Apply to this Lead Assistant Editor Job

DLP is seeking an Assistant Editor to support our diverse range of projects, including sports television, longform documentaries, and commercials.
Ideal candidates will have a solid understanding of Adobe editing software and workflows, along with a keen eye for detail and a passion for storytelling.
RESPONSIBILITIES:
Editing Support:
Assist editors with assembling footage, organizing project files, and preparing rough cuts.
Import, log, and organize media assets, ensuring all files are correctly labeled and stored.
Create and maintain project timelines, ensuring that all tasks are completed on schedule.
Synchronize and prepare multi-camera footage for editors.
Media Management:
Manage and maintain media storage, including backups and archiving of completed projects.
Troubleshoot and resolve any technical issues related to media files or editing software.
Coordinate with the post-production team to ensure all media is properly managed and accessible.
Creative Collaboration:
Collaborate with editors and other team members to achieve the desired creative vision.
Review and provide feedback on rough cuts and edits, ensuring alignment with project goals.
Assist in the creation of graphics, visual effects, and other elements as needed.
Quality Control:
Conduct preliminary reviews of edits to ensure technical quality and consistency.
Implement quality control processes, including testing and reviewing final deliverables.
Ensure all edits meet technical specifications and standards before final approval.
Industry Knowledge and Continuous Improvement:
Stay updated on industry trends, editing software updates, and best practices.
Recommend new tools, software, or techniques to improve the editing workflow.
Participate in team meetings and training sessions to enhance skills and knowledge.
Qualifications:
Proficiency in editing software such as Adobe Premiere Pro
Strong organizational skills and attention to detail.
Ability to work collaboratively in a fast-paced environment.
Excellent communication skills, both written and verbal.
A passion for storytelling and a creative mindset.

One of New York City's largest production companies is seeking a Lead AVID Assistant Editor to work on a high profile project. This series will be bilingual so you must be proficient in Italian.

We are looking for a Lead AE who is extremely organized and well-versed in:
- Transcoding
- Syncing multicam footage
- Multigrouping
- Working with SubCaps
- Creating AAFs and EDLs
- Uprezzing
- Exporting, converting & posting cuts for network

Applicants must have in-depth knowledge of Avid and ideally 2+ years of experience working on the platform. After Effects knowledge is a plus but is not required.

This is a hybrid position.

After 90 days of employment you become eligible for health benefits, sick time, and other benefits.

Prior Bilingual project experience is a plus.

CWK Media is a creative agency that specializes in the automotive industry. This role would work with our brand, Cruisin With Kendra, to enhance social media and YouTube storytelling.

Role Description

This is a contract role for a Creative Assistant at CWK Media. The Creative Assistant will be responsible for performing day-to-day tasks related to communication, image editing, video editing, production, and graphics. This is an on-site role located in Pasadena, CA.

Qualifications

Strong communication skills & writing
Willing To Travel
Self Motivated
Proficiency in image editing
Experience in photography and video production
Experience With Adobe Premiere & Creative Suite
Attention to detail and creativity
Ability to work independently and collaboratively
Knowledge of social media platforms and trends
Excellent organizational and time-management skills
Industry
Advertising Services

Employment Type
Contract - Our company payment is hourly.

Looking for a strong editor with feature doc experience.

Need someone creative who likes to unique ways to present material, loves to find comedy in the story and has a feel for making music pop in the edit.

Editor will start with a rough build of the movie, looking to really bring to life and polish up for festival submission.

In ATL or with the ability to work local in ATL for part of the project is preferred.

paid weekly

DaVinci Resolve Colorist and Online Editor Wanted.

Los Angeles based colorist and online editor needed for a 10 episode 1hr unscripted docu-drama series. Remote work is possible but you will need to come into the office for review sessions. UHD and HD deliverables. Position starts within the next 2 weeks.

The Post Associate Producer is responsible for the clearance and deliverables for 10 1-hour compilation docu-series specials. The AP is responsible for working with the clearance department to ensure all materials used in each special are clear for use. This includes pulling releases for archival materials, acquiring releases for any new material, submitting backup as needed, tracking new material as it is added to the episode.

For budgeting, the AP will assist in tracking the costs of the third party materials used in each episode including which materials need to be relicensed based on the clearance department's evaluation, filling out purchase order forms and putting together the cost reports at each official milestone stage of the cut (Rough Cut / Fine Cut / Picture Lock).

The AP will also be responsible for putting together the Rundown for each episode which breaks down all of the material and timecode reflecting the final episode.

Looking for an editor to finish an assembly edit. The film will be approx 70min and about 60% is done.

Must be available to start right away.

Audio has all been connected and logged.

So it’s taking the remaining scenes and creating individual sequences.

We will put the final timeline together later.

