Apply to this Cinematographer Job

Looking for a skilled cinematographer to capture event b-roll and short interviews. Estimated filming of 4 total hours (2 hours per day for 2 days) at the Minneapolis Convention Center.

$600 total for 4 hours of filming across 2 days.

We need a cinematographer to execute a b-roll shot list on location at the client's office, as well as on a job location nearby.

Day rate for b-roll shoot, would include operator and kit

We are producing a college sports documentary focused on women's rowing. We are seeking a Local Non-Union Cinematographer with a Sony camera package (FX6, FX3, FX9, a7siii) in Sacramento, CA for 2x days to help cover a women's rowing match.

FRIDAY 05/17/24 (team arrival and setup)
SATURDAY 05/18/24 (rowing match day)

We need additional camera support to help document our team's arrivals, set up, practice, training, and then the matches and closing interviews on Saturday. This is a very straightforward sports documentary format.

The project is operating on a fixed flat rate budget with a rate of $900/day/hr (including camera package) for this Local Hire Role. The fixed max budget is $2,000 for the 2 working days. The days will be shorter (6-8hrs)

Interested and available candidates please respond with links to your documentary work, a resume, equipment breakout, and any other relevant info. (A background in sports documentaries or similar storytelling is a huge plus! Please be sure to let us know if that is you)

We are producing a college sports documentary focused on women's rowing. We are seeking a Local Non-Union Cinematographer with a Sony camera package (FX6, FX3, FX9, a7siii) in Arcata, CA for 2 days.

WEDNESDAY 05/15/24
THURSDAY 05/16/24

Our docu-series is a very straightforward sports documentary-style production. We will film some sit-down interviews, team practice and training, some verite lifestyle scenes with the coach & players, as well as b-roll of the facility and town.

The project is operating on a fixed flat rate budget with a rate of $1,000/Day/12hr (including camera package) for this Local Hire Role. The fixed max budget is $2,000 for the 2 working days.

Interested and available candidates please respond with links to your documentary work, a resume, equipment breakout, and any other relevant info. (A background in sports documentaries or similar storytelling is a huge plus! Please be sure to let us know if that is you)

We are producing a college sports documentary focused on women's rowing. We are seeking a Local Non-Union Cinematographer with a Sony camera package (FX6, FX3, FX9, a7siii) in Bellingham, WA for 2 days.

MONDAY 05/13/24
TUESDAY 05/14/24

Our docu-series is a very straightforward sports documentary-style production. We will film some sit-down interviews, team practice and training, some verite lifestyle scenes with the coach & players, as well as b-roll of the facility and town.

The project is operating on a fixed flat rate budget with a rate of $1,000/Day/12hr (including camera package) for this Local Hire Role. The fixed max budget is $2,000 for the 2 working days.

Interested and available candidates please respond with links to your documentary work, a resume, equipment breakout, and any other relevant info. (A background in sports documentaries or similar storytelling is a huge plus! Please be sure to let us know if that is you)

Looking for a Cinematographer / 1 "Wo/Man" Band to film a test shoot of a 2 page scene this coming Monday. We're fulfilling the requirements of an incentive so we do need it to look professional with clear audio, but we aren't needing an overtly technical set up. Shoot will be the exterior of a suburban home in the valley with 2 actors.

Duration: 1/2 Day (likely afternoon)

Must come with own camera and audio gear (zoom + 2 lavs).

Looking for a skilled cinematographer to capture event b-roll and short interviews. Call time is from 10AM - Noon and filming location will be Anaheim Convention Center.

2 Hours of Filming

Seeking a Nashville based cinematographer.for a 1 day shoot of pickups / b-roll for a short form documentary.

1 day shoot. Single camera, one mic. F900 or similar preferred. Cinematic lenses if possible but not required. This is for some b-roll / pickup shots that we need for the final cut. It will be run and gun and hopefully fun and light hearted.

I created one of the largest private archives in the South East. You can view 5000 of the 10000 at the link below. This is a documentary about the creation of this archive.

We are a libertarian documentary production shop that deals with provocative material. Our work has been covered by Megyn Kelly, the Free Press, Fox News and the New York Post (as well as the New York Times, USA Today, the Economist and more)

We are looking to hire a talented DP for a three day shoot in Los Angeles for a documentary about the current LA DA George Gascon. There will be roughly 2 days of interview shoots and one day of broll of specific locations throughout the city. We'd love to have drone and ronin shots. Our day rate includes all equipment.

If you're interested, please pass along a brief cover letter and no more the three relevant samples of your work. Thank you

Rob

We are a libertarian documentary production shop that deals with provocative material. Our work has been covered by Megyn Kelly, the Free Press, Fox News and the New York Post (as well as the New York Times, USA Today, the Economist and more)

We are looking to hire a talented DP for a two day shoot in a small town about an hour from Minneapolis at the end of the may. We will be shooting one multi-camera interview and several hours of broll around town. We'd love to have drone and ronin shots. Our day rate includes all equipment.

If you're interested, please pass along a brief cover letter and no more the three relevant samples of your work. Thank you

Rob

Looking for cinematographer so capture some interviews during a workshop. Ideal cinematographer would have lights, camera and audio covered and be able to film cinematically.

Looking for a collaborative, resourceful cinematographer for a microbudget, minimalist feature film shooting in Bridgewater, Connecticut (Litchfield County) - dates are TBD but aiming for late summer, 2024. The film is nearly dialogue-free and has one on-camera character, telling the story cleaning up in the aftermath of a murder he was paid to commit, and emotionally unprepared to deal with. Most of the filming will take place in a private family home that we will have full access to, and ideally stay at throughout the shoot.

