Apply to this DIT (Digital Imaging Technician) Job

We are looking for an experienced DIT who is local, or willing to work locally, to the Hazleton, PA area. This job is non-union, capturing short-form digital content. No lutz. We will only need media management and footage transferring via Shot Put Pro and will be providing a DIT kit.

Shoot Days: Wed 6/5 and Thursday 6/6
Rate: $500/12 (hourly rate based on 14 hours to account for OT)
Project: Amazon low budget social video
Crew: Ability to work as Non Union
Local to Hazleton, PA or willing to work as a local (has local accommodations)
Project location: Hazleton, PA

Need someone who has experience in being an on set stills digitech that can organize files and edit on site with minimal retouching. We will be shooting very fast paced on site and will need someone that is organized and can work quick on their feet.

Looking for a solid DIT for a 5+ camera shoot for a sports docu-series

DIT must have their own kit and software and be extremely organized and follow the file folder structure instructions
per Post Production Management.

Shooting on the FX6 and FX9 + specialty cams and slow motion

Please include resume for consideration.

Looking for a qualified DIT for a Corporate training video series for a major tech company in Mountain View, CA. Please be willing to provide examples of your work upon discussing the project further. Prefer someone that can also AE as well in conjunction.

$300 daily rate for 12 shoot days at 12 hour days, $400 if you can also AE for the project

We are looking for an experienced DIT who is local, or willing to work locally, to the Houston, TX area. (Travel will not be accommodated) This job is non-union, capturing short-form digital content. No lutz. We will only need media management and footage transferring via Shot Put Pro and will be providing a DIT kit.

Shoot Day: Mon 6/10
Rate: $500/12
Job Type: Non-Union

In need of a DIT for a 2 day shoot in Dallas, on 5/14 & 5/15.

Filming one (1) single person interview plus b-roll on the 14th and two (2) single person interviews plus b-roll on the 15th. This will be video only, and we will need transcodes. We will provide the hard drives for you.

We have a budget of $1,000/12hr day inclusive of gear.

Fs7 / AS7 / GOPROS

We are looking for an experienced local reality/docu-series DIT for our Docu-Series show for A&E. We will be filming May 8th - May 12th. You would come in at wrap and dump footage overnight while updating the media log as well.

Lunch is reimbursed via Timecard.

We will be filming on 2x FS7s, AS7, Drones & GoPros.

Our Company is an Equal Opportunity Employer and does not discriminate on the basis of race, religion, color, sex, gender identity, sexual orientation, age, or any other basis covered by applicable law. All employment is decided on the basis of qualifications, merit, and business need. Applicants from diverse backgrounds are encouraged to apply.

Seeking crew for "Real Work," a short film about an elderly getting scammed. The audience will see how the relationship between the scammer and elderly man builds through the story.

A crucial behind-the-scenes role responsible for managing and safeguarding the digital image data captured during filming. They ensure the integrity and quality of the footage by overseeing the digital workflow, including camera settings, data transfer, and color management. The DIT collaborates closely with the DP to maintain consistency in visual aesthetics and technical standards throughout the production process.

We are looking for organised individuals required with strong technical knowledge and works well independently in small teams. Self shoot skills is advantageous. You will be working on an observational doc series with self shooting PD teams. There may be shift work involving nights.

You will need to be highly organised to log clearly and highlight missing footage and assist with collating footage related to different stories shot. Knowledge of labelling archive footage useful. Experience working on blue light programmes would be preferred, but not essential, as would previous experience working on observational documentaries or follow docs. You must have a full drivers license.

Must have experience of sound and handheld/rigged cameras. Be able to rig and stand in as sound recordist if we have sit down interviews etc. Oversee care of cameras, (across kit inventory making sure nothing is lost and contacting camera house if there are issues or if something is broken). You need to prepare all the workflows with the posthouse and ensure they are adhered to.

We are looking for an experienced 1st AC who is local, or willing to work locally, to the Hazleton, PA area. This job is non-union, capturing short-form digital content.

Shoot Days: Wed 6/5 and Thursday 6/6
Rate: $650/12 (hourly rate based on 14 hours to account for OT)
Project: Amazon low budget social video
Crew: Ability to work as Non Union
Local to Hazleton, PA or willing to work as a local (has local accommodations)
Project location: Hazleton, PA

We are looking for an experienced VTR who is local, or willing to work locally, to the Hazleton, PA area. This job is non-union, capturing short-form digital content.

Shoot Days: Wed 6/5 and Thursday 6/6
Rate: $800/12 (hourly rate based on 14 hours to account for OT)
Project: Amazon low budget social video
Crew: Ability to work as Non Union
Local to Hazleton, PA or willing to work as a local (has local accommodations)
Project location: Hazleton, PA

Need someone who has experience in assisting a stills photographer. We will be shooting very fast paced on site and will need someone that is organized and can work quick on their feet. Must have camera experience with a Canon R5.

$550/10

Looking for an experienced AC for a 2-camera interview shoot on 5/16 + 5/17 with 2x talent. We'll be shooting on FX9s.

Must have experience pulling focus.

$600 10/hr + gear rentals if you have gear we're looking to rent. Must be local to Atlanta.

Looking for a camera assistant who *lives* in Atlanta, GA (or within 30 min drive). *Not "willing/able to work as local", must live there.
Looking for someone to be a right hand to our DP for a documentary sit down interview; setting up cameras and video village, helping to light, monitoring B cam while shooting, etc. Director is Zoom calling in to conduct the interview, so must have experience setting up remote interviews. Must have prior experience as an AC on a documentary, must have a reference.
5/20- Camera check out / prep
5/21- Shoot

Looking for camera operators for a live concert recording Thursday May 16. Please include links to any previous concert filming or music experience with your submission. Please also indicate if you have familiarity with the Sony family of cameras, specifically the FX3.

Owner/operators, as well as camerapeople without equipment are welcome to submit. Please include your asking rate, and if it includes equipment or not.

Must be local to location (or willing to work as a local).

Seeking a DP to to capture interviews and b-roll for our client in Boston, MA. This is for a local investment agency.

Seeking candidates with documentary and corporate experience, ideally in the commercial/event space.

Gear Required: Camera, Tripod, Stabilizer, Three-Point Lighting,

Call time is TBD

Rate is $350 for five hrs on set, $50/h after that. We do not expect the shoot to go into overtime.

Looking for local-to-Toronto DP for short, documentary project. Exact dates are TBD but likely to be three (non-consecutive) days starting May 17. Preferably a DP with documentary experience, their own gear and wide variety of lens selection.

We are building up our vendor list in every region. Looking for local crews.
Will vary based on project needs. Comcast shoots work based on half days 5 hours and full days 10 hours.

Looking for a local AC for a 1-2 day interview shoot near Spokane, WA