Apply to this Line Producer Job

- Contract Period: 5/20/24 to Early September
- Employment Type: Contract
- Location: Hybrid, but production is based in NY, so close proximity to NY is preferred
- Non-union feature film

Company Overview:
We are a major NYC-based media group with production companies. Currently, we are seeking a Contracted Line Producer to join our team for an upcoming feature film project.

Position Overview:
The Contracted Line Producer will play a vital role in the production process, ensuring the efficient execution of the project from pre-production to completion. While most work will be remote during the pre-production phase, some travel may be involved, with travel expenses covered by the production.

Responsibilities:
- Manage the production budget, including allocating funds for various departments and expenses.
- Create and maintain the production schedule, coordinating with cast and crew availability, location requirements, and logistical considerations.
- Collaborate with the director and creative team to ensure the vision of the film is realized within budgetary constraints.
- Negotiate and secure contracts with vendors, crew members, and other service providers.
- Oversee the hiring and management of production staff and crew, including assistant directors.
- Monitor production progress and address any issues or challenges that may arise during filming.
- Ensure compliance with all relevant industry regulations, safety protocols, and legal requirements.

Qualifications:
- 5+ years of experience as a Line Producer on feature film productions.
- Strong budgeting and scheduling skills, with the ability to manage large-scale projects efficiently and effectively.
- Excellent communication and interpersonal skills, with the ability to collaborate effectively with a diverse team of professionals.
- Solid understanding of the filmmaking process, including production workflows, equipment requirements, and industry best practices.
- Familiarity with industry-standard software and tools, such as Showbiz Budgeting.
- Prior experience working on independent films or non-union productions is a plus.
- Experience with New York film tax credit requirements is a must.
- Flexibility and adaptability to work in a fast-paced and dynamic production environment.

We are looking for a Line Producer for a first season follow-doc series shooting in Los Angeles and in various cities across the US and Europe. LP will be in charge of hiring (with EP's). Candidate should be skilled in managing all production logistics, financial oversight, tracking and reporting as well as working with post team to develop post schedule. LP will have some travel, but mostly will have a PM that will travel. When traveling all costs are covered by production with $50/day per diem. Must have valid passport.

Position will be remote but must be willing to come to office in Burbank when needed.

Please submit cover letter, resume and three references.

DETAILS:
- Role: Line Producer
- Start Date: June 24, 2024
- Wrap Date: January 10, 2025
- Full time for approx. 26 weeks with 3-4 dark weeks
- Location: Hybrid, but production is based in Houston, so close proximity to Houston is preferred
- Non-union docu-series

Looking to hire a seasoned LP for a first season docu-series in the Houston area.

This position provides management, leadership and oversight across a logistic-heavy production with many moving parts and tight timelines to stay on top of.

This role will work closely with the EP/Showrunner in the field, reporting to the company’s Production Executive in LA to ensure the production is fully supported to meet the creative needs, whilst staying on schedule and on budget, ensuring the safety of cast and crew are always a priority.

This role is responsible for overseeing all aspects of production management, ensuring creative and logistic expectations are met by facilitating communication, thinking strategically, leveraging efficiencies, utilizing local resources and relationships while maximizing budgetary and schedule parameters.

This person must have a strong background in production management on docu-series.

SKILLS:
- Experience with overseeing production logistics on various documentary and reality shows
- Working knowledge of labor laws and
- Understanding of Music licensing, as the production will shoot live bands performances and will need to ensure we have all necessary licenses
- Strong communicator that is direct and purposeful in all communication
- Highly organized and detail-oriented
- Flexible and ready to adapt to change
- Team player, able to collaborate and maintain positive working relationships with both creative and production teams
- Detailed, organized and experienced with cost tracking, budget management and working with various departments to stay on budget and schedule
- In-depth, working knowledge of Microsoft Outlook, Excel, Word
- Strong management, financial and negotiation skills
- Strong listening, written and verbal skills
- Creative problem-solving and objective decision-making skills

NYC based production company seeks Full Time Line Producer for upcoming Amazon documentary project. Position would potentially start as early as May 6th and run through roughly late July/early August. Applicant must be local to NYC. Documentary Production experience preferred, but not required. While most work will be remote, some travel may be involved. Travel expenses to be covered by production.

Production company looking for a Line Producer for a few unscripted projects. The job will be working at our offices, and will have support from our in-house team, as well as other freelance hires, if necessary. The job will be a combo of office and field work, and may be out of town. We are looking for someone who is detail oriented, and able to build budgets and track costs. Would also be great if you had experience on union jobs.

IF YOU LOVE COMBAT SPORTS THIS GIG IS FOR YOU.

