Apply to this Camera Operator Job

Seeking a Cam Op for a one day development sizzle shoot near Austin. Pretty simple exterior shoot, capturing host standups and some BRoll. Shooting on FX9, which will be provided by production.

We are looking for Camera Operators who are professional, positive, outgoing and can adapt to a fast paced filming environment and are okay filming uncomfortable subject matter for a new health and wellness show. You will need to have experience filming with FS7's and GoPro's. If you are interested, please shoot me a message including your cover letter and list of credits. $600/12 (minus lunch).
*This is a Non-Union job*

We are looking for a skilled Camera Operator for a 1/2 day shoot. 4k Video Capture. The Camera Operator will be responsible for filming a company resurfacing a parking lot and capturing quick interviews with the contractor doing the work. The ideal candidate should own their own 4K camera.

Responsibilities:

Operate and set up 4K camera and drone equipment
Capture high-quality footage of the company resurfacing the parking lot
Capture quick interviews with the contractor doing the work
Ensure the equipment is in good condition and properly maintained throughout the shoot
Work collaboratively with the rest of the production team to ensure the project is completed on time and to the highest standards
Requirements:

Minimum of 2 years of experience in camera operation for video production
Proficient with 4K camera and drone equipment operation and set up
Good understanding of lighting and sound principles for video production
Ability to work well under pressure and meet tight deadlines
Strong communication and teamwork skills

Includes Kit Rental

We're filming a pilot involving some scripted and lots of improv.

This is a 2-cam shoot. We're looking for a CAM OPERATOR with good comedy instincts. You'll need to bring a SONY FX-6, cards, stix, and lenses. We'll have Dana Dollies, so you'll need a 75mm fluid head.

Day rate and Kit rental = 1200/12h

Looking for 2 solid cam ops with live event/multi-cam experience. Must have experience working stationary camera positions for galas, conferences, award shows, etc.

Setup will be complete upon your arrival however you will be needed to help strike cameras and camera cable only.

LOCAL ONLY - no travel, per diem, airfare or lodging provided.

Electrify Expo, Long Beach is in need of a camera operator for their e-skateboard series Asphalt Kings. This camera operator will work directly with the field producer shooting interviews and b-roll as well as filming practice, qualifying and the race heats from a scissors lift.

Looking for camera operators for a live concert recording Thursday May 16. Please include links to any previous concert filming or music experience with your submission. Please also indicate if you have familiarity with the Sony family of cameras, specifically the FX3.

Owner/operators, as well as camerapeople without equipment are welcome to submit. Please include your asking rate, and if it includes equipment or not.

Looking for a 2nd cam operator with a gimbal to do some b cam event coverage this Tuesday evening in NYC at a black tie event. Should have experience with this type of production and examples of work to show. Cam op also needs to be able to dress appropriately for the occasion. Please let us know what your camera package entails.

We are looking for a Director of Photography or Camera Operator to join us for a 3 day shoot at a farm in Fresno, CA.

We will be filming agricultural content.

Content is for the new agriculture systems certificate offered by 7 community colleges in Central Valley of CA.

Shoot dates are June 4 - 6

The day rate for this role is $500 for labor + $500 for gear rental.

I am looking for a second camera operator to help me film a graduation ceremony. The ideal candidate here would be a camera operator who has experience filming weddings or corporate events. I am using Sony Alpha series cameras myself and I need someone who also has a Sony camera so we can sync profiles and color settings etc.

Ideally, I would like someone who has experience with a range of camera settings and shooting in Slog etc.

I am looking for someone who is enthusiastic, willing to work with whatever happens, who is professional and respectful and can be a future team player in my video production business.

I know the rate is low but I am not being paid a lot either! The client is a small private school that is in its early years and does not have a large budget. I would like to help them by producing this video for them.

The event is from 1pm - 3pm on May 31st at a country club. I would need you to be there from 12Pm to 3:30 pm most likely.

I am also looking to hire people in the future for larger, higher-paying work. I am looking to build my network of professionals to work with.

Again, I apologize about the rate, but this would be a great job for someone who has experience and is looking to build on it, like myself. Also, it is only for a few of hours, not a whole day. This is a flat rate for the job. No travel included, although, that could be negotiated if it is a deal-breaker for you!

I look forward to hearing from you,

Regards,

Felix

Looking for camera operators for a live concert recording Thursday May 16. Please include links to any previous concert filming or music experience with your submission. Please also indicate if you have familiarity with the Sony family of cameras, specifically the FX3.

