Apply to this Field Producer Job

New auto-facing series shooting in Los Angeles seeking field producers with experience shooting process-based car build programming. Story telling and character development chops a must. Sense of humor and ability to conceive and direct fun and funny scene work is a plus.

Long running food competition series seeking an experienced Field Producer.

Interview experience is a must. Food experience and a good sense of humor is a plus.

Seeking a Field Producer for a premium ensemble docusoap with high creative and aesthetic expectations.

Some of the skills we are looking for include:
1) proven experience running a docu-soap crew and direct a three-camera scene on your own
2) proven experience juggling and managing multiple challenging cast members
3) proven ability to empathize with cast and dig deep
4) innate ability to track story, and to pitch, project and react to story based on unfolding reality
5) proven ability to secure locations, produce segments and secure guest talent
6) a great sense of aesthetics to help maintain and achieve a look across a show
7) proven ability to identify, organize and prioritize all tasks related to pre-producing assigned scenes
8) crisp, clear communication -- both verbally and in writing

This series will mostly be shot in NYC, but will involve several short domestic trips. Familiarity with the worlds of dance, rdpr, ballroom and fashion would be helpful.

Our people are our greatest asset and, as an equal opportunities employer, we welcome applicants from diverse backgrounds to work both in front of and behind the cameras.

We are seeking a documentary field producer for a well-established show in its 3rd season. We are looking for someone with strong interview skills and a proven background in documentary-style filming.

RAW TV are looking for Field Producers to join our Team on Gold Rush for a 7 week shoot in the YUKON, CANADA from the 8 June and leaving on the 24 July
The role requires:
Work with the Location Series Producer and Shoot crews to plan scenes, episode and season arcs.
The LSPs second in command who assumes all responsibilities above if they are not on site.
Generate daily call sheets with beat notes
Manage location story post-it note board
Generate weekly Hot Sheet for their claims with input from LSPs
Generate a location log sheet (daily register of all miners and production on site, Gold totals etc.)
Liaise with researcher to keep machinery/claim/personnel fact & stat sheet up to date
Manage and coordinate all pick-up requests for their claims
Deal with edit requests for on-site research �¢?? size of cut, questions for miners, equipment facts etc
Research archive and stills as required.
Any additional filming/movement off mine site must be discussed with the LUM for sign off in advance

In search of experienced Field Producers for house-based relationship show to be shot completely in Los Angeles from mid-June to mid July. A few weeks of prep, then 4 shoot weeks.

- Planning activities with support from segment producer.
- Tracking story amongst the cast and sharing with Showrunner and other producers on the team.
- Conducting interviews and OTF's

Start date: May 30th.
Expecting production to begin the week of June 20th.
Expecting final week of production/wrap to be week of July 11th.

Spanish-speaking is a bonus but not required!

Looking for Field Producer for a documentary film about maternal health in the US. This position will be mostly logistical in nature and will require being on set during filming in Washington DC and possibly Augusta, GA. Would pay for travel from DC to Augusta and hotel/meals. Will need to have knowledge of how to download footage at the end of the day with the DP.

Looking for a super star field producer who fully understands and excels at storytelling, simultaneously directing cameras and running a crew on a show that requires a lot of travel and tracking multiple cast members stories across the US.

Understanding how to tell story, especially in the doc-reality format, is paramount. Think 90 Day Fiance, Black Ink Crew or Teen Mom style.

Producer will:
-Manage and produce 1-2 stories full time in different locations across the US and occasionally swing to help with other stories

-Communicate with their cast members constantly to stay on top of developing story with each cast and schedule shoots with EP to cover the best story/shoots coming up.

-Prep those shoots with AP and EP making predicted shoot schedules that lay out the pieces/scenes needed to tell the story

-Report to EP daily on shoots to give updates of what's happening and change course as needed when story unfolding changes before you

-Do hotsheets nightly summarizing material shot

-Direct cameras while shooting and insure best visual content is also being captured. You MUST have experience directing cameras/calling shots on multi-camera shoots.

-Be comfortable managing and running a 2-3 camera crew and creating an upbeat, fun work environment. The trickle down affect is real. If you're happy and set a good tone, the crew will be as well as will your cast

-Ego's and attitudes will not work with us. We've worked hard to create an atmosphere of teamwork, positivity and open communication at all times.

-Excel at building relationships with cast of hugely varying personalities and work styles. Some are easy peazy, some can be not so- but they all need to TRUST you and enjoy working with you.

-You must have worked at least 2-3 years as a FP on similar style doc-reality shows. We are unscripted. We don't soft script like reality can sometimes do. We tell the real story happening, meaning it can often shift. What you went out believing you were covering may not exist anymore for your cast by the time you touch down in their town and you need to be able to be flexible and identify how to tell the new story unfolding or salvage pieces we may have missed while flying there to tell the existing story.

-Have strong proven interview skills for OTF's and diary cams

-Attention to detail is vital

-In general- looking for that rare, amazing, eager, hard working and fun FP to come join an amazing team on an established series and be ready to be in the field ALOT!

