Apply to this DIT (Digital Imaging Technician) Job

Seeking crew for "Real Work," a short film about an elderly getting scammed. The audience will see how the relationship between the scammer and elderly man builds through the story.

A crucial behind-the-scenes role responsible for managing and safeguarding the digital image data captured during filming. They ensure the integrity and quality of the footage by overseeing the digital workflow, including camera settings, data transfer, and color management. The DIT collaborates closely with the DP to maintain consistency in visual aesthetics and technical standards throughout the production process.

Looking for a DIT/media wrangler for a 1-day shoot . We will be filming testimonials at a stage. 2 camera FX6 shoot. Need someone to transfer footage on 1-2 hard drive(s) throughout the day, as well as scan footage to ensure nothing is corrupt, and to deliver files to client upon end of filming day.

Location: Los Angeles, CA (Westwood area)
Date: May 2nd 2024

Please submit resume and kit info for consideration.

We are looking for organised individuals required with strong technical knowledge and works well independently in small teams. Self shoot skills is advantageous. You will be working on an observational doc series with self shooting PD teams. There may be shift work involving nights.

You will need to be highly organised to log clearly and highlight missing footage and assist with collating footage related to different stories shot. Knowledge of labelling archive footage useful. Experience working on blue light programmes would be preferred, but not essential, as would previous experience working on observational documentaries or follow docs. You must have a full drivers license.

Must have experience of sound and handheld/rigged cameras. Be able to rig and stand in as sound recordist if we have sit down interviews etc. Oversee care of cameras, (across kit inventory making sure nothing is lost and contacting camera house if there are issues or if something is broken). You need to prepare all the workflows with the posthouse and ensure they are adhered to.

Electrify Expo, Phoenix is looking for an FPV drone pilot for their e-skateboard series Asphalt Kings. This drone operator will film all the track action during the weekend. We need someone who has an FPV drone and camera that can be flown pretty much all day.

Flat day rate will be based on experience and gear in their kit.

True crime documentary looking for local in Phoenix, AZ, to assist DP with talking head style interview set up. This is a small crew with only AC/DP, so some set up of simple lighting/grip package expected.

This position also requires media management, a file dump + camera report on a company provided laptop at the end of each shoot day.

No focus pulling or gear required, A camera is locked off, B camera is on a slider that the DP operates.

Dates are 5/2-5/3.

In need of DP with all own camera, audio and. grip. for. one day two camera shoot.

Electrify Expo, Phoenix is in need of a camera operator for their e-skateboard series Asphalt Kings. This camera operator will work directly with the field producer shooting interviews and b-roll as well as filming practice, qualifying and the races from a scissors lift.

We have an exciting opportunity for a production team of two including a Lead Videographer & Second Shooter to join our team and produce high-quality content for a medical aesthetic client.

LOCALS ONLY. NO LODGING ACCOMMODATIONS

When Applying, please let us know if you are located within 2 hours of the filming location.


As part of our team, you'll play a crucial role in capturing video and photo content tailored for promotional ads on various digital platforms, including social media and company websites. Your responsibilities will include:

- Collaborating closely with our client to understand their vision and requirements.
- Conducting scripted interviews using two-camera setups.
- Capturing captivating still shots for marketing campaigns.
- Filming BROLL footage from multiple angles to showcase non-invasive medical treatments.

To excel in this role, you should possess:
- Experience in setting up two-camera operated interviews.
- Proficiency in capturing still shots that align with marketing goals.
- Skill in filming engaging BROLL footage.

Additional Information:
- Production days typically range from 5-8 hours, depending on the project scope and treatment focus.
- You will work closely with a remote Producer who will be streaming for the first half of the day
- Pre-production materials will be provided to ensure you are well-prepared for the shoot.

Gear Needed:
-Cam A (preferably RED, Black Magic, or Sony digital cameras)
-Cam B (that is also able to produce photos)
-2 Tripods
-Teleprompter
-Laptop (Apple Macbook preferred but not required for broadcasting live footage)
-Computer/Laptop for uploading content to hard-drive and shipping out to our office in Austin, Texas
-Audio (preferably a LAV system)
-Continuous light coverage for 1-subject interviews and treatments (if necessary)
-Slate

Day Rate: $1000/8 (for both creators)
Overtime: $187.50 per hour
Meal Reimbursement: Up to $100 for food per day
Equipment Rate: $500 per day

Additional Compensation: Contractor will receive an additional $200 travel day rate and gas reimbursement if traveling over 2 hours (one way) from residence to filming location.

