Apply to this Post Production Coordinator Job

Post Coordinator/Media Manager needed for multiple projects. This is an in-office position located in Stamford, CT; it is NOT a remote or work-from-home position. Duties will include coordinating media drive deliveries, creating LTO backups, and assisting with wrap documents. Avid experience is a plus.

This is for six weeks to start but could turn into a much longer gig. Looking to start someone as soon as possible, but we can be flexible for the right candidate. Again, this is in-office, not remote, in Stamford, CT.

Great opportunity for the right candidate to get their foot in the door with a busy production company.

Job Title: Freelance QC Coordinator

Overview:
The QC Coordinator reviews all project deliverables from internal and external post production teams before publishing and archiving. This role is indescribably meticulous in their work and is a strong communicator, interacting with a myriad of team members and departments during the final phases of a project. As the last line of defense before publishing, QC Coordinators play a critical role in ensuring that CNE video content looks and sounds its best, airs without errors, and adheres to strict standards for various types of deliverable assets. The QC Coordinator reports to the Supervisor, QC, and works closely with video editors, Post Production Supervisors, Scheduling, Video Operations, and the Media Asset Management team. This role may occasionally require extended hours and weekend work in order to get the job done.

Primary Responsibilities:
- Review in-progress edits and all project deliverables (video, audio, images, documentation) for quality and adherence to required technical specifications; catch spelling errors, improper framing, glitches, improper color and audio levels, off-brand/off-series errors, and more before air and archive
- Relay QC notes to editors and ensure all applicable assets are redelivered as needed
- Manage a steady queue of deliverables across several projects and brands with competing priorities and shifting air dates, pivoting when necessary and communicating deliveries and delays to Scheduling and Publishing teams
- Stay on the pulse of updated style guides and series tags, ensuring newly published content keeps up to date with brand/series refreshes.
- Help enforce standards, policies, and procedures for asset delivery and archiving
- Assist with media requests such as pulling archived episodes, transcoding videos for external delivery partners, etc.
- When possible, preview content ahead of initial delivery and QC review; provide quality-control feedback to editors, audio mixers, and colorists during a project, and provide feedback to associated team members
- Liaise with various CNE teams for inbound and outbound delivery requests, technical-related inquiries involving delivery specs, transfer credentials, and sending requests (via SFTP, Signiant, Hightail, etc.)

Desired Skills and Qualifications:
- 1-2 years of experience in a post-production environment, with skills revolving around asset management and delivery
- Working knowledge of Adobe Premiere Pro is required
- Excel in meticulous attention to detail, with experience in a wide array of video formats, quality control, archiving, and light-touch editing.
- Proficient knowledge of the main digital video and audio formats
- Understanding of media codecs, bit rates, aspect ratios, color spaces, and compression
- Effective organizer with proven ability to manage multiple projects and initiatives simultaneously
- Calm and deliberate demeanor with excellent communication skills in a highly dynamic, fast-paced environment; a team player with patience and empathy
- Proactive and strong ability to problem solve and work through issues
- Produce under the pressure of deadlines
- Communicate well and be flexible with other departments
- Someone who relishes noticing errors in media and day-to-day life, and won’t get bored or lose focus when reviewing multiple iterations or deliverables of the same piece of content
- Must always have the goal and mission of CNE in mind

What happens next?
If you are interested in this opportunity, please apply and we will review your application as soon as possible.

Potential candidates will receive a video export for a QC test.

Post Coordinator – Music Editing Company

Busy music editing company in Los Angeles seeks a responsible, extremely organized, and driven Post Coordinator. The company works year-round in heavy volume on high-caliber projects in the music for TV and Film space. We are passionate about our work and love to help one another, so being personable is a must. This position reports to the VP and Studio Manager and requires organizational techniques and attention to detail to manage many ongoing projects simultaneously.

Industry experience is required. The position is fully remote.

Job Type: Full-time, minimum 40 hours/week (Monday - Friday) with overtime highly likely

Pay: Hourly or Salary, TBD pending experience

$23-$30/hour, or Salary pending experience

Essential Duties and Responsibilities:

· Overseeing all company emails and responding in real time

· Updating contacts and calendars for projects as they are received

· Using our task management app Asana to create tasks as they come in

· Reaching out to project clients with spec sheets and requesting necessary information for onboarding our team. Upon receiving the requested information, log processes for said project

· Confirming all meetings in advance and sending teammates all necessary info such as zoom invites, streaming links, etc.

