Apply to this Key Grip Job

We’re looking for a full-time skilled and hard-working GRIP with Commercial Driver’s License to join the V1 Productions team. In this role, it will be your job to help us maintain, deploy and transport production equipment along with preparing, assembling and disassembling production gear for TV and film productions. You’ll be driving Class A production trucks containing a variety of production gear to different shoot locations both locally and occasionally across the country. You will gain valuable experience on set and in our shop with our large inventory of grip, lighting, distro, dollies and production support equipment.

In this role, you are first and foremost in charge of the production equipment and the responsibilities that accompany the equipment’s safe arrival at various shoot locations. This includes minor truck maintenance, mapping logistics, and scheduling duties to arrive on location on time. To do well in this position, you will need to be mechanically skilled and physically able. You should be able to lift heavy equipment, work in confined spaces, and be willing to work sometimes irregular hours.

Pay range of $65,000 to $80,000 per year based upon experience and qualifications. GRIP with Commercial Driver’s License - Full Time Position

Requirements:
• High school diploma or equivalent
• A Class A Commercial Driver’s License with combination and airbrake qualification
• Clean Driving Record
• Ability to work well in a team setting
• Full understanding of traffic laws/ DOT regulations
• Forklift experience preferred
• Ability to lift 50 pounds repeatedly throughout day
• Able to pass random drug tests
• No DUI/DWI convictions in the past seven years
• Listening and verbal communication skills
• Dependability
• Previous experience in a similar role is preferred
• At least six months of Class A driving experience

Labor Rate: $700/Day (½ for tech and 1 production day)

We are looking for an experienced Key Grip who is local, or willing to work locally, to the Houston, TX area. (Travel will not be accommodated) This job is non-union, capturing short-form digital content.

Shoot Days: Mon 6/10
Rate: $650/12
Job Type: Non-Union

Looking for a grip to assist the DP with a 10 hour b-roll shoot in Novi, MI.
No gear is required, call time TBD.

$250/10h guaranteed. We do not expect the shoot to go into overtime.

Looking for a grip to assist the DP with a 10 hour b-roll shoot in McCordsville, IN.
No gear is required, call time TBD.

$250/10h guaranteed. We do not expect the shoot to go into overtime.

Must be local to location (or willing to work as a local).

Seeking a Gaffer to assist with capturing b-roll for our client in Richmond, VA. This is for a local branch of an international watch maker.

Seeking candidates with documentary and corporate experience, ideally in the commercial/event space.

Let us know what lighting/grip gear you can provide, if any. Our DP may be able to cover this, so not necessarily a deal breaker if you don't own anything!

Call time is 5:30AM.

We pay $350/10h and $30/h after that. We do not expect the shoot to go into overtime.

Must be local to location (or willing to work as a local).

Seeking a Gaffer to assist with capturing b-roll for our client in Nashville, TN. This is for a local branch of an international watch maker.

Seeking candidates with documentary and corporate experience, ideally in the commercial/event space.

Let us know what lighting/grip gear you can provide, if any. Our DP may be able to cover this, so not necessarily a deal breaker if you don't own anything!

Call time is 5:30AM.

We pay $350/10h and $30/h after that. We do not expect the shoot to go into overtime.

Looking for a grip to assist the DP with a 10 hour b-roll shoot in Nashville TN.
No gear is required, call time 5:30AM.

$250/10h guaranteed. We do not expect the shoot to go into overtime.

Looking for individuals to help relocate a gear room (camera gear, C-stands, production gear) from a Production building into a POD. $200 for 8 hours a day. *Not including lunch*

Needed Grip day player for feature film. Preferred Electric experience as well. This position is an "as needed" position and will not be needed every day of production.

Duration: 5 days per week, Monday through Friday, until June 21, with potential for extension. Hours: 10am-3pm.

Narrative Ads is seeking an experienced and skilled Gaffer to join our production team on a temporary, freelance basis. The Gaffer will be responsible for the lighting design and execution for two studio spaces, ensuring all visual elements are illuminated according to the producer’s vision. This position is scheduled for 5 days a week, Monday through Friday, until June 21, with the possibility of an extension based on project needs. The ideal candidate will have a strong background in film and television lighting, with a keen eye for detail and the ability to work efficiently under tight deadlines.

