Apply to this First Assistant Camera Job

In need of an experienced AC local to Philadelphia to work on a 1.5 day shoot for a corporate client. Shoot location is in Malvern, PA and AC needs to be able to pick up and return any gear that we'll be renting. Needs to be able to assist with our Sony BlackMagic Pocket Cinema and lenses as well as run audio during interviews and help with lighting setup/take down.

Shoot dates aren't set yet but are potentially the week of March 15 or 22nd.

Please send both your full day and half day rates along with your availability and details about your experience.

Uses the camera as instructed by the Director. They ensure the required action is correctly captured in the frame and must react instinctively as the proceedings take place. The camera operator also helps establish the theme and appearance of the show. Must have reliable transportation.

**SEE DESCRIPTION FOR SHOOT DATE SPECS

Seeking experienced Assistant Camera comfortable with FS7 for HGTV On-Air+Digital video project in Wetumpka, AL. Must be local or work as a local & have transportation. Team player attitude is a must!
Shoot will likely be 1-1.5 days and shoot dates are TBD but will likely land on week of 3/8 or 3/15 (these dates have all been included in job posting, but the shoot IS NOT a full two weeks - thanks for your understanding!).
All crew will be Covid-cleared before arriving on set - more info if hired!

Looking for a 2nd camera operator for a doc interview shoot. 3/25 - 3/30 with one dark day in between. $600/12

AC needed for small one person shoot in Snoqualmie.

AC must handle setting up camera, light, and lavalier mic to keep count of people in residence down. Then the card must be taken to fed ex.

Also, must be able to provide negative COVID test results with test taken 5 days before March 2, or go tomorrow.

Rate is $350/12

Digital Imaging Technician (DIT) needed for Ultra-Low Budget SAG-AFTRA Feature Film with national distribution attached.

Need for 12 Days: 4/11-4/16; 4/18-4/23

Day Rate: $75.00; Total: $900.00

Houston Locals ONLY or can work as local.

For a shoot in the Newark, DE area. Shooting off and on in chunks for the next few months. Must be local and must have professional experience, as well as the necessary computers to perform the job.

- Take the media that has been shot and back up all the files to a master drive and a backup drive.

- Proxy files created on site, loaded onto an SSD drive, and then shipped to Post. Our AEs will work closely with you to get everything setup, and are always available to answer questions, especially since we using AVID in the field to transcode these proxies, so that our online process is not difficult.

- Once the proxies are on the SSD, add audio to that drive, and send those SSDs to every other day. The final step will be to send the AVID bins back to post, however, those are roughly 90kb big, so we usually just zip them up and email them.

In addition to those duties above, we, of course, will need things like tape logs and audio reports, the usual needs from production to post.

Please respond with your rate. This is a mid-budget production. MUST BE LOCAL.

One day of footage in Nashville, Tennessee for the production of one episode for a web series (Monday, March 15, 2021, 10 am to 5 pm approximately) about early American history. We are looking for a videographer with experience in short films, editing (including map animations);

The event will take place at Andrew Jackson's Hermitage.

Lafayette was an officer in the Continental Army, a staunch abolitionist, a strong voice for universal human rights, and an advocate for national coherence throughout his life. He visited Andrew Jackson's Hermitage in 1825 where Jackson exhibited for him the pair of pistols that Lafayette gave George Washington in 1778.

Filming includes:

1. The dedication of a Lafayette Trail historic marker (https://www.thelafayettetrail.org/markers/map/) commemorating General Lafayette's visit to the Hermitage on May 5, 1825;
2. B-roll around the Hermitage estate, inside the mansion;
3. Short interviews with one executive of the Hermitage, one or a few TN elected officials, and other public figures.

The package of $1,500.00 includes producing and editing the footage for one episode of the web series. For an idea of the desired format, please see:

https://vimeo.com/511103827

Uses the camera as instructed by the Director.  They ensure the required action is correctly captured in the frame and must react instinctively as the proceedings take place.  The camera operator also helps establish the theme and appearance of the show.  Must have reliable transportation.

Uses the camera as instructed by the Director. They ensure the required action is correctly captured in the frame and must react instinctively as the proceedings take place. The camera operator also helps establish the theme and appearance of the show. Must have reliable transportation.

One hour straightforward interview at the Boston Fine Arts Museum.

ISO 1st AC. Using Arri Amiras. Short shoot with VIP talent.

Uses the camera as instructed by the Director. They ensure the required action is correctly captured in the frame and must react instinctively as the proceedings take place. The camera operator also helps establish the theme and appearance of the show. Must have reliable transportation.

