Apply to this First Assistant Camera Job

Seeking a local AC to join our team. This shoot will be near Stroudsburg, with the crew staying in that area. Looking for someone available for all days. Hours, roughly 8am -8pm . Must have experience working with FX9 and lots of gopros/rigging of them. This is for a two camera show with lost of gopros and dash camera

Shoot dates
6/11- travel out hotel provided, 1/2 day
6/12 (scout)
6/13 - 6/14
6/17, 6/18
6/19- travel home, 1/2 day

$350/12

We are an equal Opportunity Employer and doe not discriminate on the basis of race, religion, color, sex, gender identity, sexual orientation, age, or any other basis covered by applicable law. All employment is decided on the basis of qualifications, merit, and business need. Applicants from diverse backgrounds are encouraged to apply*

Seeking a local 1ST AC to join our team. This shoot will be near Stroudsburg, with the crew staying in that area. Looking for someone to work locally, but willing to provide hotel if not possible Hours, roughly 8am -8pm . Must have experience working with FX9 and gopros. This is for a two camera show with lost of gopros and dash camera

Shoot dates
-6/12 (scount)
6/13-6/14
6/17, 6/18

$350/12

We are an equal Opportunity Employer and doe not discriminate on the basis of race, religion, color, sex, gender identity, sexual orientation, age, or any other basis covered by applicable law. All employment is decided on the basis of qualifications, merit, and business need. Applicants from diverse backgrounds are encouraged to apply*

Looking for an experienced, flexible & dedicated 1st AC for a commercial shoot that's likely happening next Friday, 6/14!

AC must be comfortable working with our DP, assisting in setup / operation for all camera equipment (including lens, filters, and accessories), and pulling focus for an ARRI 3500.

If you're available and interested, please send a reel with projects you've been a first AC on!

Exact total for payment will be decided based on AC's experience.

Payment's will be sent net30, and can be sent via check, Venmo, Zelle, etc. We'll ask what works best for you!

Looking for a union 1st assistant camera in Chicago for a production filming on 6/7 and 6/8. Must have experience with long lens focus pulling during live event coverage.

675/10

We are looking for an experienced 1st AC who is local, or willing to work locally, to the Houston, TX area. This job is non-union, capturing short-form digital content.

Shoot Day: Mon 6/10
Rate: $650/12
Job Type: Non-Union

Looking for videographers to capture seminars at an event. We have 3 separate theatres and would like to have 2 cameras and one operator in each. One camera should be a static wide shot, and the other can be tighter in and operated. Both cameras can be side by side. We will also be capturing audio from the soundboard. Please confirm if you have any of the following. Kit fee available based on gear.

2x (or 1x) cameras (please specify what kind)
2x (or 1x) tripods
Audio recorder with an XLR input
Lenses (what kind)
Variable ND
SD cards

The times are approximately:

Friday, June 7th: 10:00am - 7:15pm. Actual times may be shorter.

Saturday, June 8th: 9:15am - 5:00pm OR 10:00am - 5:30pm.

We are looking for a multi-faceted director of photography for a ULB drama feature film shooting across 20 days in Los Angeles.

We are looking for someone experienced with an Alexa Mini, shooting on anamorphic lenses, and comfortable with dynamic lighting (nothing too dark since it's a family story), and meaningful handheld skills.

Position may also include equity + a producing credit in the film.

Camera Operator needed for undefined dates in Los Angeles. $500 daily + $200 kit fee included. Looking to film B-Roll in the area.

Looking for steadicam operator for 5 day shoot (June 8 - June 12).

We will be filming a feature-length documentary about a group who reclaim and train wild ponies in Nevada, Utah and Southern California. The doc will end following a long ride of several hundred miles. Will involve travel, some rough living and a lot of shooting on the go.

The ideal DP should be comfortable working in a wide variety environments, situations and lighting conditions, all on the go, often with minimal power or grip. We'll also expect you to shoot beautifully-lit studio sit-down interviews, gorgeous panoramas and interesting verite. You will also be in charge of a B and C cam, so the ability to direct coverage of B-roll is a must. We're hoping for a final product that combines the look of Haskell Wexler with a touch of Errol Morris.

Project shoots for three weeks at the end of September, with a week of prep in late August. Based out of L.A. All travel and lodging is paid. Camera package is still TBD, but likely Alexa mini or C300 mkIII. Open to considering a package from you for an additional rental if you have one.