· Scheduling calls and meetings across multiple projects for all team members

· Emailing all virtual materials and assets to clients on behalf of the company

· Answering studio phone line and connecting calls or taking messages

· Meeting regularly with other company heads to discuss workflow improvements, employee engagement, required training, prospective scheduling, and other necessary topics

· Creating and managing digital music portfolios, including website, promo documentation, resumes, credits, and updating employee IMDB pages

· Organizing company Dropbox files

· Contacting necessary team members for emergent updates.

Behaviors:

· Extremely well organized

· Ability to prioritize and juggle multiple high-priority tasks at once

· Optimistic

· Excellent verbal skills; well-spoken, clear, and direct

· Excellent written skills, able to catch grammar and spelling errors

· Highly ethical and trustworthy

· Constantly on the lookout for areas of improvement and productivity

· Reliable with attendance, punctual and dedicated

Motivations:

Thrives in a fast-paced environment
Keeps calm and collected under pressure
Self-starter: Able to get to work without outside help
Critical thinker: Able to foresee possible conflicts and address them
Flexible: Able to prioritize and, therefore, pivot from tasks
Communicative: Able to quickly request help and information and provide necessary updates expeditiously.
Proficiencies:

· MacOS (required)

· Google Sheets, Docs, Forms

· Microsoft Word and Excel

· Slack App

· Asana App

· Dropbox

· Apple contacts and calendar

Qualifications and Experience:

(Required) Minimum one year working in the Post TV/Movie or Music Industry

(Required) Bachelor's Degree

Although the position is remote, the ideal candidate is based out of Los Angeles/West Coast.

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TMZ is looking for a Post Production Coordinator who will be responsible for supporting the Post Producer, Supervisors, and Editors with all photo and video assets. This position requires someone who can communicate effectively, efficiently, and quickly in a fast-paced news environment. The ability to multi-task is essential.

Responsibilities:
• Manage all show rundowns
• Coordinate assets for Post Production Producer, Supervisors, and Editors
• Logging and archiving footage

Requirements:
• Bachelor’s degree
• 1-3 years of experience in Post Production
• Proficient in SAN, Data Storage, Media Organization System, and Microsoft Office Suite
• Experience managing rundowns, preferred
• Experience in Adobe Premiere and Dalet, a plus
• Great attitude with strong attention to detail
• Must have excellent organizational and time management skills

TMZ is a workplace that requires the COVID-19 vaccination as a condition of employment. Requested accommodations/exceptions will be evaluated on a case-by-case basis in accordance with law.


TMZ is an Equal Opportunity Employer.

We are searching for an editor who can pull about 6-8 minutes of selects and translate the footage from Thai to English.

We are hoping to have the footage by Friday, March 24th and would need the selects by Monday, March 27th.

You can work remotely at your convenience, we use the latest version of Premiere and will send through all necessary files.

We anticipate this taking about one day of work (at 8 hrs a day).

SEEKING POST APS FOR NEW DOCUSERIES FOR A&E

A new docu-series is seeking experienced Post APs. Positions start on 3/27 and 4/3 and run through August/September. The job is fully remote, but the show is mostly on east coast hours.

The APs will be creating selects and string outs in Avid, helping with deliverables, and reviewing cuts to confirm appearance releases. We're seeking APs who are very comfortable in Avid, experienced with creating string outs, detail-oriented, and can work at a fast pace.

Only candidates with at least 3 credits as a Post AP will be considered.

The role is in-office assistant editor supporting mostly ADOBE workflow. Grouping syncing, media ingest, tech support, etc. Office is located in Greenwich Connecticut. Experience with LucidLink, Servers and Frame.io a plus.

Deliverable Date: ASAP (4-8 weeks depending on status of footage organization)

Needed Asset:
My team and I are looking for a short trailer to promote our news program, SYSTEM UPDATE (hosted by investigative journalist Glenn Greenwald), which premieres weeknights on independent media platform, Rumble. The plan is to use this trailer in a paid social media advertising campaign, primarily YouTube, placed in front of videos on peer channels. It will also live for some time in other places: pinned video on social media, the trailer on our YouTube channel, our website, etc.

We are looking for an exceptionally professional, polished end-product, highlighting the unique attributes of the show that distinguish it from an ever-expanding number of competitors. Among them:

Glenn Greenwald is a world-renowned journalist, with a long list of accomplishments and awards. He is best known for the Snowden reporting, which ultimately received a Pulitzer and was the subject of an Oscar-winning documentary. Fiercely independent and adversarial to power, he brings an important perspective to the current political/media landscape.
In contrast to corporate media and other competitors, we tend to dive deeply into a small number of issues every night, often covering stories that are misreported or under-reported in mainstream media. Beholden to no overbearing editorial oversight, we have the freedom to explore current events and pursue truth without concern for appeasing third-party stakeholders.

