Apply to this First Assistant Camera Job

Looking for an experienced 1st AC (familiar with Arri and RED systems) for a talking heads shoot. Ideally able to media manage as well. Rate is for a 10hr shoot day.

Please send your rate and confirm your availability for 9/25 & 9/26 for consideration. Thanks!

In search of an experienced 1st AC for a two-day production in Villa Rica, GA, for a branded content mini film. Filming at various locations within the span of both days, so this will be a run-and-gun. Mainly conducting interviews and capturing B-Roll.

Our core team (Producer, Director, Co-Director and DP) will be boots on the ground in Villa Rica. They lean into a very cinematic style, which is the ultimate goal for this production. Therefore, looking to hire someone with doc experience, and who can easily move on the fly.

Eligible candidates must:

1) Have your own kit and camera cart
2) Be able to work as a local in Villa Rica

Lost Galleon Films is hiring crew for WITHOUT CONSEQUENCE, a feature crime/thriller set in 1960s Nevada during a search for a wanted murderer.

Applicants for the position of FIRST ASSISTANT CAMERA should have prior experience working as an AC on a feature film. Contracted duties for the position will encompass all industry standards for the position. Production will feature two digital cameras (RED), DOP, B-Cam operator, 1st AC, 2nd AC, 3rd AC, and DIT.

PLEASE indicate whether you are experienced at focus-pulling! We will shoot on a variety of platforms, including handheld, sticks, steadicam, dolly, and scissor crane.

We are filming in Las Vegas, New Mexico, and the greater San Miguel County area, for two and a half weeks in October. Locations are mixed interior and exterior. Production provides three catered meals daily (four on the handful of overnights scheduled) and clean, comfortable accommodations on a most favored nations basis with the film's producers. The production has been designed to allow maximum turnaround in minimal company moves (hotel stays the same through production, base camp moves twice.)

Applicants MUST be New Mexico locals. Please indicate whether you are able to drive to and from the set hotel in Las Vegas and to and from sets. Transportation will be provided to and from hotel and sets upon request.



***We are an independent production company based in North Carolina and have no affiliation with the AMPTP or studios of any kind and have been cleared and authorized to conduct business in the state of New Mexico***

$2,500/week on a flat rate basis, or $450 per calendar day on weeks working less than five days. Production dates will be:

October 1 - 7 (1 week)
October 8 - 14 (1 week)
October 15 - 18 (4 days)

Payment will be remitted on a weekly basis by ABS Payroll.

NOTE: Production also provides backend participation! We offer a crew pool worth a total of one percent of company's net profits at a pro rata basis of days worked by the entire below-line production crew.

Independent LGBTQIA+ documentary series is seeking a 1ST ASSISTANT CAMERA for a one day shoot happening on Sunday, September 24th in Waco, Georgia (about 45-minutes from Atlanta, GA.)

Shooting on the Canon EOS R5 C Cinema.

Rate is $400 for 10/hour day plus meals.

In our commitment to people of the global majority and their visibility at the forefront, we are also striving to have the global majority honored behind the scenes, therefore those who are passionate about the following issues are strongly encouraged to apply: BIPoC, LGBTQIA+, and Accessibility.

Needing an AC for a one day shoot in Palm Beach, FL. We'll be working on a Sony Fx9 camera. You'll be helping our DP with setting up an interview shot, swapping lenses, batteries, and moving gear during the day while we get B-Roll.

Rate is $53.875/hr with an 8hr guarantee. We pay through Entertainment Partners payroll, and cannot accept this position as a loan out, or accept invoice for labor. If there is a location change during the shoot, we can cover mileage for location changes at $.655 cents a mile.

The Camera Operator will operate a Blackmagic Studio 4K Pro camera that is fixed on a tripod, and follow the speaker as they move around the stage.

Looking for B-Camera Operator to shoot sizzel reel with small crew on Sony FS7.

Looking for a DP to shoot a 3-day sizzle reel with 1 talent (minor) in several locations around the Miami area.

Looking for an AC/Media Manager to help support our crew on small 2 camera sizzle reel being shot in the Miami area. AC should have familiarity with Sony FS7 and use provided media management kit to off-load camera and audio cards.

Working on a non-union sports doc series and I am looking for a local experienced media manager to join us for a couple of days in WPB and Loxahatchee.

Shoot Days: Tentative 2-3 days between 10/04/23 - 10/06/23 (shoot days could push or shorten)
Day rate: $500/12 + 50/kit fee

• 2 Cam interviews shooting on (2) Alexa Mini LF, so prior knowledge and experience with the format is preferred along with knowledge of codex compact cards.
• Need someone who is organized in collecting and offloading media, maintaining logs up to date IN REAL-TIME, and following our editorial workflow as specified.
• Production will supply drives and card readers.
• Must have your own kit with Shotput Pro for checksums.
• NO Proxies or color correcting on-site, just straightforward media managing.
• Lodging is NOT provided. LOCALS only, please.

