Apply to this Media Manager Job

We are filming a sports documentary series for a major sports association that will air on ESPN.

We are looking for a Media Manager for a field shoot happening in the Twin Cities area on 4/24 or 04/25.

The series is a typical documentary series, featuring: run and gun components, sit-down interviews, on-the-fly interviews, scenics, and "hero/portrait" shots.

Role would be to:
Back up using ShotPutPro or similar MD5 checksum software
Input footage descriptions and information into a copy of the footage log
No transcoding, no proxies, no coloring

The proposed shoot consists of a day in the life of an athlete, workouts and interviews.

We will be shooting 4k on a Cinema Camera. And then gimbal Bcam for a few scenes.
Production will provide SSDs and a RAID for back up.

500/12 + 50 kit fee = $550/per day

Camera first with camera cart $50.00. Straight forward corporate shoot. I have a Nucleus.

Uses the camera as instructed by the Director. They ensure the required action is correctly captured in the frame and must react instinctively as the proceedings take place. The camera operator also helps establish the theme and appearance of the show. Must have reliable transportation.

The Camera Operator must be experienced in camera operations in fast-paced, live conditions. Sports production knowledge is a plus.

Camera Operator responsibilities include:
Strong camera operating skills with the ability to execute shots quickly
Understands broadcasting methodology in establishing themes and appearances of shows
Reliable transportation required

We are looking for an experienced PTZ Operator for a live, three-camera shoot in Reno on May 2nd. The operator must be familiar with Panasonic AW-UE40 PTZs and will be responsible for building, painting, and operating each camera. The program is largely talking heads, so minimal camera moves other than re-framing to account for different panel sizes.

Electrify Expo, Phoenix is looking for an FPV drone pilot for their e-skateboard series Asphalt Kings. This drone operator will film all the track action during the weekend. We need someone who has an FPV drone and camera that can be flown pretty much all day.

Flat day rate will be based on experience and gear in their kit.

Looking for a confident and experienced camera operator and camera assistant. Two days filming interviews and b/roll.

MUST BE LOCAL IN TORONTO - we won't accept any applications outside of this location.

Confident will setting up lighting for sit down interviews, as well as recording audio.

Ideally has workers compensation or exemption from workers compensation.

Dates 14th & 15th of May - 2 full days
Filming for a documentary

Looking for an experienced AC for a 1 day shoot.
We are filming 1 person sit down interviews and some scenic B Roll.
May need to also pull focus on 2nd Cam for interviews.
Will also be setting up cameras and some lights with the DP.

Filming on (2) FX9 Cameras.

Short day. We need a 1st AC to handle some camera duties. We are shooting some pickup shots from a feature that was shot last summer. We are only shooting a few motorcycle shots. Late afternoon call, we won't shoot late into the night. No process trailer, simple shots.

FX-3 with autofocus lenses. We just need someone to keep an eye on all camera-related items.

LOCAL only. Paid at wrap.

Non union reality show seeking local assistant camera for a one-two day shoot in the Jacksonville area. We will have a separate media manager to handle media, this is just a camera utility position.

Experience with reality, non union shows required. Filming one-two talent at their home docu-reality style.

Rate- $350/12
*please do not apply if you are not local and willing to work with this rate- thank you!

*We are an Equal Opportunity Employer and do not discriminate on the basis of race, religion, color, sex, gender identity, sexual orientation, age, or any other basis covered by applicable law. All employment is decided on the basis of qualifications, merit, and business need. Applicants from diverse backgrounds are encouraged to apply*

We are seeking a B-cam operator to capture interviews and B-roll at our client's location Tukwila, WA. They are in the construction industry.

SEEKING LOCAL HIRES ONLY

Call Time: TBD, will be a 10-hour Shoot
Gear Required: Camera, Tripod
Rate is $375/10 hrs on set.

We are seeking a DP to capture interviews and B-roll at our client's location Tukwila WA. They are in the construction industry.

SEEKING LOCAL HIRES ONLY

Call Time: TBD, will be a 10-hour Shoot
Gear Required: Camera, Tripod, Gimbal, Basic lighting (interview).
Rate is $600/10 hrs on set.

Non union reality show seeking local cam op for a one-two day shoot in the Jacksonville area. Gear will be provided by our DP, we looking for a local op to join us.

Experience with reality, non union shows required. Filming one-two talent at their home docu-reality style.

Rate- $500/12
*please do not apply if you are not local and willing to work with this rate- thank you!

*We are an Equal Opportunity Employer and do not discriminate on the basis of race, religion, color, sex, gender identity, sexual orientation, age, or any other basis covered by applicable law. All employment is decided on the basis of qualifications, merit, and business need. Applicants from diverse backgrounds are encouraged to apply*

Looking for an experienced camera operator with an ENG camera and light kit for a one-camera news broadcast in Sheridan, WY, on Tuesday, May 21st, 2024.

Should have a news style camera, Sony HXC or comparable is preferred.

Must have experience with live-streaming events and broadcast cameras. Must have camera and lighting gear.

Professional attire and a photo ID are required. Please provide work samples, a description of your experience and your gear, and your 10-hour day rate.

We will be in Memphis, TN covering an AAU basketball tournament. We are looking for an experienced camera operator with familiarity with Sony FX3.

Seeking crew for "Real Work," a short film about an elderly getting scammed. The audience will see how the relationship between the scammer and elderly man builds through the story.

Documenting behind the scenes captures essence of the production process. They will primarily follow interns who will be on the production set. They will skillfully navigate the chaos of the set to immortalize candid moments, revealing the dedication and collaboration of the intern team.

Seeking crew for "Real Work," a short film about an elderly getting scammed. The audience will see how the relationship between the scammer and elderly man builds through the story.

A crucial behind-the-scenes role responsible for managing and safeguarding the digital image data captured during filming. They ensure the integrity and quality of the footage by overseeing the digital workflow, including camera settings, data transfer, and color management. The DIT collaborates closely with the DP to maintain consistency in visual aesthetics and technical standards throughout the production process.

Seeking crew for "Real Work," a short film about an elderly getting scammed. The audience will see how the relationship between the scammer and elderly man builds through the story.

Supports the camera team in various technical and logistical aspects of production. Their responsibilities include assisting with equipment setup, maintaining camera gear, managing batteries and memory cards, and ensuring smooth operation during filming. The AC works closely with the Director of Photography to achieve desired shots and camera movements.

Crew Position: Cam Op (big plus if you have drone/own/operate/insured)
Date: 4/29-5/6
Rate is negotiable

JOB POSTING: Sharp Entertainment is an Equal Opportunity Employer and does not discriminate on the basis of race, religion, color, sex, gender identity, sexual orientation, age, or any other basis covered by applicable law. All employment is decided on the basis of qualifications, merit, and business need. Applicants from diverse backgrounds are encouraged to apply.

Looking for a camera operator to follow a reporter around during the BYB Extreme show on May 10th. This person should have a gimbal or steadicam for smooth motion. Camera should be Canon C200 / Sony FS5 or better. Lighting / Audio will also be needed.

Please show examples of your work in motion.