Apply to this Post Production Coordinator Job

Looking for an experienced Post Coordinator to help manage day-to-day in offline on a reality competition show.

Duties include:

- Overseeing media transfer from field and keeping media tracker/log up-to-date
- Assist in managing AE team
- Liaise with other internal departments on various administrative matters
- Assist in creating deliverables documents for final delivery

Our Edit and Story teams will be working remotely; there is an option to work a hybrid schedule 3 days a week in office, but not required. However, willingness to go into office occasionally for specific scenarios that may arise a plus.

Ideally looking for someone with at least a few years experience and is interested in becoming a Post Supervisor.

Thanks!

Our Production Company’s policy is to provide equal employment opportunities to all applicants and employees without regard to race, color, religion, creed, gender, gender identity or expression, age, national origin or ancestry, citizenship, disability, sexual orientation, marital status, pregnancy, veteran status, membership in the uniformed services, genetic information, or any other basis protected by applicable law. We will consider for employment all qualified Applicants, including those with Criminal Histories, in a manner consistent with the requirements of applicable state and local laws, including the City of Los Angeles' Fair Chance Initiative for Hiring Ordinance.

Job Title: Freelance QC Coordinator

Overview:
The QC Coordinator reviews all project deliverables from internal and external post production teams before publishing and archiving. This role is indescribably meticulous in their work and is a strong communicator, interacting with a myriad of team members and departments during the final phases of a project. As the last line of defense before publishing, QC Coordinators play a critical role in ensuring that CNE video content looks and sounds its best, airs without errors, and adheres to strict standards for various types of deliverable assets. The QC Coordinator reports to the Supervisor, QC, and works closely with video editors, Post Production Supervisors, Scheduling, Video Operations, and the Media Asset Management team. This role may occasionally require extended hours and weekend work in order to get the job done.

Primary Responsibilities:
- Review in-progress edits and all project deliverables (video, audio, images, documentation) for quality and adherence to required technical specifications; catch spelling errors, improper framing, glitches, improper color and audio levels, off-brand/off-series errors, and more before air and archive
- Relay QC notes to editors and ensure all applicable assets are redelivered as needed
- Manage a steady queue of deliverables across several projects and brands with competing priorities and shifting air dates, pivoting when necessary and communicating deliveries and delays to Scheduling and Publishing teams
- Stay on the pulse of updated style guides and series tags, ensuring newly published content keeps up to date with brand/series refreshes.
- Help enforce standards, policies, and procedures for asset delivery and archiving
- Assist with media requests such as pulling archived episodes, transcoding videos for external delivery partners, etc.
- When possible, preview content ahead of initial delivery and QC review; provide quality-control feedback to editors, audio mixers, and colorists during a project, and provide feedback to associated team members
- Liaise with various CNE teams for inbound and outbound delivery requests, technical-related inquiries involving delivery specs, transfer credentials, and sending requests (via SFTP, Signiant, Hightail, etc.)

Desired Skills and Qualifications:
- 1-2 years of experience in a post-production environment, with skills revolving around asset management and delivery
- Working knowledge of Adobe Premiere Pro is required
- Excel in meticulous attention to detail, with experience in a wide array of video formats, quality control, archiving, and light-touch editing.
- Proficient knowledge of the main digital video and audio formats
- Understanding of media codecs, bit rates, aspect ratios, color spaces, and compression
- Effective organizer with proven ability to manage multiple projects and initiatives simultaneously
- Calm and deliberate demeanor with excellent communication skills in a highly dynamic, fast-paced environment; a team player with patience and empathy
- Proactive and strong ability to problem solve and work through issues
- Produce under the pressure of deadlines
- Communicate well and be flexible with other departments
- Someone who relishes noticing errors in media and day-to-day life, and won’t get bored or lose focus when reviewing multiple iterations or deliverables of the same piece of content
- Must always have the goal and mission of CNE in mind

What happens next?
If you are interested in this opportunity, please apply and we will review your application as soon as possible.

Potential candidates will receive a video export for a QC test.