Videographer/Gaffer Needed. Shooting one sit down documentary interview and some b-roll at subject's home near San Francisco CA on March 3rd. (Afternoon shoot will wrap within 6hrs) Need a local gaffer with a small lighting package, G&E. Small 3-man crew: A DP and Producer/Director flying in for the day with cameras and sound gear. We are looking for local help to bring gear, light the subject and operate our B-CAM (DSLR-GH5) You need only bring your lighting and grip gear. All camera and sound equipment flying in with DP and Producer/Director. See attached example of lighting. Your lighting package should include: LED or Arri soft kit, small lensed instruments for room highlights, C-Stands (4), boom arm for a back light, gels, flag kit, stingers, sound blankets. You will be asked to operate the B-CAM, which may be locked down on profile shot or on a small slider DP will bring.

Videographer needed for 1-day shoot to capture b-roll. Subjects will be technical/leading edge technology, automative, and people. Must be able to film without additional lighting. Nature of shoot is verite / documentary style. Must be comfortable working with any environment, indoors or outdoors.

Light post production required - applicant should be familiar with Adobe Premiere and able to follow an assigned file naming convention, do light post production refinements like applying a Lut, etc. Minimum deliverable is 15 (1) minute select shots and all raw footage files.

File delivery is electronic.

When applying, please specify your camera / equipment package. DSLR with stabilizer/gimbal and tripod is fine, a big cinematic camera is not necessary. No audio (besides on-camera mic) is needed. Please provide work samples. Please provide asking rate, inclusive of all equipment and deliverables. Applicants should assume 12 hours on location, although we barely ever go that long.

Could lead to periodic, ongoing work.

Covid-19 protocols will be followed (PPE, compliance questionnaire, etc.).

We are looking for an Assistant Camera/General Assistant for Talking Heads on a Green Screen.

Must be punctual, friendly, and professional.

Please send your resume along with your demo reel or related work.
I look forward to hearing from you.
Thanks

An Oxygen series shooting in the Oakland/San Fran area is looking for a DP that has prior Interview-Heavy Show experience (Crime Shows Preferred) and is comfortable with COVID testing.


GRD1

1st AC

Non-Union

Houston Local or can work as a local

Pay: $100/day; 13 days; $1,300 Total

Ultra-Low Budget SAG-AFTRA Feature Film With Distribution And Named Talent

Genre: Urban Faith-Based Film

Dates: April 11th - April 16th (Production Days

Hello,

New York film crew looking for a rock-solid DIT professional to be on set.

This person will be dedicated to setting up a 2-camera zoom meeting and recording. 1st AC is secondary. Ideally someone with a tech-heavy background.

This is for a branded content golf shoot: B-roll, and Talking head.

DIT - $500/day

Must be available both days: Feb 28, Mar 1. 12hr days.
Must have experienced using 2 camera (FS7s) with Teredek wireless audio and video streaming to zoom
Must be familiar with Decimator switch, Mini Recorder, and/or Black Magic Web Presenter.
Must have good vibes ...
Local candidates strongly preferred.

Even better if you own your own Zoom kit. Get in touch.

Please do not call the office. We will contact you directly if we are interested.

Thank you for your interest. We look forward to hearing from you.

PT.

In search of skilled 1st AC who can nail focus on the fly for a high-end adult series. We'll be shooting WFO on T1.4 primes for the most part.

Ideal candidate owns their own follow-focus or has easy access to one. Rate is for 12.

About our show: Yes, this is adult content, however we are shooting for one of the most lauded female-owned and run production companies in the world, and our series is helmed by an award-winning, respected female director.

Our sets are warm, friendly, respectful, organized and very positive. We are also open to any questions you might have before accepting the job.

We follow strict Covid testing protocols and precautions for all cast & crew.

Shoots on location in and around L.A. We're shooting for 12 days between March 21 - April 4. Please do not apply if you are not available for the entire run.

JIB Operators are responsible for setting up and operating all cranes on film productions. This can involve working with a variety of equipment, ranging from a small jib arm, used to make slight camera movements up and down, to a massive 90 foot long crane for shooting huge crowd or action sequences.

JIB Operators check over all the equipment on the day before the crane is required. On shooting days they drive the vehicle carrying the crane to the studio or location. Working closely with the grip, they assemble the crane, and standby for any shots that require the camera to be elevated. This could involve a riding crane, which carries the camera operator and 1st assistant camera, or a pan-and-tilt head, which allows the camera to be operated by remote control and which can be elevated much higher. At the end of each working day, Crane Operators must make the crane safe for the next day, or if the crane is no longer required, de-rig it.

Operators will be supplied with the following:
JVC GY-HM600 ProHD Cameras
JVC Power Adaptor (Two Prong)
Zoom Controller
Extended LANC Cable - 30ft in length
Communication Devices (ClearComm or similar)

Jib operator is responsible for tear down and load-out of equipment after broadcast. Must have reliable transportation.