Apply to this DIT (Digital Imaging Technician) Job

Looking for a solid DIT for a 5+ camera shoot for a sports docu-series

DIT must have their own kit and software and be extremely organized and follow the file folder structure instructions
per Post Production Management.

Shooting on the FX6 and FX9 + specialty cams and slow motion

Please include resume for consideration.

Looking for a qualified DIT for a Corporate training video series for a major tech company in Mountain View, CA. Please be willing to provide examples of your work upon discussing the project further. Prefer someone that can also AE as well in conjunction.

$300 daily rate for 12 shoot days at 12 hour days, $400 if you can also AE for the project

We are looking for an experienced DIT who is local, or willing to work locally, to the Houston, TX area. (Travel will not be accommodated) This job is non-union, capturing short-form digital content. No lutz. We will only need media management and footage transferring via Shot Put Pro and will be providing a DIT kit.

Shoot Day: Mon 6/10
Rate: $500/12
Job Type: Non-Union

In need of a DIT for a 2 day shoot in Dallas, on 5/14 & 5/15.

Filming one (1) single person interview plus b-roll on the 14th and two (2) single person interviews plus b-roll on the 15th. This will be video only, and we will need transcodes. We will provide the hard drives for you.

We have a budget of $1,000/12hr day inclusive of gear.

We are looking for an experienced DIT who is local, or willing to work locally, to the Hazleton, PA area. This job is non-union, capturing short-form digital content. No lutz. We will only need media management and footage transferring via Shot Put Pro and will be providing a DIT kit.

Shoot Days: Wed 6/5 and Thursday 6/6
Rate: $500/12 (hourly rate based on 14 hours to account for OT)
Project: Amazon low budget social video
Crew: Ability to work as Non Union
Local to Hazleton, PA or willing to work as a local (has local accommodations)
Project location: Hazleton, PA

Fs7 / AS7 / GOPROS

We are looking for an experienced local reality/docu-series DIT for our Docu-Series show for A&E. We will be filming May 8th - May 12th. You would come in at wrap and dump footage overnight while updating the media log as well.

Lunch is reimbursed via Timecard.

We will be filming on 2x FS7s, AS7, Drones & GoPros.

Our Company is an Equal Opportunity Employer and does not discriminate on the basis of race, religion, color, sex, gender identity, sexual orientation, age, or any other basis covered by applicable law. All employment is decided on the basis of qualifications, merit, and business need. Applicants from diverse backgrounds are encouraged to apply.

Seeking crew for "Real Work," a short film about an elderly getting scammed. The audience will see how the relationship between the scammer and elderly man builds through the story.

A crucial behind-the-scenes role responsible for managing and safeguarding the digital image data captured during filming. They ensure the integrity and quality of the footage by overseeing the digital workflow, including camera settings, data transfer, and color management. The DIT collaborates closely with the DP to maintain consistency in visual aesthetics and technical standards throughout the production process.

We are looking for organised individuals required with strong technical knowledge and works well independently in small teams. Self shoot skills is advantageous. You will be working on an observational doc series with self shooting PD teams. There may be shift work involving nights.

You will need to be highly organised to log clearly and highlight missing footage and assist with collating footage related to different stories shot. Knowledge of labelling archive footage useful. Experience working on blue light programmes would be preferred, but not essential, as would previous experience working on observational documentaries or follow docs. You must have a full drivers license.

Must have experience of sound and handheld/rigged cameras. Be able to rig and stand in as sound recordist if we have sit down interviews etc. Oversee care of cameras, (across kit inventory making sure nothing is lost and contacting camera house if there are issues or if something is broken). You need to prepare all the workflows with the posthouse and ensure they are adhered to.

Hello!

We are looking for a one man team who is based in Independence, MO or nearby. We are looking for a DP with their own gear, who is able to run sound.

This is a small, single camera interview for one day with one interviewee. Many more details available, please reach out if interested!

$850/12 for labor, gear will be paid for additionally based on inventory

Hello!

We are looking for a one man team who is based in Eldridge, IA or nearby. We are looking for a DP with their own gear, who is able to run sound.

This is a small, single camera interview for one day with one interviewee. Many more details available, please reach out if interested!

$850/12 for labor, gear will be paid for additionally based on inventory

Hello!

We are looking for a one man team who is based in Ft Lauderdale, FL. We are looking for a DP with their own gear, who is able to run sound.

This is a small, single camera interview for one day with one interviewee. Many more details available, please reach out if interested!

