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Look for experienced editors with true crime and Oxygen experience.

Editorial position within a team focused on NFL-related pregame show content. Looking for strong editors with network-level experience in cutting long + short form features, opens, teases, bumps and music video. Local to LA applicants only. Position would start early AUG and go through NFL season.

Looking for an LA-based editor (or assistant editor) who can work together, in-person, with the director on delivering a picture edit of a narrative short film. Work under guidance, not looking for (but encouraging) creative input or big storytelling skills - just need someone fast with good technical and organizational capability.

It's a 40-minute psychological drama, dialogue-heavy. Tasks are to set up the project, transcode, sync, organize the files, communicate with our sound editor and colorist, and cut the footage. NO REMOTE WORK. Footage shot on Alexa Mini, 4K. Preferably, an editor can also be a DIT on set (July 11-15). Also paid days.

Looking for a Sizzle Editor for a History Channel project.
Ideally someone who has edited sizzles in the paranormal/UFO or investigative and ensemble cast space. History experience is a big plus. Must be able to work independently and act as a Preditor.

Please highlight any work you've done for History Channel.

Looking for an editor to work remotely on a new car series. Past experience on Motortrend or Discovery show is really important for us. Need someone to start the week of June 27th or 5th at the latest. Goes thru November.

Looking for an Editor to cut a new HGTV property competition series. Experience with Adobe Premiere is highly preferred as that is our editing platform.

Please send along your resume and references. Feel free to drop us a line about similar shows you have worked on in the past.

Hi, we are looking for an editor for a non-scripted / reality pilot for a "How to sell a high-end property" - the show features a host and stunning locations in St. Croix.
Final pilot would be around 30 mins.
Currently notes on frame.io
The job is $1000 total for the pilot - 2 revisions.

Omaha Productions is looking for a freelance editor to join our team to support the Omaha Audio network, a partnership with ESPN.

Shows can be found on https://www.youtube.com/c/OmahaProd

Podcasts are produced in the style of traditional sports discussion shows with similar graphics and video elements.
Many shows are same day turn around, recording in the morning and publishing at a deadline later that day.
We typically use a digital streaming control room for the recording, so most shows will have some assets completed within the recording platform.

Applicants should be used to quick-turn around assets (highlights, graphic assets, show fixes, segment publishes).

Some applicants may be considered for a producer / editor hybrid role for future shows.

Budget is between $50-75 per hour.

**LOOKING FOR FREELANCE AND LONGER TERM CONTRACT POSSIBILITIES**
The hope is to find a few people we can rely on to fill holes as needed and others who may be interested in committing to a firm schedule for recurring workload. Both applicants will be considered.


Basic details:
- 20 hours per week targeted
- Hours are slightly flexible and vary depending on the show.
- Work with Head of Audio and Omaha Productions producers on video and audio edits for final show delivery
- Assist in evaluation of workflows and graphical elements to ensure timely edits
- Proficient in Adobe Premiere
- Experience working with mogart files
- Proficient in photoshop is a plus
- Experience editing trailers/vodcasts
- Interest in sports
- This position is fully remote

Cry Havoc Productions is looking for an awesome team member to help us bring home a new global documentary supercar engineering series.

We’re an award-winning boutique pro co. that specializes in motor-based filmmaking for international and pan-regional broadcast nets. Our new series is a mix of fast-paced action, expert interviewees, rarely seen archival material and process-based build/engineering sequences.

What we’re looking for: Ideal candidate is an awesome person with a zest for life, a solid editor fluent in Avid, extremely well organized, and has a solid understanding of broadcast deliveries.

*** This Job is Located in Santa Barbara, CA - Please don't apply unless you're local or willing to relocate ***

You don’t have to be crazy about all things automotive, but it certainly helps.

Candidates should be familiar with traditional engineering driven documentary edits, multi-group INTs, select reels and possess solid sequence-based story telling skills.

This is an in-person position located in Santa Barbara, CA. Remote work might be an option down the road. Position is non-union & scheduled to last for six to ten months. Salary depends on experience.

Looking for an Avid editor for a long running series. Must have:

* Docu-series experience
* Ensemble cast experience
* Good story / music instincts
* 5+ years editing
* Bravo / finishing experience a plus


Salary range: $650-$750 / day based on experience

Need a remote editor to work in Davinci 18 beta and join our cloud project.
Looking for someone who also has their own library of music or access to royalty-free music they can use to incorporate into the sizzle.

Editor will have access to previous cut of sizzle as well as the new footage we need incorporated/reworked.

Proxy files to be synced via Dropbox shared folder.

We need a snappy-big-energy sizzle. Looking to fill this role asap.

Editor needed for one 2-3 minute fast-paced explainer-type film. Must be skilled at:
- creating quick-hitting, informative, playful online content
- sound design and use sound effects/ music to add energy, quirk, humor and pacing
- being creative and willing to bring ideas to the table. Fresh ideas reflecting modern trends but also a unique take.

Time frame & number of edit days is TBD, but likely end of August

Looking for a skilled editor for an upcoming feature length documentary. Ideal applicant will be comfortable collaborating with director and producer to build an intriguing narrative.

Seeking a Premium Polishing Editor for 3 weeks starting ASAP. We have 3 episodes and need an Editor who can work alongside our 2 Offline Editors to address polishing notes from our client.

Premium credits is a MUST. Please do not respond unless you have Premium cutting experience. Please send credits list.

Thank you.