Apply to this Post Production Manager Job

An advocacy organization with a focus on foreign affairs and national headquarters offices in Washington, DC is looking to engage a video and motion graphics-savvy Post Production Manager in a full-time, temporary role that will start in August 2024 and continue for eight (8) months, through March 2025.

We’re also recruiting for this role at the Post Production Coordinator level. We're using two application flows to consider potential candidates with a broad range of relevant experience. Please don’t hesitate to apply to one position or the other, or both if you could truly be happy earning a weekly rate anywhere in the advertised range for both positions. Only one person will be hired.

The person in this role will to run the day-to-day operations of an in-house Post Production team, which consists of full-time staff video editors and a motion graphics artist, as well as a rotating bench of contract editors that are brought in on a per-project basis. The Post Team is responsible for creating content for several channels, which encompass different editing styles: social media, short-form documentaries, news-style productions from an in-house studio, and visuals to accompany presentations at events. This role plays a critical role in workload planning for the team and ensuring projects are launched properly, are running on time, delivered on schedule, and that additional help is brought in when needed.

QUICK OVERVIEW:
- Post Production Coordinator or Manager position
- Hours will fluctuate but expect an average of 40 hours/week
- Guaranteed, static weekly rate up to $2200 regardless of actual hours worked
- Hybrid role with the option to work from home on Wednesdays and Fridays
- Employer is located near Capitol Hill and close to three Metrorail stops in NW, DC
- Starting August 2024 and continuing through March 2025 (8 months)

The job descriptions for both roles are the same, with the exception of weekly rate ranges.

Hybrid | Aug '23 - Mar '24| up to $2200/week

Applications submitted at the Brainstorm website are reviewed within three days of receipt, and the firm keeps applications on file for future consideration if they aren't a fit for currently opportunities. Thanks!

CWK Media is a creative agency that specializes in the automotive industry. This role would work with our brand, Cruisin With Kendra, to enhance social media and YouTube storytelling.

Role Description

This is a contract role for a Creative Assistant at CWK Media. The Creative Assistant will be responsible for performing day-to-day tasks related to communication, image editing, video editing, production, and graphics. This is an on-site role located in Pasadena, CA.

Qualifications

Strong communication skills & writing
Willing To Travel
Self Motivated
Proficiency in image editing
Experience in photography and video production
Experience With Adobe Premiere & Creative Suite
Attention to detail and creativity
Ability to work independently and collaboratively
Knowledge of social media platforms and trends
Excellent organizational and time-management skills
Industry
Advertising Services

Employment Type
Contract - Our company payment is hourly.

Looking for a strong editor with feature doc experience.

Need someone creative who likes to unique ways to present material, loves to find comedy in the story and has a feel for making music pop in the edit.

Editor will start with a rough build of the movie, looking to really bring to life and polish up for festival submission.

In ATL or with the ability to work local in ATL for part of the project is preferred.

paid weekly

DaVinci Resolve Colorist and Online Editor Wanted.

Los Angeles based colorist and online editor needed for a 10 episode 1hr unscripted docu-drama series. Remote work is possible but you will need to come into the office for review sessions. UHD and HD deliverables. Position starts within the next 2 weeks.

The Post Associate Producer is responsible for the clearance and deliverables for 10 1-hour compilation docu-series specials. The AP is responsible for working with the clearance department to ensure all materials used in each special are clear for use. This includes pulling releases for archival materials, acquiring releases for any new material, submitting backup as needed, tracking new material as it is added to the episode.

For budgeting, the AP will assist in tracking the costs of the third party materials used in each episode including which materials need to be relicensed based on the clearance department's evaluation, filling out purchase order forms and putting together the cost reports at each official milestone stage of the cut (Rough Cut / Fine Cut / Picture Lock).

The AP will also be responsible for putting together the Rundown for each episode which breaks down all of the material and timecode reflecting the final episode.

Looking for an editor to finish an assembly edit. The film will be approx 70min and about 60% is done.

Must be available to start right away.

Audio has all been connected and logged.

So it’s taking the remaining scenes and creating individual sequences.

We will put the final timeline together later.

Someone with good timing and works very proficiently. You will have many samples of the rhythm of it from the other scenes

Must be able to work with our rate. $1,500 flat fee for the work. 10 days/8 hour days

Must work only on Adobe premiere. Timeline is set up with Adobe "pancake" style layout. Using two sequences on top of each other.

One of New York City's largest production companies is seeking a Lead AVID Assistant Editor to work on a high profile project. This series will be bilingual so you must be proficient in Italian.

We are looking for a Lead AE who is extremely organized and well-versed in:
- Transcoding
- Syncing multicam footage
- Multigrouping
- Working with SubCaps
- Creating AAFs and EDLs
- Uprezzing
- Exporting, converting & posting cuts for network

Applicants must have in-depth knowledge of Avid and ideally 2+ years of experience working on the platform. After Effects knowledge is a plus but is not required.

This is a hybrid position.

After 90 days of employment you become eligible for health benefits, sick time, and other benefits.

Prior Bilingual project experience is a plus.

Looking for a solid Lead AE for a Live series for a Streamer. Must be extremely proficient in both Avid and Resolve. Responsibilities will include syncing, grouping, ingesting, exporting, stringing, as well as assisting 1-2 editors. Will need to be familiar with ingesting content in/out of Resolve. Also will handle Deliverables on the back end.

