Apply to this Editor Job

Looking for a West Coast based Avid editor for a fully remote position. Prior experience working on a docu-follow reality type series is a must. Prior MTV or VH1 reality experience is a plus. Job starts around 6/20 till roughly 8/18.

Great team working on a long running reality show. Weekly rate is based on a 10 hour day.

TMZ is looking for a Editor to work in our fast-paced, TV news production environment. This role is responsible for editing content for multiple television shows as well as other creative projects. The Editor prepares and edits video procured from multiple sources for broadcast and website publication. It is vital for this person to be an engaging storyteller, who can produce (preditor) and piece together interesting stories within extremely tight daily deadlines. Must be highly proficient with Adobe Premiere, a Mac and PC user, and should be comfortable with basic aspects of computing, including Slack, MS Office Suite and navigating the internet. This position reports into the Supervising Producer and is located in Los Angeles, CA.

Responsibilities:
• Produce and edit video content daily with Adobe Premiere (with editorial sense/judgment/direction)
• Cut and export video images in Photoshop
• Other duties as assigned

Requirements:
• Experience working on a television show (news, broadcast, cable, daytime talk, reality, etc.) is preferred
• A strong interest in entertainment celebrity news, preferred
• 3-5 years of video editing experience required
• Adobe Premiere and Photoshop – advanced skill-level required
• Must be a team player who can work simultaneously with different departments on multiple projects

“Pursuant to state and local pay disclosure requirements, the pay range for this role, with final offer amount dependent on education, skills, experience, and location is: $46.90 - $50.90 per hour. This position is regularly scheduled for a 50-hour work week but scheduled overtime hours are not guaranteed”.

TMZ is a workplace that requires the COVID-19 vaccination as a condition of employment. Requested accommodations/exceptions will be evaluated on a case-by-case basis in accordance with law.


TMZ is an Equal Opportunity Employer.

“Pursuant to state and local pay disclosure requirements, the pay range for this role, with final offer amount dependent on education, skills, experience, and location is: $46.90 - $50.90 per hour. This position is regularly scheduled for a 50-hour work week but scheduled overtime hours are not guaranteed”.

CrunchLabs is a monthly STEM toy subscription box for kids, designed by former NASA engineer and YouTuber Mark Rober. Our mission is to get people stoked about learning. We help kids (and kids at heart) how to Think Like an Engineer and develop resilience in life. This position is a freelance, remote opportunity.

What will you be doing?

Are you a creative and enthusiastic editor passionate about bringing out the best in video content? If so, Crunch Labs needs you! We're looking for an individual who can sift through tons of footage to uncover the juiciest gems that'll keep our viewers hooked. Plus, we need someone who can add personality and comedy to their edits. 

As our Video Editor, you'll have the power to take footage and turn it into a massively entertaining piece of content that'll captivate audiences, maintain viewer retention, and deliver top-quality results. We are looking for someone who always goes above and beyond, loves taking responsibility, and enjoys video editing.

Your role will involve using Adobe Premiere Pro, Adobe After Effects, Adobe Photoshop, and other video editing software to work your magic. You'll adjust your videos with feedback from an art director. You'll also collaborate with other video editors to enhance your skills and share your ideas to make the best content possible.

We need someone who's highly accountable and can submit drafts before the deadline, taking constructive criticism in stride and using it to improve the quality and consistency of their work. We're seeking a quick learner who can adapt to new video strategies and workflows and is willing to learn and grow.

To apply, you'll need to provide us with a demo reel or example edit as part of your application. It's the perfect chance to show off your video editing style and skills and how you can infuse humor and personality into your edits.

Job Responsibilities:

Use Adobe Premiere Pro, Adobe After Effects, Adobe Photoshop, and other video editing software to create high-quality video content.
Collaborate with other video editors to enhance and develop your editing skills, as well as share ideas and insights.
Work with retention specialists, directors and creative directors to meet retention standards and ensure audience engagement.
Make creative choices during editing, such as developing scenario structures for animations, selecting music for certain clips and reactions, and determining what should be supported visually/audibly in the editing process.
Requirements:

Proficient in Adobe Premiere Pro & Photoshop.
Strong background in video editing with a passion for constantly improving your skills.
Highly accountable and able to meet deadlines without sacrificing quality.
Quick learner with the ability to adapt to new video strategies and workflows.
Provide a demo reel or example edit as part of your application.
18 years of age or older.