WE ARE DOING POST FIGHT INTERVIEWS AFTER BYB FIGHT. WE WILL BE IN ONE LOCATION SET UP WITH LIGHTS AND A TRIPOD.

AFTER EACH FIGHT THE FIGHTERS USUALLY COME TO US TO DO THESE INTERVIEWS. WE ARE ONE OF 2 CREWS THERE, THE HOUSE CREW AND US SO IT IS NOT DIFFICULT TO GET INTERVIEWS.

YOU WILL GET ANSWERS FROM FIGHTERS WITH A STICK MIC. POST FIGHT QUESTIONS WILL BE PROVIDED, BUT LOOKING FOR A SELF STARTER. SPORTS EXPERIENCE A PLUS.

CALL TIME 5:30 TO 12:30

YOU WILL ALSO NEED TO MAKE SURE THE CREW HAS PROPER LIGHTING AND WORK WITH FIGHT ORGANIZATION TO LOCATE A SPOT TO SHOOT.

I WILL BE ON SITE AS WELL AS MY EP BUT WE ARE DOING A LONGER PROFILE STORY ON A FIGHTER BACKSTAGE.

Major Responsibilities:
● Under direction, carefully load and unload all exhibits, assets, and equipment from semi truck and trailers
● Position all exhibits, assets and equipment under the direction of the Race Directors and/or other Event staff
● Set up and take down the fencing and pop-up tents at each event
● Strictly follow safety guidelines to maintain safe working conditions for all team members as well as the integrity of all exhibits, assets, and equipment
● Under direction, provide set up and take down of equipment and assets along a certified marathon route

Qualifications:
● Ability to lift and carry up to 60lbs
● Availability for weekend events, early mornings and late afternoons/evenings
● Punctuality and reliability
● Follows directions; eager to learn systems
● Must have own transportation (to get to and from airport/office) and Valid Drivers License
● Experience driving box trucks up to 26 ft a plus
● Preferred: experience with events, moving furniture, warehouse stocking, exhibit/trade show installations, inventory management, physical labor

Fayetteville-based commercial video company looking for a production assistant for a Kickstarter product launch video shoot.

This is a video shoot for a children's technology product.

If this sounds like something you are capable of doing, please reach out to us!

Important note: In case of inclement weather, we are also holding weather days for this job on May 15th and May 16th.

We are bringing more work into the Northwest Arkansas area. Potential for repeat gigs.

Looking for a reliable and experienced PA who can drive our DP around New Orleans to capture additional b-roll pick ups for a feature sports documentary. Must have reliable transportation, a clean driving record and valid license. Must be local to New Orleans.

Hi Knoxville - We are looking for some amazing talented Production Assistants for an upcoming Live To Tape show! :-)

Time frame would be May 25-31 in the downtown Knoxville area. This would be Set PA positions with some potentially being PA Runners or an Office PA. Looking for team players who are hard working, reliable and positive attitude for fun! Ability to lift 10-15 lbs is a plus.

DATES: May 25 - 31 (If you are only available for a portion of the dates, please specify your avails)

RATE: $250 /12

Experienced PAs only please...no newbies or green.

Must be and/or work as a local. - No travelers please.

Must have reliable transportation.

We like to know in advance the comfort level of our PAs in regards to being a runner/driver as well as computer experience so we can match up your talent with our show needs. Listed below are a few questions to help us with PA placement.

Do you have an SUV or Truck vehicle?
Are you comfortable being a PA Runner?
Are you comfortable with driving a 12 or 15 Passenger Van?
Are you comfortable driving a cube truck?
Do you have a laptop computer and proficient with computer work (Word, Excel, Google Docs, Internet Research) if needed?

We are so excited to be filming in Knoxville and appreciate you taking the time to apply for the PA positions. We can't wait for the opportunity to work with you!!! :-)

Need support Production Assistants to come be a part of our merry band of travelers bringing a new show for Discovery to town. Think American Pickers or Antique Roadshow in terms of the style and logistics we will be dealing with. We'll be tied to the filming locations (the homes) without any real company moves once we get rolling. Every filming day we have had so far in our first two episodes has started after the sun was up and finished before the sun is down. So while there's no guarantees in this world that it remains as relaxed a schedule as that, thus far there has been very minimal OT or hard hours.

ISO people experienced with on-set protocol and communication, can-do attitude and comfortability in fast-paced shooting environments. The actual # of days we need from you may change, but could be all 6 days. Will let you know your days ASAP!

Please include a little about the energy you bring to a job like this and an example or two of some busier shoots you've been on! Thanks!

Looking for a PA for a micro-budget narrative feature film. The budget for the PA for this non-union micro-budget narrative feature film is $150/12