Looking for an experienced Post Super who can handle a Live Series for a Streamer. You MUST have prior Live experience. This is an in-person position. You will be responsible for overseeing 1-2 AEs + 1-2 editors, making sure after the live show that the footage gets into edit so we can deliver add'l files to the Network the next day. Will also oversee all package edits leading up to Live Day + Deliverables.

Seeking a Night (possibly Swing) Assistant Editor to join our team for a game show starting production in August. Position will be hybrid, working in the office for the first 3-4 weeks, then remote from home for the remainder of the schedule. Avid workflow for KiPro media from production to post.

Thanks

Position: Video Editor
Location: Remote. Based in South Florida. Preferably West Palm Beach
Salary: $18 - $20 per hour
Start Date: August 1st
Contract: 6 months, with opportunity for renewal and rate renegotiation

About Us:
Young production company looking to scale as we take on more work. Currently content creation for youtube, instagram and some weddings, corporate videos etc. We pride ourselves on creativity, innovation, and delivering high-quality content to our audience.

Responsibilities:

Edit videos according to prescribed guidelines and creative briefs.
Ensure all edited videos meet the highest standards of quality and accuracy.
Manage and organize video files and assets efficiently.
Collaborate with the content team to understand project requirements and deadlines.
Balance and prioritize multiple projects simultaneously.
Communicate effectively with team members to ensure smooth project workflows.
Meet strict deadlines consistently; reliability is crucial.
Good communication skills are crucial. Going silent or not responding for days without notice is immediate termination.

Requirements:

Minimum of 3 years of proven experience as a video editor.
Proficiency in editing with Adobe Premiere Pro.
Strong understanding of video editing techniques, formats, and codecs.
Detail-oriented with a keen eye for visual storytelling and editing aesthetics.
Excellent organizational skills and ability to manage time effectively.
Ability to work independently and in a team environment.
Exceptional communication skills; must be articulate and responsive.
Ability to thrive in a fast-paced, deadline-driven environment.
A portfolio or reel showcasing previous work and editing styles is required.

Benefits:

Competitive hourly wage with potential for growth.
Opportunity to work with a collaborative and creative team.
Room for advancement within the company based on performance.
Experience working with diverse projects and clients.
Application Instructions:
Please submit your resume, cover letter, and portfolio/reel demonstrating your editing skills and style.

In your cover letter, explain why you are the ideal candidate for this position and highlight your relevant experience and achievements. Applications without a portfolio/reel will not be considered.

We look forward to reviewing your application and scheduling an interview to see if we're a good fit.

Note: This job description is subject to change and modification as the needs of the company evolve.
We're looking for someone solid to grow with the company.

Union Assistant Editor - Second Shift - (Afternoon into the evening/early mornings)

**This is a Union Job and Four Days a Week** Current Union daily base hourly rate.

Seeking a talented and motivated Assistant Editor to join our post-production team. The ideal candidate will have a strong passion for the craft, and be proficient in Adobe Premiere alongside the Adobe Creative Suite applications. The Assistant Editor will support the editing team in various aspects of post-production, ensuring smooth workflow and timely delivery of content.

- Work with the lead Assistant editor in all aspects of Post.
- Manage and organize media assets, ensuring all footage is properly labeled and stored.
- Perform basic edits, including cutting, splicing, and sequencing footage.
- Adjust and integrate graphics, effects, and other visual elements using Adobe After Effects if needed
- Collaborate with producers, editors, and other team members to ensure the final product meets the show's high standards.
- Maintain up-to-date knowledge of Adobe Premiere
- Assist in the creation of promotional materials and social media content as needed.
- Handle other post-production tasks as assigned.

What will set you apart:

- Proficiency in Adobe Premiere and the Adobe Creative Suite
- Strong understanding of video editing principles and techniques.
- Excellent organizational skills and attention to detail.
- Ability to work under tight deadlines
- Strong communication, collaboration skills, and well organized
- Extensive knowledge of editing, transcoding, and media management is mandatory
- Minimum of 5 years of experience in video editing or a related field.

True Stories is looking for a junior/assistant editor to help us with assemblies, selects, social media posts, etc! True Stories is currently growing and looking to bring on an assistant editor to help our main editor with a variety of tasks. This is a new position that may evolve or grow over time! Looking for someone with an interest in storytelling, making cuts for social media, learning as they go, and solving problems on the fly.

Ideally looking for someone who can work 10-20 hours a week, potentially more as we scale up. May include some on-site editing in Seattle.

Seeking editors with their own edit suite for a business challenge based competition reality series. Must be experienced in multi-cam, unscripted TV within formatted series genres. Experience on shows like Kitchen Nightmares, Housewives, or Keeping Up with the Kardashians is great. Next Top Model, Too Hot to Handle or The Bachelor is even better.

Ideal candidates will:

Speak Spanish or ability to work with content in Spanish
Have their own edit facilities
Work independently and collaborate with producers
Address notes from producers and network quickly
Select and edit music
Maintain attention to detail and stay organized in a fast-paced environment
Communicate clearly and concisely
Bring a positive attitude, collaborative team spirit, good energy, and a proactive approach