In this role as a Video Editor /Asset Manager you'll be responsible for ensuring all asset files the organization’s editors require are prepared and ready for editing. The position requires managing files from ingesting, metadata application, archiving and delivery to editors as well as editing short form content for social media.


organize media for projects, enter metadata, and ensure proper file ingestion and preview of assets.
Create Adobe Premiere project import files, organize bins, and sync audio and video footage for editors
Export audio and video for transcription of content by timecode using Trint, REV application or IPV Curator.
Organize and maintain project folders and content files according to the organization’s Standard Operating Procedures.
Export final cuts and associated assets for sound mixes and color correction with external vendors
Process footage for legal review with a complete stock log and release form audit
Receive and deliver files and hard drives internally and externally with producers, editors, and vendors
Research and fulfill footage upon request from colleagues
Edit and export quick-turn video projects
Research B-roll from stock sites for editors
Inventory, track and manage all video hard drives
Coordinate with Video Producer to check in footage from video shoots
Perform other technical job-related duties as assigned

Competencies needed for Video Content Manager

Effective time management and organizational skills in order to meet assigned deadlines
Ability to manage multiple projects in a fast-paced environment
Highly collaborative and team player
Effective written and oral communication skills internally and externally to support project assignments and deadlines
Awareness and capability to make actionable recommendations for increased efficiency in processes.

Qualifications for Video Content Manager

Experience and knowledge of post-production workflows and the ability to improve processes for increased efficiency
Knowledge, training or experience using Adobe Premiere and Adobe Creative Suite including Premiere, After Effects, Capcut and Photoshop
Knowledge of industry file formats, codecs, and their proper handling in a post-production workflow
Interest in continuous professional learning and development within digital video media best practices and production tools

We need an editor to cut a true-crime sizzle for a Brazilian audience. Experience in crime and editing sizzle reels a plus. Must speak Portuguese and English.

This is a weekly rate. Short term gig only should last 2 weeks max. Negotiable based on experience.

Editor for a new home makeover show

Looking for an editor with a really unique style - fun, funky transitions, good with music, super stylized editing. Looking for an editor who is also comfortable with story. Must have the experience and reel to show interesting transitions, sound design, etc.

Looking for someone to edit a 12-minute short film. Color grading not required.

Need edit done around early July.

Please include reel and (if possible) full scenes that you have edited.

Kin Community is building its roster of diverse, creative freelance editors. Digital cutting, YouTube-style is what we’re looking for with proficiency in Premiere and Adobe Creative Suite. Experience cutting food content is a bonus! Working knowledge of color correction, sound sweetening and motion graphics, also a plus. Please send resume and links of your work. Thanks!

What's up! Need a creative Event content editor for our production in New Orleans from June 6-9. Editor will be responsible for compiling multiple creative deliverables for a Conference. Editor should be comfortable working with templates and be able to execute engaging creative, MOVIE TRAILER LIKE, short-form edits for our client.

Editor MUST HAVE REEL OR CLIPS THAT DISPLAY cool, creative MOVIE TRAILER STYLE CONTENT that incorporates the use of music, sound effects, transitions, supportive VOs, templates etc.

Please reply with any questions you may have and works samples. Travel and meal covered.

Rate $750/day

GreenLeaf Productions is looking for an Avid editor with experience cutting for a hour format show for a network.  Starting around mid-June we will be in need of Avid editors for a true-crime series that will be airing on A&E Network.  Preference will be made to editors who can work in the office at our Bethlehem, PA location.  This is a full time gig for the series running approximately 10-12 weeks. Please include your asking day rate with your application.



