Apply to this Media Manager Job

We are filming a sports documentary series for a major sports association that will air on ESPN.

We are looking for a Media Manager for a field shoot happening in the Twin Cities area on 4/24 or 04/25.

The series is a typical documentary series, featuring: run and gun components, sit-down interviews, on-the-fly interviews, scenics, and "hero/portrait" shots.

Role would be to:
Back up using ShotPutPro or similar MD5 checksum software
Input footage descriptions and information into a copy of the footage log
No transcoding, no proxies, no coloring

The proposed shoot consists of a day in the life of an athlete, workouts and interviews.

We will be shooting 4k on a Cinema Camera. And then gimbal Bcam for a few scenes.
Production will provide SSDs and a RAID for back up.

500/12 + 50 kit fee = $550/per day

We are seeking a DSLR videographer to capture BTS and crowd shots for a keynote speech for a 1-hour event, plus additional footage to equal 3-ish hours in total. The videographer will document the speaker's pre-speech preparation, audience interaction, and the speech itself. The videographer needs to bring a camera on tripod as well as a DSLR camera with gimbal for capturing dynamic follow shots.

Note: Videographer will not be responsible for capturing the main stage performance, or professional audio. Another Camera Operator will be doing that.

Key Responsibilities:

Capture footage of the keynote speaker getting ready backstage, including makeup, wardrobe, and final preparations.
Obtain engaging shots of the audience as they arrive and settle in.
Film the keynote speaker's entrance and introduction on stage.
Shoot high-quality b-roll footage throughout the speech to complement the speaker's presentation.

Operate two cameras simultaneously:
One camera will be set up on a tripod to capture static shots of the stage and audience.
The other camera will be used with a gimbal stabilizer for capturing smooth, dynamic footage as you follow the speaker around.
Utilize a gimbal stabilizer to achieve smooth, professional-looking footage with the handheld camera.
You dont need to capture audio of the event.

Please provide reel and mention similar events you've shot.

Thank you!

Hello!

Looking for 2 Camera Operators to shoot recap videos and interviews of a corporate event. Fx6, Fx3

Applicants must:
- Have experience filming conferences.
- Have experience filming interviews.
- Experience with Sony cameras is a plus.

Must be willing to work as a local.
Production will not cover travel unless otherwise specified.

10 hour days, based on current local day rates. Meal comp provided.

National Association of Black Accountants (NABA) is hosting an annual conference in Las Vegas 6/18 - 6/21. Our team will be filming the event to produce stock footage style archival content and post-produce a Highlight Sizzle along with additional marketing content.

We need a drone pilot to capture a few dynamic shots of downtown Vegas, the conference hotel and 2 offsite locations near the strip. Please provide reel that showcases cinematic aerial shots.

(Will shoot 2 separate half days)

National Association of Black Accountants (NABA) is hosting an annual conference in Las Vegas 6/18 - 6/21. Our team will be filming the event to produce stock footage style archival content and post-produce a highlight sizzle; along with additional marketing content.

Applicant should be capable of working with steadicam op to film cinematic broadcast style broll. Candidate must own gear or have access to it. (Follow focus and AC monitor). Will also have a half day prep to set up if needed. Please provide reel cinematic work.

Teams will be on a 12hr day but likely wrap in 8-10. There will be plenty of breaks and downtime.

Thanks!

National Association of Black Accountants (NABA) is hosting an annual conference in Las Vegas 6/18 - 6/21. Our team will be filming the event to produce stock footage style archival content and post-produce a highlight sizzle; along with additional marketing content.

Applicant should be capable of filming cinematic broadcast broll and Documentary style interviews. Candidate must own a steady rig or have access to it. If you own a RED Komodo kit or similar we can add in a kit rental with the standard multi day discount; as we budgeted to rent the gear from a rental house. Will also have a half day prep to set up if needed. (Also need client monitor, AC with follow focus + AC monitor, and a cinema prime or cinema zoom kit if you can provide; or forward reference)

Teams will be on a 12hr day but likely wrap in 8-10. There will be plenty of breaks and downtime.

Thanks!

National Association of Black Accountants (NABA) is hosting an annual conference in Las Vegas 6/18 - 6/21. Our team will be filming the event to produce stock footage style archival content and post-produce a highlight sizzle; along with additional marketing content.