Someone with good timing and works very proficiently. You will have many samples of the rhythm of it from the other scenes

Must be able to work with our rate. $1,500 flat fee for the work. 10 days/8 hour days

Must work only on Adobe premiere. Timeline is set up with Adobe "pancake" style layout. Using two sequences on top of each other.

Looking for a solid Lead AE for a Live series for a Streamer. Must be extremely proficient in both Avid and Resolve. Responsibilities will include syncing, grouping, ingesting, exporting, stringing, as well as assisting 1-2 editors. Will need to be familiar with ingesting content in/out of Resolve. Also will handle Deliverables on the back end.

Looking for an experienced Post Super who can handle a Live Series for a Streamer. You MUST have prior Live experience. This is an in-person position. You will be responsible for overseeing 1-2 AEs + 1-2 editors, making sure after the live show that the footage gets into edit so we can deliver add'l files to the Network the next day. Will also oversee all package edits leading up to Live Day + Deliverables.

Seeking a Night (possibly Swing) Assistant Editor to join our team for a game show starting production in August. Position will be hybrid, working in the office for the first 3-4 weeks, then remote from home for the remainder of the schedule. Avid workflow for KiPro media from production to post.

Thanks

Looking for AVID editors with docu-series & TLC experience to start in August for approximately 10 weeks. The start dates are staggered throughout the month. The job is fully remote, working Los Angeles hours.

We are looking for AEs with streaming experience to work in AVID/MediaCentral from ingest to final delivery on a new game show. This position will be largely remote but will require occasional in-person work, particularly at the top and tail of the season.
Some position details and expectations are listed below.
Details:
- 10/hr guarantee
- Largely remote but some in-person work is required
- Non-Union
- AVID/MediaCentral
Expected Tasks:
- Assist Editors & Producers with requests to find, organize, pull, or export media.
- Ingest, group, timeline, & organize source material.
- Export and deliver internal and network cuts.
- Prep and deliver media requests from promo and marketing teams.
- Export final HD/SDR texted masters.
- Create, B/U, & deliver all final archival materials.
- Keep projects well organized and current.
- Work with all team members positively to find creative, well-informed, efficient solutions when challenges arise.

We are seeking a full-time Post Production Coordinator who is available to work a hybrid schedule on a series for a popular streaming network.
This person will be largely responsible for the daily updating of progress trackers as well as the creation and upload of network deliverables. The right candidate must have excellent written communication skills, pay great attention to detail, and habitually double-check their work.

ABOUT CHANGING LIVES PRODUCTIONS:
Changing Lives Productions is the video production company of Dhar Mann Studios, aimed at creating positive content for the social media generation. Our short, motivational videos focused on life, business, and relationships receive over 1 Billion views monthly and have garnered over 40 Billion views on Facebook, YouTube, Instagram and TikTok. The team is led by Dhar Mann, a mission-driven entrepreneur with a global audience of over 100 Million social media followers and one of the highest viewed content creators in the world today. Our stories depict real life situations shown by actors that teach important life lessons. The company is driven by one founding principle: We’re not just telling stories, we’re changing lives.

BIG PICTURE:
We are searching for a dedicated and team oriented Post Production Senior Manager to lead and oversee all aspects of post. We have an awesome team of Editors, Colorists, Sound Editors, and Composers so this role would not only require performing technical aspects of editing a film, but also providing day-to-day management and support for the post production department. The ideal candidate has strong experience with editing narrative films, a deep knowledge of overall post-production processes, and has strong time management skills while working within a fast paced production environment.

HOW YOU’LL SPEND YOUR TIME:
Creating processes and workflows to guide team members to success
Directly overseeing post production processes and workflows while collaborating with the team on branded storytelling and quality standards
Managing multiple high-priority projects simultaneously during various stages of post-production
Ensuring daily, weekly, and monthly department workloads are handled timely, accurately and efficiently based on priority
Assigning, scheduling, and monitoring all editing projects, anticipating various post-production needs, and maintaining the organization of all files
Supporting our Production and Post Production teams to ensure on-time deliveries
Creating efficient solutions to workflow challenges

WHAT YOU HAVE:
A great understanding of all areas of post production. This includes editing/color grading/VFX/Composing/Sound Editing
Ability to problem solve under high pressure situations
5+ years of experience in a Post-Production management role
Thorough understanding of production and post-production workflows
Extensive experience with Premiere Pro, Adobe Suite, After Effects, and DaVinci Resolve
Experience managing cloud storage and Frame IO accounts; Nas Server is a plus
Proven ability to oversee multiple projects simultaneously
Excellent communication skills – verbal and written – to deliver accurate information in a expedited, courteous, concise and professional manner
Willing to work flexible hours (including nights and weekends) and/or overtime to meet deadlines
Willingness to take on any task if necessary
Interest in the developing AI industry
Ability to use AI to increase efficiency in applicable areas