$850/12 for labor, gear will be paid for additionally based on inventory

Looking for a DP/Director to lead a few shoots in West Palm Beach to showcase the city.

This is a multi-day shoot, and we'd ideally like to have the same DP for all days, but it's not a deal breaker.

Other shoot dates: 5/21, 5/22, 5/23, 5/24. 5/29, 5/30 (all 10-hour days)

Position: DP/Director
Date: May 20th, 2024
Location: West Palm Beach
Gear Required: Camera, Tripod, Slider or Stabilizer, Three-Point Lighting, External Recorder (if you do not have two-audio channels on camera), LAV Mic, and Boom Mic with Mic Stand
Rate: $600/10h (USD)

We reimburse every mile after traveling 50 miles in each direction (not round trip) at $0.67 per mile.

Must be local to location (or willing to work as a local).

Seeking a DP to to capture interviews and b-roll for our client in Smithville, MO. This is for a local branch of a nation-wide restaurant chain.

Seeking candidates with documentary and corporate experience, ideally in the commercial/event space.

Gear Required: Camera, Tripod, Stabilizer, Three-Point Lighting,

Call time is TBD

Rate is $350 for five hrs on set

Looking for a camera assistant who *lives* in Savannah, GA (or within 40 min drive). *Not "willing/able to work as local", must live there.
Looking for someone to be a right hand to our DP for a documentary sit down interview; setting up cameras and video village, helping to light, etc. Must have prior experience as an AC, must have a reference.

Looking for a DP/Director to conduct an interview + b-roll shoot at a local steel factory in Apodaca, NL. Must be available with gear.

Position: DP/Director
Gear Required: Camera, Tripod, Slider or Stabilizer, Three-Point Lighting, External Recorder (if you do not have two-audio channels on camera), LAV Mic, and Boom Mic with Mic Stand
Rate: $600/10h (USD)

We reimburse every mile after traveling 50 miles in each direction (not round trip) at $0.67 (USD) per mile.

NLV is hiring Videographers to cover a High School Field Hockey Showcase at the University of Michigan. This event is from 05/24 to 05/26. Applicants must be able to work all 3 days.

All gear will be provided by the company. There will be an Event Manager onsite who will set up equipment and give direction throughout the day. Must sign up for both days. Meals will also be provided during shift hours.

What: Lacrosse tournament
Where: East Lansing, MI
When: May 24-26, 2024
Why: $250/day. Meals included.

Responsibilities:
- Assist with set up upon arrival
- Operate camera with tripod mounted atop podium ladder or scaffolding
- Monitor and maintain power, storage, and bitrate
- Help break down equipment at the end of the day

Qualifications:
- Must have experience with sports video production.
- Must have transportation to athletic facility.
- Must be able to climb ladder or scaffold.
- Must be 18 or older.
- Must be eligible to work in US.
- Must be capable of all day activity, standing / walking for long periods.

Looking for DP for pickup remote interview + b-roll shoot in Grand Rapids, MI. This is for a second season of a true crime series for Investigation Discovery. Will hire local AC for support- together you will be responsible for audio and lighting and media management.

Must have their own gear - cameras, lighting, and audio
Will be responsible, with the AC, for media transfer and DIT

2 camera interview set up - FS7 or similar

Shoot Dates - TBD
Looking to film, sometime in the next two weeks. If you have conflicts - please let me know when. We may be able to work around your schedule.

-$800/12 + $1000/KIT

Uses the camera as instructed by the Director. They ensure the required action is correctly captured in the frame and must react instinctively as the proceedings take place. The camera operator also helps establish the theme and appearance of the show. Must have reliable transportation.

The Camera Operator must be experienced in camera operations in fast-paced, live conditions. Sports production knowledge is a plus.

Camera Operator responsibilities include:
Strong camera operating skills with the ability to execute shots quickly
Understands broadcasting methodology in establishing themes and appearances of shows
Reliable transportation required

Uses the camera as instructed by the Director. They ensure the required action is correctly captured in the frame and must react instinctively as the proceedings take place. The camera operator also helps establish the theme and appearance of the show. Must have reliable transportation.

The Camera Operator must be experienced in camera operations in fast-paced, live conditions. Sports production knowledge is a plus.

Camera Operator responsibilities include:
Strong camera operating skills with the ability to execute shots quickly
Understands broadcasting methodology in establishing themes and appearances of shows
Reliable transportation required