Ability to ride a horse is a strong plus.

Genre: Comedy (LGBT-themed)

We're looking for someone with experience in comedy and scenes with dance choreography.

Logline: Three close friends are appointed to protect their small, open community from a charismatic and ambitious grifter.

Seeking DP for ultra low budget feature film shooting September-October 2024. Looking for someone with a great eye for lighting. A plus if you also operate camera. 17 days at $500/day.

Please include links to relevant reels when applying.

We are seeking a talented and resourceful Director of Photography for an upcoming low-budget independent feature film project. The ideal candidate will possess a deep understanding of visual storytelling, with the ability to deliver compelling imagery within budgetary constraints. You should have proven experience in a variety of shooting conditions, have previously shot one or more feature films, a creative eye for framing and lighting, and a collaborative spirit to work closely with the director and production team.

This role demands a passionate individual who can inspire and manage a small crew, ensuring artistic coherence and technical quality from pre-production through to the final cut. If you are ready to bring your unique vision to a dynamic indie film production, we would love to hear from you.

Also, you will be working with a VFX Supervisor for certain shots as this is a science fiction project.

When:
Production in July or August

Where:
Los Angeles

Genre:
Sci-fi, Thriller

Looking for a DJI Ronin 4D Gimbal Operator for one day of shooting in Center City Philadelphia, PA. Shoot would be on Tuesday June 11th with the possibility of going a day early on Monday June 10th, schedule will run a full day from 0730 to around 1630. Prefer an owner/operator of their own equipment.

DJI Ronin 4D Owner/Operator would be ideal, other gimbals are fine as well. If mounting a camera then I would prefer a Canon C-series camera but not strictly necessary.

The shooting style will focus on cool cutaways and constant motion. Most of the work will happen during a live corporate conference with meetings and multiple rooms, also coverage of light social events, smiling faces, networking.

Documentary covering athletes and a sporting event in Salt Lake City. 12 hour days, with mixed coverage of event, broll, and interviews. Shooting on an alexa mini , osmo and go pros

Looking for DIT/media manager for a recruitment government project. Must have a DIT kit, offloading software, etc. We need someone to transfer footage onto hard drives, plus quality control of footage / ensure no footage is corrupt, etc.

Dates: 2 days in August 2024 (rough, no dates yet)
Location: Washington, DC

$550 - 700/day depends on experience

Please submit resume / website + kit info.

2 day interview job with a very small crew (5 people), we will most likely be working with 2 cameras. Simple and easy interview. Set up camera, record, etc. Cameras that we are using is TBD. Gear must come with $650/day rate, otherwise $500/day rate

Looking for a camera operator for a recruitment government project. 2 Camera shoot with FX6. It's a bonus if you have easy rig experience.

Dates: 2 days in August 2024 (rough, no dates yet)
Location: Washington, DC

Labor $800-1000/day (depends on experience)
Plus gear if you have an FX6

Please submit portfolio / website + gear list if you have an FX6

Crew Position: AC/MM
Date: 6/11-19
AC/MM

Rate is negotiable and you can stay in the gear room at crew hotel.

Below you can find list of responsibilities for this role on the shoot.

AC/MM
Assist and manage in setting up and configuring cameras, lenses, and other related equipment before filming. Ensure that all camera equipment is in good working condition and perform basic maintenance tasks.
Support the camera operator by handling equipment, adjusting settings, and swapping lenses as needed.
Monitor battery levels and ensure a sufficient power supply for cameras and related equipment. Swap out batteries as necessary and recharge depleted ones.
Keep track of all camera equipment, accessories, and peripherals.
Maintain clear communication with the camera team, director, and other crew members. Relay information regarding camera settings, shot requirements, and any technical issues.
Assist in the transportation of camera equipment to and from shooting locations.
Manage and organize digital media storage, including memory cards, hard drives, and other recording media. Download, label, and back up footage regularly to prevent data loss and follow the media management instructions provided to you from production.
Keep production updated on card inventory, card space, and drive space.

JOB POSTING: We are a Equal Opportunity Employer and do not discriminate on the basis of race, religion, color, sex, gender identity, sexual orientation, age, or any other basis covered by applicable law. All employment is decided on the basis of qualifications, merit, and business need. Applicants from diverse backgrounds are encouraged to apply.