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Emmy Award-winning production company is seeking a full-time editor to join the unscripted development department. The editor will work closely with the development team to help elevate pitch materials creating sales sizzles, promotional content, and casting tapes.

This position is designed for people who have a keen eye and a passion for unscripted storytelling and post-production. The development editor will:

Prepare media for new projects
Be a problem solver
Have an understanding of comedy and musicality
Have robust storytelling skills
Help with pulling sound bites and stringing out selects
Create and edit sizzles, promos, sales reels, casting selects, and presentation tapes with a quick turn-around time
Mix audio and choose appropriate music to elevate sales tapes
Create graphics and logos. GFX experience is a MUST
Pull content-aware footage and photos from the internet and edit into the tape
Create glossy and premium stringouts, sizzle reels, and casting tapes
Prepare projects for delivery
Effectively address notes on edits to execute changes in the tape

QUALIFICATIONS:

3+ years of experience in professional video editing sizzles and trailers
Must have resume and current demo reel showcasing previous video editing work
Expert knowledge in Adobe Premiere, After Effects, Photoshop and Illustrator and AVID editing software
Knowledgeable in aspect ratios, frame rates, conversions, codecs
Edit in an unsupervised capacity
Ability to work with confidential and sensitive information in a discrete manner
Work under pressure within tight deadlines on multiple projects

West Los Angeles production company is seeking a seasoned Avid editor. Experienced in working with original content and archival assets to create a documentary series.

Looking for a talented editor to work with producers to the create a strong visual story. Must be great with music, sound effects and graphics. Skilled at preparing series for final color, mix and delivery. This is an on-site position.

Start date 8/22/22 for approximately 13 paid weeks over 17 calendar weeks, anticipated wrap of 12/16/22

We're looking for an Editor for a short film (Afro-futuristic sci-fi comedy) shooting this fall (aiming for October). We have a fun script, a strong, majority-female team and are excited to find the right person to help us tie it all together in post! We have a low-budget, flat rate of $1200 total and are also offering 15% of any possible cash awards we may win from film festivals. We're estimating a 12-15 week post schedule so definitely looking for someone who is freelance and can fit this into their schedule on the side.

Logline: When culture vultures apply for citizenship on a new planet colonized by Black people, three judges must decide how to deal with folks who want everything but the burden.

Please reply with links to your reel as well as any recent shorts you've edited. Will follow up with the script and our director's pitch deck to those who are a good fit and schedule a Zoom meeting from there.

This is a verité documentary feature film centered around a former female athlete who applies her skills in entering the ownership level.
Themes are black culture, activism, and of course sports. Our editor is ideally based in Los Angeles although we are working with a remote setup --

DLP Media Group is looking to bring on an experienced editor to work within a team focused on a flagship sports show for a new network called, Women Sports Network. This is a network dedicated to female sports on all levels. From college to professional. The role will entail putting together a live to tape show, as well as editing shorter shoulder content and social content.

Qualifications:
Must work in Adobe Premiere
Adobe After Effects is a plus but not required
Must send work examples for review

Timeline:
Must be able to work in office in El Segundo, CA 3-4 days a week
Position would start August 15th and up to Feb 2023
Sports production or live production experience is a plus

Looking for an editor to join our team on a long-running Food Network show.

"In The Kitchen" (ITK) edit experience is a must... specific experience working on Food Network shows is a plus. Speed and efficiency with Adobe Premiere is very helpful. Strong with music and style to make the stringouts sing. Must work well with others in a remote but collaborative environment.

Looking to hire for 11 weeks.

Looking for an experienced editor who can join a collaborative team on a season one culinary docu-series

We're looking for a candidate who is great with story and finding those little moments that can drive emotion in a scene while moving the format forward organically.

Stylistically we're looking for an editor who is great with integrating music that works with the mood while also building scenes with nat sound.

This is a remote edit that will be responsible for two episodes working with a dedicated story producer on the day to day as well as the series EPS.

The ideal candidate is a team player who can work quickly off of longer sting-outs and scripts but also feels comfortable bringing their own story telling ability to the project.

Roughly 5 week edits/ 30 minute episodes.

We're really looking forward to connecting with you and sharing more about this project we're all so passionate about.

Equal Opportunity Employer

Hi all! Looking for a REMOTE AVID editor who can start August 15th and go til mid October on a brand new studio competition series with Bobby Flay. Strong food competition experience required.

On the rise production company seeking a passionate editor for 4 episodes of new reality show. This season has 4 episodes already cut and will follow the same structure moving forward for the next 4. The editor will work cohesively with EP/story producer. The projects string out is in premiere pro and will be done remotely via Jump.

Must have reality tv credits and express creative audio/video/GFX ideas to give the pilot a series original feel. Expert in story, visual effects, and sound design is a big plus.

PA-based production company, but this is remote position.

Rate: $450/8, starting on August 22, 2022.

Looking for a go-to editor for weekly turnaround of up to a 1 hour final cut.

Should have a great handle on entire workflow from receiving 4/6K footage through delivery of cuts. We need to be able to hand off a hard drive and not worry about chokepoints that will delay us from reviewing cuts, posting final, etc.

Have a handle on different pacing, from longer-form to faster paced, music video style looks.

Non-Union.
Competitive day rates.
No bad vibes allowed.

Please respond with your resume and contact info and someone from our team will be in touch asap.

We will need help as soon as this coming week (week of 8/8) - and this is work that could continue for years.

Hope to hear from you, thanks!