Apply to this Graphics Job

April 29th
May 1st
May 2nd

Must have corporate town hall experience
Must have Microsoft Powerpoint Experience
Must have Windows Computer Experience

In charge of talents powerpoints (making sure correct slide deck is up, giving cues to director if embedded video, full screen slides, etc is coming up)
Making sure confidence monitors have correct view for the presenters

Be able to aid in giving cues/how many slides are left

We are looking for a Graphics Op to work with us on a live stream for a Global Investor Conference from the Waldorf Astoria Hotel in Washington, DC. The dates would be from September 15-19, with the Conference happening on September 16-18.

Experience working with vMix or Mitti is preferred.

Must be local to the Washington DC area or be willing to work as a local. We will not reimburse or pay for transportation, parking, or accommodations.

Must be available for a 10-15 minute interview prior to hire.

We are looking for an experienced Xpression graphics operator to help build out and operate for a live streaming YouTube Show.

Contract (Freelance)
6 months with potential to extend
$600/10 (daily rate)
Hybrid - must be able to commute to office in Manhattan NY

Job Description
Finance news brand is seeking an experienced video editor to edit engaging, informative and timely video features, recurring series episodes and in-depth interviews. The video editor will regularly work on segments ranging from eight to 10 minutes with opportunities to expand stories to 25 minutes for OTT platforms.

These originals will be expected to capture viewers' attention through their sharp perspective, approachable style, and clear relevance to the biggest investments and financial questions investors face. You will help spearhead execution across a range of programming formats.

You will work closely with reporters, studio, graphics, and more to elevate brand’s feature video stories. You will be expected to be a strong collaborator and execute an efficient video production process to ensure clean, final delivery. Attention to detail, clear communication and being mindful of deadlines are a must. Strong candidates will be comfortable balancing a variety of projects and deadlines while working with different producers.

Responsibilities:
- Edit original features using Adobe Premiere, for audiences across our daily live distribution onsite and off, YouTube, and major social platforms.
- Help conceptualize, manage and execute visually dynamic, original edits in a deadline-driven environment.
- Stay up-to-date on the workings of company systems including proprietary infrastructures, working with the post support team to source and acquire assets as necessary for projects.
- Communicate in an appropriate and timely manner to relay issues and concerns about individual edits, technical issues and deadlines.
- Regularly update media and project tracking documents as necessary.
- Troubleshoot day-to-day issues with the IT team and post management.
- Develop and grow audience engagement across major platforms and help editorial leads establish and maintain OKR goals
- Complete additional duties as assigned.

Qualifications:
- At least 3 years of experience editing narrative features for onsite and OTT.
- An exceptional storyteller with a proven track record of editing high-quality, original field production with the audience and platform in mind.
- Proficient with Adobe Premiere.
- Must be experienced working with graphic templates and MGRTS within premiere. AfterEffects experience preferred.
- Comfortable sourcing pictures, video, soundbite from subscriptions services, including AP, Reuters, Getty, etc.
- Editor must thrive under deadline pressure and be able to juggle multiple tasks and assignments.
- Clear communicator, both written and verbal.
- Be able to work within and conform to established organizational systems and work/troubleshoot in team environments.
- Quality control of all video assets sent to the control room and published to our site and OTT platforms.

Looking for a Post Production Supervisor for an established competition series - Avid, 9 cameras, digital and remote workflow.

Key Responsibilities

Project Management:
• Collaborate with the Producer team to align on post-production deliverables and deadlines.
• Lias with Executives and Network to execute post-production schedule and resource allocation plan
• Coordinate with various departments to ensure seamless workflow and timely delivery of project components.
• Monitor project progress, identify potential issues or delays, and implement solutions to keep projects on track.

Team Management:
• Supervise AEs and overall project maintenance/delivery schedule
• Assign tasks, set priorities, and provide guidance to team members to ensure efficient and high-quality work.
• Foster a positive and collaborative work environment, promoting effective communication and teamwork among the post-production team.
• Coordinate with external vendors through post and online

Quality Control:
• Ensure the technical and creative quality of all post-production deliverables, including video/audio quality, color, visual effects, and overall aesthetic consistency.
• Review and provide feedback on graphics, visual effects, and other elements to ensure alignment with project goals.
• Implement quality control processes that confirm video quality prior to being sent to client for review.

Communication and Collaboration:
• Serve as a primary point of contact for all post-production-related inquiries and updates.
• Communicate project status, progress, and any potential issues to executives, prod co and network in a clear and timely manner.

Position can be performed remotely

Returning cooking competition series seeking Editors to join the team! Applicants should only apply if they have prior food or competition experience (food competition a plus). The positions would start in May and run through July.

Daily rate for a 10 hour day.

- Must be proficient in Avid Media composer
- Media Management: Strong understanding of media ingestion, logging, transcoding, syncing audio and video, and organizing footage in digital asset management systems.
-Rough assembly as needed
- Knowledge of After Effects (most likely will be editing text templates)
- Ingest music
- Install Fonts on editors' machines
- Export backup daily edits
- Backup final masters