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This listing is for a Lead Assistant Editor on a multi camera A&E reality show. Looking for someone who is proficient in Avid, has strong organizational skills. and has multi grouping/online experience.

Looking for a Lead AE for a non-union Unscripted UHD show for HULU.

It's an hour-long show working with 2-3 cameras. Filming is out of state, but we'll have an AE/DIT on site backing up media, ingesting, and offloading to a drive shipped back to the office in Burbank. This is a HYBRID show. We'd prefer the Lead to be on site during production and for uprezzing, though this doesn't have to be everyday. You'd be working with a team of 10 editors and 4 story teams (story producer, story editor) who are all working remotely via Splashtop.

Tasks: Working in AVID 2021 on Mac via a NEXIS. Tapeless workflow. The usual syncing, grouping, script syncing, Network and internal exports, uprezzing for online. My post coordinator would also be helping with minor AVID tasks and deliverables like cue sheets and timing sheets.

Lead AE for a remote Bravo show needed

5 main cameras / plus go pros

Avid

Must be able to work independently to lead the night AE in tasks. Need someone who can sync and group quickly, Handle outputs, assist editors with their needs.

Starts 6/27

Union AE needed to lead a team of co-workers, setting up and managing workflow for a competition reality show. AE's will be required to work out of our offices in Burbank. Editors and Producers will be working remote.

Lead AE position needed for about a month to delivery a mostly-finished show to online and then wrap out and finish the show post run. Would not be needing to bring in any new footage but will need to cut in gfx and acquired once finals come in.

We are looking for a Lead AE who has solid skills and experience with delivering television shows to such networks and streaming services like Discovery, Discovery+, History, A&E, Netflix, Roku, etc. You should have excellent technical skills and the ability to work with a team. This job requires you to physically work in our offices. We are looking for someone who can work on our current shows and continue to grow with us as our business continues to expand.

Seeking an experienced Lead Assistant Editor (AVID) for a new season of a returning Bravo series.

This position can be fully remote, though office space is available and optional (NYC). The ideal candidate has experience with:

- Media management, transcoding, grouping & syncing
- This series is very media-heavy with approx 8 main cams, beauty cams, and many surveillance cams
- Attention to detail and strong organization skills are essential for this.
- Maintaining detailed media logs
- Troubleshooting problematic clips and converting odd format third-party media to Avid-friendly formats
- Maintaining organized Avid projects
- Prepping INTVs for transcription and script syncing complete transcripts in Avid
- Handling internal and external/Network exports
- Handing promo pulls and other various network requests
- Assisting Editorial staff with various needs:
- Troubleshooting basic Avid issues
- Cutting scenes/transitions/digital pieces
- Prepping/delivering episodes for Color and Mix
- Network deliverables

Bonus points for:
- Adobe Premiere / After Effects / Photoshop experience

PTO / Sick Days / Health Insurance available for freelancers.

Opportunities are available to extend employment or move over to other projects within the company.

Looking for a strong lead AE for a scripted multicam edit running from July-September. Will be working alongside 1x editor to bring a live stage production to film.

Project details:
- Editing in Avid
- 1x Editor
- 1x AE
- NYC Based a plus but can be remote
- Scripted/Multicam experience a plus

Feel free to reach out with additional questions!

Looking for an editor to work remotely on a new car series. Past experience on Motortrend or Discovery show is really important for us. Need someone to start the week of June 27th or 5th at the latest. Goes thru November.

Looking for a Sizzle Editor for a History Channel project.
Ideally someone who has edited sizzles in the paranormal/UFO or investigative and ensemble cast space. History experience is a big plus. Must be able to work independently and act as a Preditor.

Please highlight any work you've done for History Channel.

ISO: A Premiere Editor for a Reality/Docu-Drama Netflix Pilot.

Looking for an Editor to work on a Real Estate docu-soap Pilot for Netflix. MUST have prior experience in this genre and know Premiere.

Looking for an experienced Post Coordinator for a network reality tv show. Our current Post Coordinator is leaving and you will shadow them for the first few weeks to learn the ropes of the show. Job begins mid-July and runs through end of September, 60 hours/week. This is an in-office position and not a remote position. Candidates MUST have prior Post Coordinator experience in order to be considered.

Looking for a Post Supervisor/Online Supervisor who can oversee various shows throughout the Online process each week. Our company will have 1 to 4 shows in Online during any given week over the next several months.

All color, audio and Online work is done out-of-house... but it needs to be fully vetted/reviewed/noted to meet technical and creative standards/precedents. Also, this includes ensuring that all teams have adequately addressed all Clearance/S&P/Legal notes. Coordination with various members of the in-house production company and out-of-house Online vendor will be critical to shepherd each episode through the process.

Past experience supervising all elements of the Online process is a must. Familiarity with Adobe Premiere, spreadsheets and shared + cloud storage is also essential because these are among the tools you will need to handle the job. Communication skills and time management are also of utmost importance.

This can be a remote position but will certainly require in-person for a period of time.

Looking forward to speaking with you about your experience and bringing some new talent onto the team!

Looking for an Avid Assistant Editor with Macintosh tech proficiency, excellent organizational skills, ability to do story string outs and an eye for detail. Having a through understanding of Grouping and Syncing is crucial.

If you are interested in long form documentary and have an interest in social media, please apply.

Hope to welcome you to a calm work environment for a great project.

We are looking for a Field Logger for our upcoming season of a long running, la based, docuseries. The season will run from 7/12 - 9/17 & shoots Tuesday - Saturday.

Logger will be assigned to one crew of 7 (Field Producer, 2 Cam Ops, Audio, AC, Logger & Field PA) for the season & will be responsible for logging notes of everything happening in scene. At the end of the day logger will distribute notes along with a summary of the day.

Seeking to fill 2 editor positions with start dates in June for a returning TLC series following multiple families with multiple story lines. TLC experience and experience on Premiere preferred but not required. Job can be performed remotely.

Looking for an LA-based editor (or assistant editor) who can work together, in-person, with the director on delivering a picture edit of a narrative short film. Work under guidance, not looking for (but encouraging) creative input or big storytelling skills - just need someone fast with good technical and organizational capability.

It's a 40-minute psychological drama, dialogue-heavy. Tasks are to set up the project, transcode, sync, organize the files, communicate with our sound editor and colorist, and cut the footage. NO REMOTE WORK. Footage shot on Alexa Mini, 4K. Preferably, an editor can also be a DIT on set (July 11-15). Also paid days.