Please send along a pdf resume or website when applying along with your availability.

We are filming several clips for a company that is looking to grow their branded clothing. We are going to produce a series of videos that will feature different clothing items in line, as well as the founder, sharing inspirational stories, and promoting some of the items. I'm looking for a camera operator to run first camera and I can assist running the 2nd camera.

I prefer those who have experience running Sony cameras. For this project we will be running with our two Sony FX30 Cinema camera with a Sony ZV-E10 as a backup / BTS camera.

I would prefer that the person for this job has the experience and the willingness to do some production assistant duties as needed.

I will be setting up some lighting, so I would like assistance with the lighting, and I will have several backups for audio including a shotgun mic, as well as wireless mics and an additional zoom mic recorder.

I will be doing quite a bit of the directing and interviewing as well. I will be bringing all the equipment needed for production.

Once this main part of the production is done, and will move locations to a nearby productions, studio well, we will record additional clips for a different client, or for myself until the end of the workday.

- 9am Arrival at 1st location
- 12:30am take down until 1pm
- 1 hour for lunch and travel time ($15 added for lunch)
- Filming at 1:30pm
- 5pm end of workday

Equipment to be used:
- Sony FX30 x 2
- Sony ZV-E10 (to be used only as a backup)
- Hollyland Wireless Mics
- Sennheiser Shotgun mic (boom is available)
- Zoom HN4 Pro
- Neewer CB150 150W LED Video Light, 5600K - CRI 97
- Neewer CL-60B Bi-Color 60W LED Video Light, 3200K~5600K - CRI 97

JOB REQUIREMENTS: Must be local to location (or willing to work as a local).
The shoot will be a small two-camera shoot where we will have the talent, DP, 1st Assistant Camera, and Sound Mixer on set. One camera setup will need to be overhead with a 9x16 frame and the other camera will be wide and close-ups on the second take. Also, needs to be in a 9x16 frame safe.

Producers will be patched in on Zoom; we will need to see what is on the camera and be able to speak with the talent via Zoom; We will need you to set up any lights that need to be set up; The shoot should be around 6-8 hours including setup, shoot, and breakdown.

We will pay a kit fee for cameras and G&E gear/equipment.

One day shoot and also a half day for prep.

Low Budget
$1000.00/12-hour per day

All crew members will be paid on a timecard.

Looking for a Detroit or MI-based AC/ media manager for a shoot in Detroit, 9/29 - 10/03

No focus pulling, just simple camera maintenance and swapping batteries on our fs7s. Also requires some basic media management - dumping footage onto drives and updating the media tracker.

Ideal if you can provide your own DIT/ laptop kit....we pay a kit rental fee $50/ day. We provide the card readers, and can provide a laptop/ DIT kit if needed. Labor rate $350-$375/12.

We can provide a crew hotel if needed.

Looking for an AC with reality/doc experience. Shooting with FX9s.

Straight rate. OT rate after 8 hrs.

Looking for a Charlotte/ NC-based camera operator for a reality shoot In Charlotte. We shoot on Fs7s.

Looking for a DP / Camera OP for a 4-day shoot in Las Vegas. It is a Spanish feature film and we need a DP just for the Las Vegas shooting days. Las Vegas locals are preferred but we can provide transport and housing. The planned shooting dates are 10/09 to 10/13 on multiple locations in and around Las Vegas. Also, bilingual Spanish speakers are welcome to apply.

Looking for a DP in Albany NY with availability October 4th and 5th. Corporate interviews and B-roll, two full days.

Date TBD

Looking for a talented cinematographer to capture a couple of cinematic interviews matching existing interviews.

Please send relevant portfolio/reel, as well as rate.

(2) RED Komodos
Interotron interview setup
Large 6x6 or larger key

Huge bonus if you can source necessary crew as well:
AC
Gaffer
Sound
HMU

Looking for a operator with gear to shoot one interview.

Role: Freelance Videographer. (Open to a producer/shooter, or a team with a producer/shooter)
Project: Day in the life of a restaurant worker
Shoot Date: 1 day between 9/27-10/11
Rate: $1100 for 1 day, including gear

A San Francisco based tech company is looking for a videographer and/or producer to capture an interview + b-roll with a local restaurant worker. Specifically, we are looking for a videographer who can capture documentary style (vertical and horizontal) video of an interview, then capture relatable B-Roll opportunities. Prefer applicants with experience capturing documentary and social media style pieces.

We’re open to a videographer who only shoots, but we’re also open to a producer/shooter, or a videographer accompanied by a producer. Bonus points if you have a producer you work with.

We’re hoping to film one day between 9/27 and 10/11, so please share your availability.

Duties include, but are not limited to: Having a prepro call, Setting up and capturing an interview, capturing B-Roll, and shipping a hard-drive back.

REQUIRED SKILLS:
Familiar with capturing documentary style content, specifically vertical orientation..
Ability to set up a shot with limited time and gear
An eye for B-roll opportunities that relate to the interview topics