Our team has little capacity to be hyper-involved in this process. While we can definitely provide needed support and information, we are really hoping to find an editor who can create and implement the vision with as much independence as possible.

Looking for AVID Assistant Editors with experience working on multi-cam, verite driven TV shows in the true crime genre. Documentary experience is a plus!

Start date is 3/20/23. This is a CT production and the position is currently remote but may become hybrid at some point during production.

The ideal candidate will have the following:
- 5+ years proficiency in Avid MC
- Expert in Media Management and AVID
Project organization
- Proficiency in After Effects
- Strong organizational skills and the ability to
multitask
- Ability to communicate and relay progress
and tech issues to Post Management teams
- Knowledgeable in Microsoft Office and Google
Docs / G-Suite

Responsibilities include:
- Prepping material for edit including syncing /
grouping and organizing shot footage
- Organizing third party / archival media
- Importing GFX
- Creating cutdowns and scene selects
- Importing and organizing music selects within
Avid project
- Maintaining project organization (ie: space
allocation, project cleanup)
- Working closely with Editors and Post
Producers to address requests or to help
troubleshoot
- Prepping sequences for exports going to
network and promo departments
- Creating EDL and music report files for
internal teams
- Prepping episodes for online, including
upresing episodes

Rate Range:
$24.22/hr - $39.48/hr for a 9-hour day

Seeking a bilingual Japanese/English editor for a corporate project, must either be based in Tokyo or work Tokyo hours.

Please identify in cover letter whether you'd work in Tokyo or Tokyo hours.

Varying dates between March 26th - April 14th.

Rate: $750/day

We are looking for Junior Editors to join our Post team. We have a steady stream of projects of varying size and we want to bring in new folks who are looking to hone their skills and grow their reels. Motion graphics skills, while not necessary, are definitely a plus.

With all positions that we seek to fill, we're looking to start creative collaborations that will hopefully last for years to come.

Interested parties should include a reel/portfolio with their resumes.

* We are a New York-based ad agency with full in-house production and post production capabilities. Our work includes broadcast spots, digital ads, paid and organic social, emerging media, and plenty of other fun formats/outlets.

Will be responsible for ingest, syncing and grouping, online prep, deliverables, support of editors.

Rate: $1750/wk

NYC-based reality competition series seeking an experienced AE (Avid) to join our team. We look forward to hearing from you!

Seeking two Assistant Editors for upcoming cooking competition series. Job responsibilities include, but are not limited to, receiving media from field teams, backing everything up, transcoding, syncing, grouping, exporting for transcription, verite cutdowns, network exports, and other post prep.

This is a hybrid position, so candidates must be able to come to our office in NYC. Candidate must be highly organized, detail oriented and have a great attitude.

We're looking for both AEs to start mid-March and the position would run through July/August. Thank you!

Need an experienced Assistant Editor who can work from home and has good knowledge of Avid. Need someone with the ability to group/sync, do exports, bring in music, organize projects. A plus if you have After Effects knowledge. This job will run through the end of summer with the possibility of extending. Although this is mostly a remote gig, we will need someone in office once we start the online process to do a final QC check before sending to the network. This will be once a week or less depending on when shows get delivered.


1600/week.

Established non-fiction production company is seeking a creative post-producer to revisit past episodes through clips and new interviews of a true crime series that explores the workings of the criminal justice system.

Candidates should have experience post- and/or story-producing episodic true crime series. Experience with stories that follow a case through to its trial or legal resolution is a plus.

Please note, we are currently still working from home, but candidates will be expected to join the rest of the team and work from the office in Stamford, CT once it reopens.

Rate range is $2,500 - $2,600 / week.

We look forward to hearing from you!

Looking for a talented and creative EDITOR for upcoming indie short.

This is a 25 minute short, an edgy COMEDY with quirky and vibrant characters from an award-winning writer/director whose last short has shown at festivals across the country and been nominated for multiple awards.

Editing style must reflect the comedic elements of the film and compliment what's already on the page - using jump cuts, quick cuts, and a stylistic approach to story-telling to help elevate the hilarity and heightened reality.



REQUIREMENTS & INFO:

-Strong comedy background.

-Skilled in COLOR GRADING and SOUND as well and can offer expertise and resources for excellent music choices.

-Ultra low independent film budget but an amazing cast and crew and a very fun project. Looking for someone who wants to be a true collaborator and part of the team.
*(Can discuss budget and timeline further in detail - had to enter something in the fields to post job)

-Film shoots late May 2023.

-Quick turn around ideal to get in on festival submissions for 2023.

-Editor should be based in NYC.



Please reply with interest and links to resume and reel.



Thanks so much!!