Local Camera & Drone Operator needed for 2-3 days of interview and B-Roll footage, following a pro running team in Boulder, Colorado. Experience necessary, and owned gear is preferred but not essential. Willing to pay an additional rental fee for any gear. You will be working directly with the Producer/Director to capture supporting footage for a sizzle reel.

Additional compensation for gear rental.

Needing a few camera operators for an upcoming series of broadcasts in New Orleans, LA June 6-9, 2024. We are shooting with the Blackmagic URSA Broadcast. Cameras will be on sticks - possibly skates as well. Locals only, but parking will be reimbursed. Meals will be provided.

$600/10

1.5x OT after 10, 2x OT after 12

2024 Zurich Classic from 4/26-4/28 at TPC Louisiana in New Orleans

The overview of the camera assistant position details are listed below:

Some responsibilities include:
Golf cart driving
Assist the camera operator with sticks (tripod) approximately 20 pounds
Help change out camera batteries
*The camera assistants and talent drivers would need to work ALL 3 days.

We would like for people in these positions to wear golf attire – polo shirts are ideal. No cargo pants, no cargo shorts, no jeans, no crop tops or no leggings can be worn on the course. No open toe shoes are allowed. It is encouraged to wear a hat/sunglasses/suntan lotion if it is due to be a sunny day.

Here are more details on these positions:
1. Must be at least 18 years of age
2. Must have a valid driver’s license
3. The position pays $20 per hour and they are guaranteed a minimum of 8 hours per day. Overtime begins after 8 hours in a day and also after 40 regular hours in a week. Double time starts after 12 hours in a day. We are on a payroll system so they will be paid by direct deposit the following Friday after submitting their hours by Monday after the tournament.
These are local positions so there is no compensation for travel, hotel, per diem or expenses.

Freelance MEDIA MANAGER to do only media management overnight for a reality TV shoot in and near in Syracuse, NY.

• Shoot dates: 4/30-5/1 Overnight
• Day Rate: $350.00 / 12 hours Negotiable

• Travel / Self Report: You will need your own vehicle to travel / self report to the crew hotel / interview location on the production day.


JOB POSTING: Sharp Entertainment is an Equal Opportunity Employer and does not discriminate on the basis of race, religion, color, sex, gender identity, sexual orientation, age, or any other basis covered by applicable law. All employment is decided on the basis of qualifications, merit, and business need. Applicants from diverse backgrounds are encouraged to apply.

*URGENT* We are seeking a skilled and creative videographer to capture exciting moments at a multi-day expo event. The shoot is tomorrow, April 25th, at the Dallas Market Hall. The videographer will be responsible for recording key highlights and interactions during the event, creating a dynamic video library to enhance our marketing and promotional efforts. The ideal candidate should be adept at capturing a diverse array of shots that effectively showcase the energy and scale of the expo, as well as the interactions between exhibitors and attendees.

Responsibilities:
- Attend and film the day of the expo, ensuring comprehensive coverage of key events and interactions.
- Work closely with the event organizers and participants to capture essential moments that align with the promotional goals of the event.
- Provide a variety of shot types, from sweeping views of the expo space to detailed close-ups of exhibitor displays and attendee engagements.
- Manage video equipment setup, operation, and breakdown, ensuring optimal function and quality.
- Collaborate with the marketing team to align the footage with strategic objectives, ensuring the final product meets promotional needs.

Requirements:
- Proven experience (1-3 years) with professional video recording and editing equipment.
- Excellent communication skills for effective collaboration with event organizers and participants.
- Strong creative vision and ability to capture footage that aligns with strategic marketing goals.
- Flexibility to adapt to dynamic event environments and modify filming approaches as needed.

Our budget is $400 per day and $200 per half day

Interested candidates should submit their resume, a link to their portfolio showcasing relevant work, and a brief statement describing their experience in event videography.

Seeking hybrid AC/ DIT for shoot in Houston. This would be 3 day, run and go shoot; filming verite, hero shots and green screen interviews.

Required experience and extensive knowledge of building...
FS7, A7s Cameras, Ronan, ShotPut Pro, green screen remote comping ++, Premier ++

$21.4285 - $25.00/ Hourly

Please include references in cover letter.