Job Title: Freelance QC Coordinator

Overview:
The QC Coordinator reviews all project deliverables from internal and external post production teams before publishing and archiving. This role is indescribably meticulous in their work and is a strong communicator, interacting with a myriad of team members and departments during the final phases of a project. As the last line of defense before publishing, QC Coordinators play a critical role in ensuring that CNE video content looks and sounds its best, airs without errors, and adheres to strict standards for various types of deliverable assets. The QC Coordinator reports to the Supervisor, QC, and works closely with video editors, Post Production Supervisors, Scheduling, Video Operations, and the Media Asset Management team. This role may occasionally require extended hours and weekend work in order to get the job done.

Primary Responsibilities:
- Review in-progress edits and all project deliverables (video, audio, images, documentation) for quality and adherence to required technical specifications; catch spelling errors, improper framing, glitches, improper color and audio levels, off-brand/off-series errors, and more before air and archive
- Relay QC notes to editors and ensure all applicable assets are redelivered as needed
- Manage a steady queue of deliverables across several projects and brands with competing priorities and shifting air dates, pivoting when necessary and communicating deliveries and delays to Scheduling and Publishing teams
- Stay on the pulse of updated style guides and series tags, ensuring newly published content keeps up to date with brand/series refreshes.
- Help enforce standards, policies, and procedures for asset delivery and archiving
- Assist with media requests such as pulling archived episodes, transcoding videos for external delivery partners, etc.
- When possible, preview content ahead of initial delivery and QC review; provide quality-control feedback to editors, audio mixers, and colorists during a project, and provide feedback to associated team members
- Liaise with various CNE teams for inbound and outbound delivery requests, technical-related inquiries involving delivery specs, transfer credentials, and sending requests (via SFTP, Signiant, Hightail, etc.)

Desired Skills and Qualifications:
- 1-2 years of experience in a post-production environment, with skills revolving around asset management and delivery
- Working knowledge of Adobe Premiere Pro is required
- Excel in meticulous attention to detail, with experience in a wide array of video formats, quality control, archiving, and light-touch editing.
- Proficient knowledge of the main digital video and audio formats
- Understanding of media codecs, bit rates, aspect ratios, color spaces, and compression
- Effective organizer with proven ability to manage multiple projects and initiatives simultaneously
- Calm and deliberate demeanor with excellent communication skills in a highly dynamic, fast-paced environment; a team player with patience and empathy
- Proactive and strong ability to problem solve and work through issues
- Produce under the pressure of deadlines
- Communicate well and be flexible with other departments
- Someone who relishes noticing errors in media and day-to-day life, and won’t get bored or lose focus when reviewing multiple iterations or deliverables of the same piece of content
- Must always have the goal and mission of CNE in mind

What happens next?
If you are interested in this opportunity, please apply and we will review your application as soon as possible.

Potential candidates will receive a video export for a QC test.

Rate is based on experience level and understanding of post workflow and deliverables.

Looking for a Post Coordinator. Netflix deliverable knowledge ideal. Hybrid work environment that is mostly remote but will need a candidate that can go into the LA office as needed.

Experienced candidates that are pro-active and organized. Communication is key with ability to multi-task detail oriented production needs.

Proficient in Google docs, tracking formula driven spreadsheets, standard office management requests.

AVID experience a major plus, assist with creative and facilitate system organization.

Rota6 Films is a full service video production company based in Brooklyn that specializes in compelling documentary storytelling.

We are in need of a talented Assistant Editor to come in and pull selects from a series of zoom interviews. There will be approximately 10 hour-long interviews to go through, so we're looking for someone efficient and experienced in combing through large amounts of interview footage for standout sound bites.

Interested applicants should have strong storytelling instincts, should excel at working with interview and vérité footage, and should have experience in quickly going through large selections of footage in order to pull the best selects. Efficiency and attention to detail are key.

Requirements:
Must be local to the NYC area with 2+ years experience editing / assistant editing
Strong technical skills in Adobe Premiere
Experience in pulling selects from hours of footage
Extraordinary attention to detail
Ability to self-start and work well independently as well as collaborate favorably in a team environment

Interested applicants, please send your resume along with any documentary editing samples you have.

Thank you!

Will be responsible for ingest, syncing and grouping, support of editors.

Possibility to extend more than 4 months.

NYC/ NJ based, in office position.

Afternoon-evening shifts.

Transcoding, ingesting, syncing, grouping, exporting, unrezzing.