Requirements:

- Avid editor
- Docu-series experience editing in a hour format
- Ability to work to a tight schedule and meet deadlines.
- Meeting with the director to determine production vision and continuity with other editors throughout the project
- Editing from a pre-selected A-roll
- Previous work experience as a video editor.
- Portfolio reel of work

We are looking for an avid editor for a HGTV show from 6/12-7/1 and again starting 7/24-8/18.

Looking for a Portuguese speaking editor for an upcoming project.
Dates: June-August.
Needs to have access to premiere.
Will be remote, LA local preferable.
Minimum 5 years editing experience.

Seeking experienced Editor for a narrative feature for an award-winning director’s 6th film. Past projects have screened and won awards at prominent international festivals, including Sundance and Palm Springs, and have enjoyed world-wide distribution and streaming on multiple platforms, including Netflix, Amazon, and Hulu.

Work would begin late July 2023, and run roughly 15 weeks.

Candidate will be working closely alongside the director in person, and should be enthusiastic about creative collaboration and ready to bring their own ideas into the room.

Project is a SAG Ultra-Low Budget production, and Editor must be local to NYC. This is an opportunity to join an experienced team on a quality creative project.

Looking for an Lead Assistant Editor for a first season Netflix Documentary Series.

Job is hybrid in person DTLA / remote.

Looking for someone who is experienced with Adobe Premiere and is a problem solver, detail oriented, and a good communicator.

Duties include Ingest, Grouping, Syncing, Online / Mix Prep. Perfect opportunity for someone trying to establish themselves with a rapidly growing company. Lots of opportunity for the right person.

Will be responsible for ingest, syncing and grouping, support of editors.

Looking for an experienced Post Coordinator to help manage day-to-day in offline on a reality competition show.

Duties include:

- Overseeing media transfer from field and keeping media tracker/log up-to-date
- Assist in managing AE team
- Liaise with other internal departments on various administrative matters
- Assist in creating deliverables documents for final delivery

Our Edit and Story teams will be working remotely; there is an option to work a hybrid schedule 3 days a week in office, but not required. However, willingness to go into office occasionally for specific scenarios that may arise a plus.

Ideally looking for someone with at least a few years experience and is interested in becoming a Post Supervisor.

Thanks!

Our Production Company’s policy is to provide equal employment opportunities to all applicants and employees without regard to race, color, religion, creed, gender, gender identity or expression, age, national origin or ancestry, citizenship, disability, sexual orientation, marital status, pregnancy, veteran status, membership in the uniformed services, genetic information, or any other basis protected by applicable law. We will consider for employment all qualified Applicants, including those with Criminal Histories, in a manner consistent with the requirements of applicable state and local laws, including the City of Los Angeles' Fair Chance Initiative for Hiring Ordinance.

The 2nd Assistant Editor will support Kin’s Post Production department in all aspects media management, including preparing media after production for our editors, sourcing media for projects as needed from our library of hard drives, and QCing masters before archiving them to our new asset library management system. The 2nd AE will play a critical role in supporting the 1st (Lead) Assistant Editor and our stable of freelance editors as we move through a robust production slate for 2023. We have recently transitioned from Final Cut Pro to Adobe Premiere, so knowledge of both platforms is required. This role requires extreme attention to detail, proficiency in organization, adherence to deadlines and a great level of proactivity. This is a freelance full-time position.

This is a remote position, but it will be required to go into our LA-based office for training and potentially one day a week.

What You’ll Do:
- Collect drives from production teams, offload/upload media and assets and ensuring all footage is accounted for, verify data backups, and stored in the proper locations in a timely manner
- Review media, catch and flag any production errors, issues, or inconsistencies to all stakeholders
- Import and prepare all project assets into Adobe Premiere working with the Lead Assistant Editor to maintain Kin’s workflow standards
- Build multicam clips from source material according to project specs
- Diligently organize, connect, and synchronize media in sequences for external editorial teams
- Annotate and label all media based on project notes, as well as using your own intuition and understanding of the shoot to organize media in the project in a concise manner to set up the editorial team for success
- Maintain logs and enter project metadata as needed
- Ensure correct project templates are being utilized and distributed to creative teams
- Recall old projects and media from archives when required
- QC episode masters to ready for distribution

