Apply to this DIT (Digital Imaging Technician) Job

Looking for a union DIT local to Scottsdale, AZ
Needed onsite for a large multi-cam show.
ENG crews with additional rigged cameras operated by switcher in a control room.

Rate- $73/hr

Start Date 5/28
Wrap date 6/24

Seeking crew for "Real Work," a short film about an elderly getting scammed. The audience will see how the relationship between the scammer and elderly man builds through the story.

A crucial behind-the-scenes role responsible for managing and safeguarding the digital image data captured during filming. They ensure the integrity and quality of the footage by overseeing the digital workflow, including camera settings, data transfer, and color management. The DIT collaborates closely with the DP to maintain consistency in visual aesthetics and technical standards throughout the production process.

Looking for a DIT/media wrangler for a 1-day shoot . We will be filming testimonials at a stage. 2 camera FX6 shoot. Need someone to transfer footage on 1-2 hard drive(s) throughout the day, as well as scan footage to ensure nothing is corrupt, and to deliver files to client upon end of filming day.

Location: Los Angeles, CA (Westwood area)
Date: May 2nd 2024

Please submit resume and kit info for consideration.

We are looking for organised individuals required with strong technical knowledge and works well independently in small teams. Self shoot skills is advantageous. You will be working on an observational doc series with self shooting PD teams. There may be shift work involving nights.

You will need to be highly organised to log clearly and highlight missing footage and assist with collating footage related to different stories shot. Knowledge of labelling archive footage useful. Experience working on blue light programmes would be preferred, but not essential, as would previous experience working on observational documentaries or follow docs. You must have a full drivers license.

Must have experience of sound and handheld/rigged cameras. Be able to rig and stand in as sound recordist if we have sit down interviews etc. Oversee care of cameras, (across kit inventory making sure nothing is lost and contacting camera house if there are issues or if something is broken). You need to prepare all the workflows with the posthouse and ensure they are adhered to.

Looking for a Teleprompter Operator tomorrow, 4/24, in Los Angeles off East 58th St. with a call time of 9am. Ideally, the operator has the following or similar - please include if you have gear upon application and rental rate (and if you have an EIN):

2 Laptops w/ software/hardware
12" Thru lens prompter unit
32" HDMI Monitor w/ Rolling stand

Thank you!

Looking for a camera operator with verite documentary experience as well as experience filming live sporting events. We are shooting on FX6’s.

If you could please send over reels with documentary and/or verite filming.

Looking for an assistant camera with knowledge and experience with FX6 cameras for a verite sports docu follow series. Will also need to be able to media manage footage from the day and back up media to hard drives.

In addition to rate above a kit rental per day will be provided for laptop with shot put pro or resolve to download footage to drives.

Looking for an assistant camera with knowledge and experience with FX6 cameras for a verite sports docu follow series. Will also need to be able to media manage footage from the day and back up media to hard drives.

In addition to rate above a kit rental per day will be provided for laptop with shot put pro or resolve to download footage to drives.

Seeking a LOCAL AC to assist with installing a dash cam on our talent's vehicle (similar to a gopro very easy install). This is a show based on dash cam footage, looking for someone interested in the install, ACing when we have field shoots and periodically working a day here and there swapping SD cards for us.

Start date- still TBD this is a general post to get the conversation going!

$300/12

We have a new client that would like for us to hold a 2 camera DSLR interview shoot with a small lighting package and audio in Gulf Breeze, FL on 5/15/2024.
Shooter would be solo, no manager on site. The project will be to interview a Coach at one location and then get some b-roll of them at or near that same location as well. B-roll could potentially be outdoors.
Pay negotiable, as it will include 2 DSLR's provided by you and a small lighting kit.
Shooter could also edit the finals as well-if applicable, but it would need to be a reasonable turn around.

Shoot timing would be 8am to 12pm with an 7am call time.

Let me know if you are interested. Thanks!

We are filming for one day on location for a non-profit shoot and are looking for a Cam Op/AC swing to join our team. This shoot will have minimal crew so a multifaceted and flexible crew member is a must. The director and DP are "swiss-army knife" folks who can wear many hats as is often necessary with small doc-style shoots, so it's good to have the same mentality in our local crew.

Please apply only if you are comfortable splitting your time between sometimes operating and most of the time providing A/C support to the DP. Sony camera experience also a big bonus.

Look forward to meeting you!

We have a new client that would like for us to hold a 2 camera DSLR interview shoot with a small lighting package and audio in St. Louis, MO on 5/4/2024.
Shooter would be solo, no manager on site. The project will be to interview a Coach at one location and then get some b-roll of them at or near that same location as well. B-roll could potentially be outdoors.
Pay negotiable, as it will include 2 DSLR's provided by you and a small lighting kit.
Shooter could also edit the finals as well-if applicable, but it would need to be a reasonable turn around.

Shoot timing would be 9am to 1pm with an 8am call time.

Let me know if you are interested. Thanks!

We have a new client that would like for us to hold a 2 camera DSLR interview shoot with a small lighting package and audio in Leland, NC on 4/28/2024.
Shooter would be solo, no manager on site. The project will be to interview a Coach at one location and then get some b-roll of them at or near that same location as well. B-roll could potentially be outdoors.
Pay negotiable, as it will include 2 DSLR's provided by you and a small lighting kit.
Shooter could also edit the finals as well-if applicable, but it would need to be a reasonable turn around.

Shoot timing would be 1pm to 5pm

Let me know if you are interested. Thanks!

We have a new client that would like for us to hold a 2 camera DSLR interview shoot with a small lighting package and audio in Frostburg, MD on 4/28/2024.
Shooter would be solo, no manager on site. The project will be to interview a Coach at one location and then get some b-roll of them at or near that same location as well. B-roll could potentially be outdoors.
Pay negotiable, as it will include 2 DSLR's provided by you and a small lighting kit.
Shooter could also edit the finals as well-if applicable, but it would need to be a reasonable turn around.

Shoot timing would be 8 to Noon or 9 to 1pm

Let me know if you are interested. Thanks!

Uses the camera as instructed by the Director. They ensure the required action is correctly captured in the frame and must react instinctively as the proceedings take place. The camera operator also helps establish the theme and appearance of the show. Must have reliable transportation.

The Camera Operator must be experienced in camera operations in fast-paced, live conditions. Sports production knowledge is a plus.

Camera Operator responsibilities include:
Strong camera operating skills with the ability to execute shots quickly
Understands broadcasting methodology in establishing themes and appearances of shows
Reliable transportation required