughout the speech to complement the speaker's presentation.

Operate two cameras simultaneously:
One camera will be set up on a tripod to capture static shots of the stage and audience.
The other camera will be used with a gimbal stabilizer for capturing smooth, dynamic footage as you follow the speaker around.
Utilize a gimbal stabilizer to achieve smooth, professional-looking footage with the handheld camera.
You dont need to capture audio of the event.

Please provide reel and mention similar events you've shot.

Thank you!