Adobe experience, media encoded, after effects, are all a plus.

We need an editor to cut a true-crime sizzle for a Brazilian audience. Experience in crime and editing sizzle reels a plus. Must speak Portuguese and English.

This is a weekly rate. Short term gig only should last 2 weeks max. Negotiable based on experience.

One of New York City's largest production companies is seeking a Lead AVID Assistant Editor to work on a high profile project.

We are looking for a Lead AE who is extremely organized and well-versed in:
- Transcoding
- Syncing multicam footage
- Multigrouping
- Creating AAFs and EDLs
- Uprezzing
- Exporting, converting & posting cuts for network

Applicants must have in-depth knowledge of Avid and ideally 2+ years of experience working on the platform. After Effects knowledge is a plus but is not required.

This is a hybrid position and will require you to work in the office 3 days a week.

We are looking for an avid editor for a HGTV show from 6/12-7/1 and again starting 7/24-8/18.

Online Editor | Final Frame

We're a small team with a great company culture looking for an individual to come in with at least 1-3 years of experience in an online editor role. The ideal candidate will have a desire to learn, a solution oriented mindset, and the ability to work well in a collaborative environment. If you have the drive to grow your skills with us we will give you the support to do so. *Please read the job description carefully, this role is for an online editor - this is not a video editor/offline editor.

This role will report directly to Final Frame’s DI Manager and will be in-person Monday – Friday, 10 am-7 pm.

Responsibilities and duties:

Relink and copy media from client drives to our internal SAN, transcoding when necessary.

Migrate offline edit from the editing program to the color correction platform.

Conform picture at the highest resolution and quality possible, recreating all scaling, positioning, and effects.

Work in tandem with the colorist to integrate graphics, text, replacement shots, and fixes throughout the color grade.

Communicate with the client, audio mixer, and other third party vendors to shepherd each project through the finishing process.

Export and review final deliverables, ensuring the highest quality possible.

Communicate with distributors, networks, and streaming services to ensure deliverables adhere to the relevant specifications.

Preferred Knowledge:
Proficiency in Avid Media Composer and Adobe Premiere.
Experience with Davinci Resolve and/or Adobe After Effects a plus.
Knowledge and understanding of various video frame rates, resolutions, and codecs.
Ability to problem solve and create efficient workflows under tight deadlines.
Attention to detail and good communication skills are crucial.


About Us: The Frame One platform is Final Frame’s sister company which provides state-of-the-art, shared offline editing functionality for high-profile programming. This platform is currently running 30+ shows.
Final Frame and Frame One are Equal Opportunity Employers and do not discriminate on the basis of race, religion, sex, gender identity, sexual orientation, age, or any other basis covered by appropriate law. All employment is decided based on qualifications, merit, and business need.

One of New York City's largest production companies is seeking a Lead AVID Assistant Editor who is bilingual in English and French to work on a high profile project.

We are looking for a Lead AE who is extremely organized and well-versed in:
- Transcoding
- Syncing multicam footage
- Multigrouping
- Creating AAFs and EDLs
- Uprezzing
- Exporting, converting & posting cuts for network

Applicants must have in-depth knowledge of Avid and ideally 2+ years of experience working on the platform. After Effects knowledge is a plus but is not required.

This project is bilingual and will contain French speakers and archival. You must be fluent in French.

This is a hybrid position and will require you to work in the office 3 days a week.

Seeking experienced Editor for a narrative feature for an award-winning director’s 6th film. Past projects have screened and won awards at prominent international festivals, including Sundance and Palm Springs, and have enjoyed world-wide distribution and streaming on multiple platforms, including Netflix, Amazon, and Hulu.

Work would begin late July 2023, and run roughly 15 weeks.

Candidate will be working closely alongside the director in person, and should be enthusiastic about creative collaboration and ready to bring their own ideas into the room.

Project is a SAG Ultra-Low Budget production, and Editor must be local to NYC. This is an opportunity to join an experienced team on a quality creative project.

We're looking for a Post Supervisor local to the Los Angeles area to help with a multi-episodic documentary.
Ideal candidates have experience with archive-heavy material and are familiar with all aspects of deliverables, schedules, clearance, and licensing. Position would be split work from home and work from the office.