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10-12 hour days
Automotive commercial type shoot

My company has an upcoming production on October 16 and 17, 2023. As of now, it will be taking place in Vista, CA at The Film Hub. We’ll be working 2 x 10-hr days.

We are searching for a GRIP to join the team. we've got a great gaffer who will be able to work with you.

I'm looking for a grip for a 1-day (10h) shoot in an office space in Grand Rapids. We will be shooting several direct to camera interviews using my LED lighting package. Crew is director/dp, gaffer, and grip. Client is Protect Life Michigan, a pro-life non-profit that works with college students.

We are a Los Angeles-based production company looking for a Grip to join our crew for a shoot we're filming for 2 days in New York. It will include interior/exterior shots of talent in scenes that demonstrate the 5 pillars of Hip Hop as well as Broll and three sit down interviews.

CNN will be in production the week of October 9th for a one-hour documentary style production. We are looking for a grip to assist the staff DP and Camera Ops with multi-camera interview setups. Monday, Oct 9th, and Tues. Oct 10th, there will be 2 separate multicamera setups. One in the morning and one in the afternoon. Grip will need to be comfortable driving a 1-ton rental grip van to each location if we decide to rent the van otherwise, they will need transportation between each location. Grip will assist DP with rigging lighting and managing the gear in the grip truck. They will need to be willing to load in/out of each location. Wednesday may be required, but that decision hasn't been made yet.

Rate is based on 10-12 hour workdays and is based on experience applicable to the type of work.

Low budget SAG feature based in Poolville TX. Non union crew. Faith based family film (not required to be religious). Filming Oct 4th - 13th with weekends off.

OT and MPVs (if applicable) paid. Based on a 12 hour day. Non union local scale

Looking for a Grip/AC for a quick interview at an office building in Jersey City, NJ. It is a very small shoot being produced remotely and will only be a 2 person crew. You will assist the DP with setting up lights, sound, etc. Interview will be conducted over zoom, but ideally our producer should be able to monitor the feed from there.

We are in need of a Grip / Swing that can handle small 2 to 3 camera shoots.
This is for a Docu-Follow television show, that will film through various towns.
Small-ish crew (less than 20) and small cast (1-6). Supporting 2-cam shoot primarily based around one location with occasional travel out from home-base to town or nearby vicinity.

Dates approximately 9/27/23 to 11/17/23

Please send over resumes for higher-up approval.

We are in need of a Grip / Swing that can handle small 2 to 3 camera shoots.
This is for a Docu-Follow television show, that will film through various towns.
Small-ish crew (less than 20) and small cast (1-6). Supporting 2-cam shoot primarily based around one location with occasional travel out from home-base to town or nearby vicinity.

Dates approximately 9/27/23 to 11/17/23

Please send over resumes for higher-up approval.

Hello, we are an ultra low budget indie horror feature filming in Dickerson this fall in need of a grip.

Our current schedule runs 10/28 - 11/22 and will include two weeks of overnights, with Thursdays and Fridays dark every week. One note, I may not actually need the grip on the 28th but just putting it down for now.

We would like to hire someone who can work locally as housing is limited. Owning gear is not necessary but if you do we can negotiate a kit rental, pending gaffer hire.

We are able to offer $200/12 for 4 weeks of filming.

Please feel free to include any questions you may have when applying. We appreciate your time and attention!

Strike Info: We are not affiliated with the AMPTP nor do we have a distribution deal currently in place. We are in the queue for an interim agreement with SAG and are coordinating with necessary unions throughout this process.

We are in need of a Grip/Swing that can handle small 2 to 3 camera shoots.

This is for a Docu-Follow television show, that will film through various towns.
Small-ish crew (less than 20) and small cast (1-6). Supporting 2-cam shoot primarily based around one location with occasional travel out from home-base to town or nearby vicinity.

Please send over resumes for higher-up approval.

The rate for this role is $570/12hr

Assist with lighting & gear

We are in need of a Grip/Swing that can handle small 2 to 3 camera shoots.
This is for a Docu-Follow television show, that will film through various towns.
Small-ish crew (less than 20) and small cast (1-6). Supporting 2-cam shoot primarily based around one location with occasional travel out from home-base to town or nearby vicinity.
Dates approximately 9/27/23 to 11/17/23
Please send over resumes for higher-up approval.

Looking for G & E team for a design based reality competition show. This is a union show.

10-12 hour days
Automotive commercial type shoot

We have a trade show on January 29th and are looking for a gaffer/grip to assist with lighting a small wine/spirits bottle shot setup we are building on the trade show floor. The applicant will be responsible for working directly with the DP to light the scene accordingly to his direction.

They would help set up lighting on first show day, and then switch to camera in more of a first AC role simply to assist DP. All shots will be static, so there will not be much focus pulling, if any. We are looking for someone who has a small grip/lighting package available for rental, so please provide info on rates for that if interested.

Hi,
I'm looking for a gaffer that lives in the DMV area for a shoot this upcoming Tuesday. This will be a fast moving shoot with multiple locations. We're looking for someone who can set up a small amount of lighting quickly and work with the DP to make each shot look as good as possible (under the time constraints). Please let me know if you're available.

Thanks!

o Will be assisting hand-held camera operators throughout the game

o Moderate to high cable coil management proficiency, MUST be able to Over/Under consistently in a high tempo environment behind a handheld camera throughout the show

o Assisting in tear down of compound post game

o May be involved in setup

Guaranteed minimum 10 hrs pay, OT if over 10

Will be working with the skycam crew assisting with set up, reel watching, and strike.

During the game, will watch the reels that suspend the skycam camera in the air. Will notify the engineer on site if the reel becomes loose and the engineer will come over and fix it.

After the game, will help with tear down of equipment and loading back into the truck.

Requirements: Not afraid of heights and able to lift up to 40 lbs.

Dates are Sept 27 (Set day) & 30th (Game day)

o Will be assisting hand-held or cart camera operators throughout the game, coiling cable and making sure it is not in the way of foot traffic
o Assisting in tear down of compound post game
o May be involved in setup

Guaranteed min 10 hrs pay, OT if over 10.