We are an Equal Opportunity Employer and does not discriminate on the basis of race, religion, color, sex, gender identity, sexual orientation, age, or any other basis covered by applicable law. All employment is decided on the basis of qualifications, merit, and business need. Applicants from diverse backgrounds are encouraged to apply.

Seeking hybrid AC/ DIT for shoot in Houston. This would be 3 day, run and go shoot; filming verite, hero shots and green screen interviews.

Required experience and extensive knowledge of building...
FS7, A7s Cameras, Ronan, ShotPut Pro, green screen remote comping ++, Premier ++

Please include references in cover letter.

We are an Equal Opportunity Employer and does not discriminate on the basis of race, religion, color, sex, gender identity, sexual orientation, age, or any other basis covered by applicable law. All employment is decided on the basis of qualifications, merit, and business need. Applicants from diverse backgrounds are encouraged to apply.

Seeking a DP who can capture interviews and B-roll for our client in the Des Moines, IA area. This is for a large retail brand.

***THIS WILL BE AN OVERNIGHT SHOOT***

Seeking candidates who can provide their own gear. Please share any reel/website/work samples you have.

Gear Required: Camera, Tripod, Gimbal (or comparable stabilizer), Lighting (interview).
Call time: 9:15pm - 7:15am
Rate: $1000/10hrs

***PLEASE READ THE DESCRIPTION***


We are currently seeking a skilled assistant camera with knowledge in DSLR cameras for a project in Covington, LA Sony A7s III, Canon 5D Mark IV.

The shoot will take place on Monday, May 6th (Full Day) and Tuesday May 7th (Full Day).

The purpose of the shoot is to capture marketing and testimonial videos for a dental practice, both within the office and some exterior shots.

Assistant Camera Responsibilities:

Responsible for operating the camera and should have a strong understanding of the Sony A7s III.
Video Production will be 8-10 hours long per film day
Contractors are responsible for the provided photography shot list
Will be provided camera settings for photos and do's and dont's for photos
Contractors are responsible for monitoring the camera during filming for audio and focus
Contractors are to assist with the production wrap

Watching and maintaining composition and monitoring audio as well along with color balance for interview cameras, and keeping everything in sharp focus throughout each interview.

Assist moving lights and cameras if based on set changes and lighting preferences.

Have good knowledge of the Sony full frame DSLRs,

Be efficient and organized during video shoots, and pay close attention to the needs of the director.

Have a strong understanding of the typical video production workflow.

You will be working alongside a Progressive Dental Videographer who will be flying in from Florida. Prior to the shoot, we will contact you with detailed information regarding shoot location, filming times and director contact information.

o Progressive Dental will reimburse up to $20.00 each film day for lunch plus tip if not provided by the client.
o Progressive Dental does not reimburse for alcohol or tips over 20%.
o In order to be reimbursed for lunch, an itemized receipt along with tip receipt must be provided.
• Progressive Dental reimburses for mileage.
o *Mileage is reimbursable outside of 25 miles from the shoot production.
o Based on the most up to date rate from the IRS. Please add mileage amount to your invoice and submit a screenshot of the distance via Google Maps or GPS application you use.

NO equipment required
MUST live within an hour of location (mileage will be reimbursed at GSA standard rate)
Medical or dental shooting experience is considered a plus

If you meet the criteria mentioned above and are available for the specified date(s), we would love to consider you for this project.

Please let us know your interest and availability at your earliest convenience.

$250 per day rate plus Mileage

Looking for a Camera Operator for a one day shoot in NYC on Sunday 5/5/2024. The day will consist of predominantly B-Roll with one or two stand up interviews. The day should require roaming around a convention so a gimbal will be needed. B-roll will consist of capturing establishing shots, signage, attendees interacting, panels, crowds, and exhibit hall shots. A producer will be there to feed questions for the interviews. Being able to set up and monitor wireless lavaliers (up to two) to record directly into the camera will be needed. Also needed is a small light set up that we can use for the short interviews. A room for you to leave any equipment and grab what you need will be provided.

Please detail what equipment you have available.

9:30am arrival to 7pm wrap.

Rate: $1000.00

Thank you!

Jib Assistant needed for 1 day at the San Antonio Convention Center. Experience working with large jibs is not required, but preferred.