What You Have:
- 1-2 years of post-production experience, including work as an AE, preferably with digital content
- Advanced experience with Adobe Creative Suite / Final Cut Pro and other post-production software
- Advanced knowledge of video and audio codecs for digital media and broadcast distribution
- Working knowledge on how to navigate networks, servers and remote software such as Jump Desktop
- Strong commitment to detail and an aptitude for organizing and labeling media content
- Proficiency with Google Suite
- Ability to work independently and with teams, able to decipher problems and create solutions; able to complete tasks with minimal guidance if necessary
- Adept at determining priorities and able to hit deadlines under pressure; ability to adapt quickly to changing priorities in a deadline-driven environment
- Communicate well and be flexible with other departments

Who We Are:
Kin is an energetic, focused, and start-up minded company. We believe the best work comes from a happy environment. Kin makes shows for diverse women's audiences. Our shows super-serve this audience with meaningful and entertaining programming they can relate to in categories that include home, style, family and food.

Possibility to extend more than 4 months.

NYC/ NJ based, in office position.

Afternoon-evening shifts.

Transcoding, ingesting, syncing, grouping, exporting, unrezzing.

Adobe experience, media encoded, after effects, are all a plus.

Job Title: Freelance QC Coordinator

Overview:
The QC Coordinator reviews all project deliverables from internal and external post production teams before publishing and archiving. This role is indescribably meticulous in their work and is a strong communicator, interacting with a myriad of team members and departments during the final phases of a project. As the last line of defense before publishing, QC Coordinators play a critical role in ensuring that CNE video content looks and sounds its best, airs without errors, and adheres to strict standards for various types of deliverable assets. The QC Coordinator reports to the Supervisor, QC, and works closely with video editors, Post Production Supervisors, Scheduling, Video Operations, and the Media Asset Management team. This role may occasionally require extended hours and weekend work in order to get the job done.

Primary Responsibilities:
- Review in-progress edits and all project deliverables (video, audio, images, documentation) for quality and adherence to required technical specifications; catch spelling errors, improper framing, glitches, improper color and audio levels, off-brand/off-series errors, and more before air and archive
- Relay QC notes to editors and ensure all applicable assets are redelivered as needed
- Manage a steady queue of deliverables across several projects and brands with competing priorities and shifting air dates, pivoting when necessary and communicating deliveries and delays to Scheduling and Publishing teams
- Stay on the pulse of updated style guides and series tags, ensuring newly published content keeps up to date with brand/series refreshes.
- Help enforce standards, policies, and procedures for asset delivery and archiving
- Assist with media requests such as pulling archived episodes, transcoding videos for external delivery partners, etc.
- When possible, preview content ahead of initial delivery and QC review; provide quality-control feedback to editors, audio mixers, and colorists during a project, and provide feedback to associated team members
- Liaise with various CNE teams for inbound and outbound delivery requests, technical-related inquiries involving delivery specs, transfer credentials, and sending requests (via SFTP, Signiant, Hightail, etc.)

Desired Skills and Qualifications:
- 1-2 years of experience in a post-production environment, with skills revolving around asset management and delivery
- Working knowledge of Adobe Premiere Pro is required
- Excel in meticulous attention to detail, with experience in a wide array of video formats, quality control, archiving, and light-touch editing.
- Proficient knowledge of the main digital video and audio formats
- Understanding of media codecs, bit rates, aspect ratios, color spaces, and compression
- Effective organizer with proven ability to manage multiple projects and initiatives simultaneously
- Calm and deliberate demeanor with excellent communication skills in a highly dynamic, fast-paced environment; a team player with patience and empathy
- Proactive and strong ability to problem solve and work through issues
- Produce under the pressure of deadlines
- Communicate well and be flexible with other departments
- Someone who relishes noticing errors in media and day-to-day life, and won’t get bored or lose focus when reviewing multiple iterations or deliverables of the same piece of content
- Must always have the goal and mission of CNE in mind

What happens next?
If you are interested in this opportunity, please apply and we will review your application as soon as possible.

Potential candidates will receive a video export for a QC test.