Applicant should be capable of filming live events, presentations, environment broll and interviews. You should be very familiar with the BlackMagic 6k Pro and have a reel that showcases similar work.

Teams will be on a 12hr day but likely wrap in 8-10. There will be plenty of breaks and downtime.

Thanks!

We have a new client that would like for us to hold a 2 camera DSLR interview shoot with a small lighting package and audio in Gulf Breeze, FL on 5/15/2024.
Shooter would be solo, no manager on site. The project will be to interview a Coach at one location and then get some b-roll of them at or near that same location as well. B-roll could potentially be outdoors.
Pay negotiable, as it will include 2 DSLR's provided by you and a small lighting kit.
Shooter could also edit the finals as well-if applicable, but it would need to be a reasonable turn around.

Shoot timing would be 8am to 12pm with an 7am call time.

Let me know if you are interested. Thanks!

We are filming for one day on location for a non-profit shoot and are looking for a Cam Op/AC swing to join our team. This shoot will have minimal crew so a multifaceted and flexible crew member is a must. The director and DP are "swiss-army knife" folks who can wear many hats as is often necessary with small doc-style shoots, so it's good to have the same mentality in our local crew.

Please apply only if you are comfortable splitting your time between sometimes operating and most of the time providing A/C support to the DP. Sony camera experience also a big bonus.

Look forward to meeting you!

We have a new client that would like for us to hold a 2 camera DSLR interview shoot with a small lighting package and audio in St. Louis, MO on 5/4/2024.
Shooter would be solo, no manager on site. The project will be to interview a Coach at one location and then get some b-roll of them at or near that same location as well. B-roll could potentially be outdoors.
Pay negotiable, as it will include 2 DSLR's provided by you and a small lighting kit.
Shooter could also edit the finals as well-if applicable, but it would need to be a reasonable turn around.

Shoot timing would be 9am to 1pm with an 8am call time.

Let me know if you are interested. Thanks!

We have a new client that would like for us to hold a 2 camera DSLR interview shoot with a small lighting package and audio in Leland, NC on 4/28/2024.
Shooter would be solo, no manager on site. The project will be to interview a Coach at one location and then get some b-roll of them at or near that same location as well. B-roll could potentially be outdoors.
Pay negotiable, as it will include 2 DSLR's provided by you and a small lighting kit.
Shooter could also edit the finals as well-if applicable, but it would need to be a reasonable turn around.

Shoot timing would be 1pm to 5pm

Let me know if you are interested. Thanks!

We have a new client that would like for us to hold a 2 camera DSLR interview shoot with a small lighting package and audio in Frostburg, MD on 4/28/2024.
Shooter would be solo, no manager on site. The project will be to interview a Coach at one location and then get some b-roll of them at or near that same location as well. B-roll could potentially be outdoors.
Pay negotiable, as it will include 2 DSLR's provided by you and a small lighting kit.
Shooter could also edit the finals as well-if applicable, but it would need to be a reasonable turn around.

Shoot timing would be 8 to Noon or 9 to 1pm

Let me know if you are interested. Thanks!

Uses the camera as instructed by the Director. They ensure the required action is correctly captured in the frame and must react instinctively as the proceedings take place. The camera operator also helps establish the theme and appearance of the show. Must have reliable transportation.

The Camera Operator must be experienced in camera operations in fast-paced, live conditions. Sports production knowledge is a plus.

Camera Operator responsibilities include:
Strong camera operating skills with the ability to execute shots quickly
Understands broadcasting methodology in establishing themes and appearances of shows
Reliable transportation required

We are looking for an experienced PTZ Operator for a live, three-camera shoot in Reno on May 2nd. The operator must be familiar with Panasonic AW-UE40 PTZs and will be responsible for building, painting, and operating each camera. The program is largely talking heads, so minimal camera moves other than re-framing to account for different panel sizes.

Electrify Expo, Phoenix is looking for an FPV drone pilot for their e-skateboard series Asphalt Kings. This drone operator will film all the track action during the weekend. We need someone who has an FPV drone and camera that can be flown pretty much all day.

Flat day rate will be based on experience and gear in their kit.