Key Responsibilities:
-Collaborate with Narrative Ads production team to determine the lighting requirements for each scene.
-Design and implement lighting setups that enhance the visual storytelling for a wide range of mobile-focused products
-Oversee the setup, adjustment, and maintenance of lighting equipment, including lights, dimmers, and rigging.
-Ensure all lighting equipment is used safely and in compliance with industry standards and regulations.
-Troubleshoot any lighting issues that arise during production and provide quick, effective solutions.
-Maintain clear and open communication with all departments to ensure seamless integration of lighting with other production elements.

Qualifications:

Proven experience as a Gaffer in film, television, or commercial productions.
Strong technical knowledge of lighting equipment and techniques.
Excellent problem-solving skills and the ability to work under pressure.
Strong attention to detail and a creative eye for lighting design, specifically with mobile productions
Flexibility to work irregular hours, including occasional evenings and weekends if required by the production schedule.
Strong communication and interpersonal skills.

Physical Requirements:

Ability to lift and carry heavy equipment.

How to Apply:
Interested candidates should submit their resume, a cover letter, and a portfolio or reel showcasing their previous experience.

Narrative Ads is an equal opportunity employer. We celebrate diversity and are committed to creating an inclusive environment for all employees.

I’m looking for a gaffer for a commercial shoot 6/5 and 6/6 in the West loop. Our location is a two story (elevator equipped) building with several office spaces and an event space. We’ll be shooting scenes of office workers working with a somewhat dramatic lighting aesthetic.

Looking for someone who can bring their own key grip (same rate), and who also has a 1-2 ton-ish LED-based G&E package (let me know the rate and contents please). It'll just be the two of you on the G&E crew.

I'll set up video calls with the people we shortlist, so let me know if you have availability for that this coming Tuesday or Wednesday the 28th or 29th and when a good time might be.

Thank you!

Grip needed for two day shoot, 6/13-6/14—interview-based branded content project with some b-roll. Shoot will be 8 miles from Miami airport. Contractor will provide a W9 to production before shoot day and be paid by check end of day.

Gaffer needed for two day shoot, 6/13-6/14—interview-based branded content project with some b-roll. Ideally would provide grip truck and standard rental package in addition to labor (additional rental rate for equipment to be discussed.) Shoot will be 8 miles from Miami airport. Contractor will provide a W9 to production before shoot day and be paid by check end of day.

Hello!

We are looking for a G+E crew member to join our team. This is a small documentary crew, we will be shooting in Austin the 29th and possibly the 30th as well.

Right now we're looking at a sit down interview in a small event space.

Please let me know if you are available and interested!

Out of state producer/shooter looking for gaffer w/ gear support (who is also willing to be a cam-op for B or C cam). Date TBD, but likely week of 5/27. 1 day in Round Rock.

Shooting a scripted scene in a corporate office. Two subjects talking to each other and discussing something on a large screen. Would ideally like to shoot 3 cams (wide + both OTS) at the same time, but need to keep setup minimal (for budget and space).

Looking to have you provide all G&E, as well as another crew member to assist.

Please include rate (including gear) and reel. Let me know if you need any more details.

Thanks!

ISO of a Gaffer w truck and lights in Chicago for approximately 3 days starting June 10th.

This is for a low budget documentary shoot.

Lights and truck would be extra on top of daily fee

We're looking for a Gaffer/ G&E Swing, experience in doc work is a plus.
Filming a series of sit-down interviews and b-roll in San Mateo, CA the first week in June.
PLEASE NOTE- Exact date to be determined (1-day shoot)
full rate
$750/ 10 + OT after 10
+ kit fees
Also looking for basic interview lighting kit + grip (Kit fees added for gear)
Ideal candidate owns their own gear + can handle pick-up/ delivery.
Please apply for more details!

Hello!

We are looking for a G&E crew member to join our team. We are filming on May 30th at one location, all day. It will be one sit down interview. This is for a documentary film, and will be a skeleton crew.

We'd have access to the location on the evening before shooting, the 29th, where we would be able to set up.

Rate depends on what is needed & what equipment you have

Please reach out if interested, and I will provide more details!

Looking for experienced Gaffer for an outdoor shoot with a smaller crew and ~20 talent. One day commercial shoot with notable athlete sponsored by a local customer service company. Majority grip/rigging, shaping natural light.

Please send your rate and confirm your availability for 5/30 for consideration. Thanks!