Creatively speaking, ideal candidate is prone to thinking far outside-the-box in terms of composition and lighting style, and is very resourceful - needing only a few small, easy-to-rig units and open to leaning into a very dark, contrast-heavy look for the entirety of the film. It is not about creating classically beautiful or controlled images, but ones that evoke discomfort and we can hold on for minutes at a time to elevate the unease.

If interested, please send a quick message explaining why you're interested in a project list, and include samples of work and, if applicable / worth noting, some filmmakers / DPs that inspire your own taste / style.

Please Note: Start Date listed on job is to start developing ideas, NOT the start date of shooting by any means. We are aiming for a shooting schedule of 5-6 days, with a lot of prep time in advance - but prep work will be sporadic leading into shooting, rather than day-to-day leading directly into principal photography.

Currently seeking local production crew in Grand Rapids or Detroit areas in Michigan.

Looking to hire freelance Director of Photography for feature length documentary film shooting from June – November 2024, with continued filming into Summer 2025. Previous experience required.

Paid position plus meals and lodging included.

Seeking experienced, resourceful, story-minded DP for ultra-low-budget psychological thriller shooting in rural Connecticut. We need someone who can make the most of minimal resources, who values collaboration, and who knows how to lead a team.

Prep days and travel will be paid as half days.

Position: Cinematographer
Rate: $600/Day

Looking for cinematographers to join our team for a live event on June 14th, 2024 in Friday Harbor, WA.

We will be providing all production equipment and will be filming on Sony A7SIII's with Sony glass. Comfortable filming hand-held, pulling focus, and using a gimbal.

All equipment will be prepped and ready so all you need to do is arrive and begin filming.

We'll be moving from boat, to side-by-sides so must be comfortable working in a fast paced, outdoor environment.

TRAVEL: As the event is on Friday Harbor which will require taking the ferry from Anacortes, WA to Friday Harbor, WA. We will set up travel arrangements to the island and cover all ferry costs for getting you to the location. Please note, you will be responsible for your own travel to/from the Anacortes ferry terminal.

Please include reference links of event-related work.

Food & beverage will be provided.

We have an exciting opportunity for a production team of two including a Lead Videographer & Second Shooter to join our team and produce high-quality content for a client in the women's medical aesthetics field. Considering the specific focus of the project, we strongly advise assembling a team of two individuals, with at least one being female, to ensure the comfort and suitability of our client.

LOCALS ONLY. NO LODGING ACCOMMODATIONS

When Applying, please let us know if you are located within 2 hours of the filming location.


As part of our team, you'll play a crucial role in capturing video and photo content tailored for promotional ads on various digital platforms, including social media and company websites. Your responsibilities will include:

- Collaborating closely with our client to understand their vision and requirements.
- Conducting scripted interviews using two-camera setups.
- Capturing captivating still shots for marketing campaigns.
- Filming BROLL footage from multiple angles to showcase non-invasive medical treatments.

To excel in this role, you should possess:
- Experience in setting up two-camera operated interviews.
- Proficiency in capturing still shots that align with marketing goals.
- Skill in filming engaging BROLL footage.

Additional Information:
- Production days typically range from 5-8 hours, depending on the project scope and treatment focus.
- You will work closely with a remote Producer who will be streaming for the first half of the day
- Pre-production materials will be provided to ensure you are well-prepared for the shoot.

Gear Needed:
-Cam A
-Cam B (that is also able to produce photos)
-2 Tripods
-Teleprompter
-Laptop (Apple Macbook preferred but not required for broadcasting live footage)
-Computer/Laptop for uploading content to hard-drive and shipping out to our office in Austin, Texas
-Audio (preferably a LAV system)
-Continuous light coverage for 1-subject interviews and treatments (if necessary)
-Slate

Day Rate: $1000/8 (for both creators)
Overtime: $187.50 per hour
Meal Reimbursement: Up to $100 for food per day
Equipment Rate: $500 per day

Additional Compensation: Contractor will receive an additional $200 travel day rate and gas reimbursement if traveling over 2 hours (one way) from residence to filming location.

Our client would like to produce a very low budget video to put on their website that shows a clear step-by-step demonstration of how to change a tire. The on-camera talent would be a manager of the tire shop and the location would be a tire shop in the Indianapolis area

Uses the camera as instructed by the Director. They ensure the required action is correctly captured in the frame and must react instinctively as the proceedings take place. The camera operator also helps establish the theme and appearance of the show. Must have reliable transportation.

The Camera Operator must be experienced in camera operations in fast-paced, live conditions. Sports production knowledge is a plus.

Camera Operator responsibilities include:
Strong camera operating skills with the ability to execute shots quickly
Understands broadcasting methodology in establishing themes and appearances of shows
Reliable transportation required

Uses the camera as instructed by the Director. They ensure the required action is correctly captured in the frame and must react instinctively as the proceedings take place. The camera operator also helps establish the theme and appearance of the show. Must have reliable transportation.

The Camera Operator must be experienced in camera operations in fast-paced, live conditions. Sports production knowledge is a plus.

Camera Operator responsibilities include:
Strong camera operating skills with the ability to execute shots quickly
Understands broadcasting methodology in establishing themes and appearances of shows
Reliable transportation required

Seeking a Cam Op for a one day development sizzle shoot near Austin. Pretty simple exterior shoot, capturing host standups and some BRoll. Shooting on FX9, which will be provided by production.