WHO OVERSEES YOU:
The Post Production Senior Manager will report directly to the Production Director

WHO YOU OVERSEE:
The Post Production Senior Manager oversees the Post Production Team alongside the Post Production Junior Manager

WHERE IT ALL GOES DOWN:
At our studio in Burbank, CA

WHEN THE MAGIC HAPPENS:
This is a full-time role, specific times will be discussed during the interview

WHY YOU SHOULD JOIN US:
We've kept our hiring bar really high - you will work with the best
Our content is growing quickly, so you'll get the opportunity to take on a lot of responsibility and grow a ton personally!
Health Benefits, Paid Time Off, and Paid Holidays
Loads of perks including tons of snacks and a friendly working environment



AN IMPORTANT NOTE BEFORE APPLYING TO US:
Our organization looks to hire the BEST of the best and we focus on finding candidates who are a strong cultural fit. We have a 3 month 'Discovery Period' in place that allows us to get to know each new hire better and assess their skill set. Management-level roles will be part of a different Discovery Period for each step of the ladder (but again this does not affect your pay or compensation package).

DLP seeks a Post Production Supervisor to oversee a diverse array of post production projects, including sports television, longform documentaries, and commercials.

Ideal candidates will possess strong technical expertise and managerial experience in media management, to off-line editing and finishing.

RESPONSIBILITIES:
Project Management:
Partner with the production team to develop post-production schedules, budgets, and deliverables.
Design and maintain a detailed post-production plan, covering timelines, milestones, and resource allocation.
Track project progress, pinpoint potential issues or delays, and devise solutions to maintain project timelines.
Liaise with external vendors or freelancers as necessary to complete project components.
Team Management:
Lead and mentor the post-production team, including editors, assistant editors, and media managers.
Delegate tasks, set priorities, and offer guidance to ensure efficient and high-quality output.
Cultivate a positive and collaborative work environment, encouraging effective communication and teamwork within the post-production team.
Report project status, progress, and potential issues to stakeholders clearly and promptly.
Quality Control:
Ensure all post-production deliverables meet technical and creative standards, including video/audio quality, color grading, visual effects, and overall aesthetic consistency.
Review rough cuts, graphics, visual effects, and other elements, providing feedback to ensure alignment with project goals.
Implement quality control processes, including testing, reviewing, and approving final deliverables before distribution or broadcast.
Industry Knowledge and Continuous Improvement:
Stay current on industry trends, emerging technologies, and best practices in post-production workflows.
Recommend and implement new tools, software, or techniques to enhance the post-production process.

We are looking to add an in house Colorist that will be available during online / color for various shows.

We are building out a Color bay and will need someone to fill it when we have shows in the pipeline. Currently the first show will be late July early August

Coloring shows for various Networks (Netflix, Discovery, Hallmark) that may require HDR / UHD workflows.

An advocacy organization with a focus on foreign affairs and national headquarters offices in Washington, DC is looking to engage a video and motion graphics-savvy Post Production Manager in a full-time, temporary role that will start in August 2024 and continue for eight (8) months, through March 2025.

We’re also recruiting for this role at the Post Production Coordinator level. We're using two application flows to consider potential candidates with a broad range of relevant experience. Please don’t hesitate to apply to one position or the other, or both if you could truly be happy earning a weekly rate anywhere in the advertised range for both positions. Only one person will be hired.

The person in this role will to run the day-to-day operations of an in-house Post Production team, which consists of full-time staff video editors and a motion graphics artist, as well as a rotating bench of contract editors that are brought in on a per-project basis. The Post Team is responsible for creating content for several channels, which encompass different editing styles: social media, short-form documentaries, news-style productions from an in-house studio, and visuals to accompany presentations at events. This role plays a critical role in workload planning for the team and ensuring projects are launched properly, are running on time, delivered on schedule, and that additional help is brought in when needed.

QUICK OVERVIEW:
- Post Production Coordinator or Manager position
- Hours will fluctuate but expect an average of 40 hours/week
- Guaranteed, static weekly rate up to $2200 regardless of actual hours worked
- Hybrid role with the option to work from home on Wednesdays and Fridays
- Employer is located near Capitol Hill and close to three Metrorail stops in NW, DC
- Starting August 2024 and continuing through March 2025 (8 months)

The job descriptions for both roles are the same, with the exception of weekly rate ranges.

Hybrid | Aug '23 - Mar '24| up to $2200/week

Applications submitted at the Brainstorm website are reviewed within three days of receipt, and the firm keeps applications on file for future consideration if they aren't a fit for currently opportunities. Thanks!