Owner/operators, as well as camerapeople without equipment are welcome to submit. Please include your asking rate, and if it includes equipment or not.

Looking for local-to-Toronto DP for short, documentary project. Exact dates are TBD but likely to be three (non-consecutive) days starting May 17. Preferably a DP with documentary experience, their own gear and wide variety of lens selection.

Looking for a camera operator with verite documentary experience as well as experience filming live sporting events. We are shooting on FX6’s.

If you could please send over reels with documentary and/or verite filming.

Hi, I'm looking for a Owner/Operator of a Sony ecosystem and a stabilizer for June 3rd, 9a - 4p to capture BRoll at a conference.
Pretty standard stuff, nothing fancy. Shooting in SCinetone as I need to edit and deliver at the end of the day.
Please respond with work examples.
Cheers!

Client needs a half day on the 21st, full day on the 22nd. Crew rate budget is $700/day, with half day being $350 ($1050 total crew rate).

Client will be providing gear:

- Sony FX3 with lenses;
- Ronin RS 3 Pro with focus motor;
- 1x1skypannels hard with rolling stand;
- camera cart;
- wireless directors monitor

Time will be given at the head of the day to set up. Message me with questions.

One half day ($350)
One full day ($700)

Looking for a union camera operator locally in Baltimore for a production filming in the 5/27 - 5/29 period. Experience with covering live events with a long lens camera a must.

750/10

SkillShow is looking for Camera Operators to help us film a Baseball Event. Must have an understanding of Baseball and experience filming sports. This is a fast paced environment. You'll need to know what the positions are on the field in order to keep up, so those who have not filmed sports nor have experience with football - will not be considered.

Date: Sunday, 5/19/24
Sport: Baseball
Hours: Estimated about 8am to 5pm
Location: Birmingham, AL
$25 per hour for first time working together, $30 an hour if we work together again.
$150 Minimum for any shoot under 5 hours

Gear is provided, so no need to bring your own. Panasonic HC-V785K Full HD Camcorder
MUST HAVE experience filming sports, bonus points for Baseball.
Must be willing and able to stand on feet for long durations.
Must be able to focus for long periods of time and keep players in frame.

You can see we do our best to keep the players in the center of the frame, panning with their movements and keeping their head and feet in the frame as well.

Since 2001, SkillShow has filmed 10’s of thousands of athletes & teams, plus regional & national events for all sports and age groups. Our videos have been seen on ESPN, MLB Network, Perfect Game as well as Local & National sports news shows. Our core specialty of producing high quality video for amateur athletes & events has enabled us to dominate the market as a vendor and partner to some of the top organizations, schools & travel teams in the country.

NLV is hiring Videographers to cover a High School Field Hockey Showcase at the University of Michigan. This event is from 05/24 to 05/26. Applicants must be able to work all 3 days.

All gear will be provided by the company. There will be an Event Manager onsite who will set up equipment and give direction throughout the day. Must sign up for both days. Meals will also be provided during shift hours.

What: Lacrosse tournament
Where: East Lansing, MI
When: May 24-26, 2024
Why: $250/day. Meals included.

Responsibilities:
- Assist with set up upon arrival
- Operate camera with tripod mounted atop podium ladder or scaffolding
- Monitor and maintain power, storage, and bitrate
- Help break down equipment at the end of the day

Qualifications:
- Must have experience with sports video production.
- Must have transportation to athletic facility.
- Must be able to climb ladder or scaffold.
- Must be 18 or older.
- Must be eligible to work in US.
- Must be capable of all day activity, standing / walking for long periods.

Uses the camera as instructed by the Director. They ensure the required action is correctly captured in the frame and must react instinctively as the proceedings take place. The camera operator also helps establish the theme and appearance of the show. Must have reliable transportation.

The Camera Operator must be experienced in camera operations in fast-paced, live conditions. Sports production knowledge is a plus.

Camera Operator responsibilities include:
Strong camera operating skills with the ability to execute shots quickly
Understands broadcasting methodology in establishing themes and appearances of shows
Reliable transportation required

Uses the camera as instructed by the Director. They ensure the required action is correctly captured in the frame and must react instinctively as the proceedings take place. The camera operator also helps establish the theme and appearance of the show. Must have reliable transportation.

The Camera Operator must be experienced in camera operations in fast-paced, live conditions. Sports production knowledge is a plus.

Camera Operator responsibilities include:
Strong camera operating skills with the ability to execute shots quickly
Understands broadcasting methodology in establishing themes and appearances of shows
Reliable transportation required