Full rate (weekly) and probability that you will roll right into the next season, so while this job is listed to end early September, for the right person it has the possibility of being a nonstop job for years on end with small chunks of down time between seasons for your sanity!

Last big note: Must be willing to be a "road hound" and be on the road filming more than not!

Looking for a super star field producer who fully understands and excels at storytelling, simultaneously directing cameras and running a crew on a show that requires a lot of travel and tracking multiple cast members stories across the US.

Understanding how to tell story, especially in the doc-reality format, is paramount. Think 90 Day Fiance or Teen Mom style.

Producer will:
-Manage and produce 1-2 stories full time in different locations across the US and occasionally swing to help with other stories

-Communicate with their cast members constantly to stay on top of developing story with each cast and schedule shoots with EP to cover the best story/shoots coming up.

-Prep those shoots with AP and EP making predicted shoot schedules that lay out the pieces/scenes needed to tell the story

-Report to EP daily on shoots to give updates of what's happening and change course as needed when story unfolding changes before you

-Do hotsheets nightly summarizing material shot

-Direct cameras while shooting and insure best visual content is also being captured. You MUST have experience directing cameras/calling shots on multi-camera shoots.

-Be comfortable managing and running a 2-3 camera crew and creating an upbeat, fun work environment. The trickle down affect is real. If you're happy and set a good tone, the crew will be as well as will your cast

-Ego's and attitudes will not work with us. We've worked hard to create an atmosphere of teamwork, positivity and open communication at all times.

-Excel at building relationships with cast of hugely varying personalities and work styles. Some are easy peazy, some can be not so- but they all need to TRUST you and enjoy working with you.

-You must have worked at least 2-3 years as a FP on similar style doc-reality shows. We are unscripted. We don't soft script like reality can sometimes do. We tell the real story happening, meaning it can often shift. What you went out believing you were covering may not exist anymore for your cast by the time you touch down in their town and you need to be able to be flexible and identify how to tell the new story unfolding or salvage pieces we may have missed while flying there to tell the existing story.

-Have strong proven interview skills for OTF's and diary cams

-Attention to detail is vital

-In general- looking for that rare, amazing, eager, hard working and fun FP to come join an amazing team on an established series and be ready to be in the field ALOT!

Full rate (weekly) and probability that you will roll right into the next season, so while this job is listed to end early September, for the right person it has the possibility of being a nonstop job for years on end with small chunks of down time for your sanity!

FIELD PRODUCER

RAW TV are looking for Field Producers to join our team on Gold Rush for a 9 week shoot in the YUKON, CANADA from the 8 June and leaving on the 7 August


â?¢ Work with the Location Series Producer and Shoot crews to plan scenes, episode and season arcs.
â?¢ The LSPs second in command who assumes all responsibilities above if they are not on site.
â?¢ Generate daily call sheets with beat notes
â?¢ Manage location story post-it note board
â?¢ Generate weekly Hot Sheet for their claims with input from LSPs
â?¢ Generate a location log sheet (daily register of all miners and production on site, Gold totals etc.)
â?¢ Liaise with researcher to keep machinery/claim/personnel fact & stat sheet up to date
â?¢ Manage and coordinate all pick-up requests for their claims
â?¢ Deal with edit requests for on-site research â?? size of cut, questions for miners, equipment facts etc
â?¢ Research archive and stills as required.
â?¢ Any additional filming/movement off mine site must be discussed with the LUM for sign off in advance

Looking for a strong field producer for a new Magnolia talent led series.

Ideal candidate will have experience on design heavy, architecture shows along with experience on host based shows and experience with field directing.

There will be international travel, must have valid passport.

Looking for a strong, eager and hard working Jr. Field Producer to work locally in Nashville from June 27th to October 7th.

Your job will require you to collaborate with your Senior Field Producer, work well with talent, logging, hot sheets, working with coordinators to secure locations, and be able to thrive in a fast paced environment. Experience with relationship shows are a plus but not required. We are looking for someone who wants to sharpen their skills, learn a lot, be a team player, has good instincts, and is not afraid to ask questions and grow!

Must have a valid passport. Must be vaccinated.

If this sounds like you, please apply! I look forward to talking to you more!

Looking for a Sr. Field Producer for a relationship show in its 15th season.

Must show strong leadership skills with both cast and crew. Starts in at the end of June and goes to October 7th.

Valid passport required.

Please send references.

Meadow City, a flourishing mountain town is awakened when certain individuals begin to shed light on darkened areas of each other's lifestyles. The everyday living civilians do not seem in complete control of their selves. We are revealed to spiritual principalities, who are using the citizens for their own intentions to create a world of ungodly order. Are all these forces ill-willed or have some been sent to Earth with the Holy Spirit of God? Can the civilians come to knowledge and regain a world once created for the good?

The film producer is a person who oversees film production. Producers plan and coordinate various aspects of film production, such as selecting the script; coordinating writing, directing, editing; and arranging financing.

Need to capture a subject in a panel discussion, do a walk and talk/ some stand up short interviews and capture some b-roll of our subject at the event.