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- Communicates with DP about any specs to make sure we are good for image quality/coloring.

- During filming, communicates with DIT (who I am potentially hoping can also AE for us) for footage transfer drops done through MASV (or something similar) to jump start the editing process (tight timeline, and around 192 videos!!)

- Works with creative director and animation house to ensure the editing team has assets they need (e.g. title cards, lower thirds, any other custom gfx) before production begins

- Creates and manages the workflow of editing team/client delivery dates

- Ensures brand standards supplied by client

$1,500/week
Start May 13th. Tentatively ending July 19th, 10 weeks total

Looking for a Post Production Supervisor for an established competition series - Avid, 9 cameras, digital and remote workflow, 10x60min for Streamer.

Key Responsibilities

Project Management:
• Collaborate with the Producer team to align on post-production deliverables and deadlines.
• Lias with Executives and Network to execute post-production schedule and resource allocation plan
• Coordinate with various departments to ensure seamless workflow and timely delivery of project components.
• Monitor project progress, identify potential issues or delays, and implement solutions to keep projects on track.

Team Management:
• Supervise AEs and overall project maintenance/delivery schedule
• Assign tasks, set priorities, and provide guidance to team members to ensure efficient and high-quality work.
• Foster a positive and collaborative work environment, promoting effective communication and teamwork among the post-production team.
• Coordinate with external vendors through post and online

Quality Control:
• Ensure the technical and creative quality of all post-production deliverables, including video/audio quality, color, visual effects, and overall aesthetic consistency.
• Review and provide feedback on graphics, visual effects, and other elements to ensure alignment with project goals.
• Implement quality control processes that confirm video quality prior to being sent to client for review.

Communication and Collaboration:
• Serve as a primary point of contact for all post-production-related inquiries and updates.
• Communicate project status, progress, and any potential issues to executives, prod co and network in a clear and timely manner.

Position can be performed remotely

Looking for a social first video editor/motion expert for long term contract job. This role will take pre-recorded content and assemble into innovative short form social videos for TikTok, Instagram, and YT Shorts. The ideal candidate will be a proficient editor/motion artist that likes to push the creative boundaries and experiment with new formats, styles, and esthetics. This person will need to be able to manage their own daily schedule but will have producer support to triage incoming work and set overall priorities over the duration of the contract. They will need to work within a defined brand system but again have the freedom to push the boundaries and try new things. Art director resources will be available for brand guidance when needed. Finally, this candidate will be in the know of current styles and trends across social media in general.

Requirements:
5+ years of editing and motion experience
Expert in creating social first content for TikTok, YouTube Shorts, Instagram
Killer reel showcasing previous work
Ability to work independently and manage their own time
Ability to innovate within a defined brand system
Ability for light travel for on-site support throughout the year
Previous experience working with or for a large tech corporation

INE Entertainment is a full-service independent production company based in Los Angeles that offers best-in-class film, television and digital production services for clients like Disney, WB/Discovery, NBC, Fox, Amazon, IMDb, and more.
We are looking for an inventive, self-motivated and collaborative freelance Sr. Video Editor to join an award-winning, post-production workforce creating engaging short-form digital content for online distribution (YouTube, Instagram, TikTok, and more).

As Sr. Video Editor, you will use your post-production and innovative storytelling expertise to drive creation and delivery of high-quality video assets across multiple popular series franchises. You will be given exceptional creative control over the execution and strategy of the editing process, working in concert with a team of producers on a variety of high-visibility projects. Applicants must have exceptional communication skills, rigorous attention to detail, extensive knowledge of film and TV fandoms, and a passion for creative work.

***TO BE CONSIDERED: You must have digital/brand agency and/or production company experience.

Responsibilities
Use Adobe Premiere to craft engaging short form videos with tight turnaround times
Create motion graphics using After Effects and Essential Graphics from templates (and from scratch if needed), including lower thirds, full-screen text, custom image layouts, and more
Revise videos after receiving internal and client feedback
Finish projects with music, color correction, and sound mixing
Keep projects meticulously organized and labeled properly

Qualifications
Fluent in Premiere, After Effects, Frame.io, Dropbox
Strong passion for film and TV, music, pop culture, internet trends, and social media
Ability to work creatively under quick turnaround times
Ability to prioritize deadlines and work on multiple projects at once
Ability to problem solve and find solutions to creative challenges
Strong communication skills and professional presence
Passionate about storytelling and crafting engaging and professional content
Have a positive, can-do attitude that contributes to our team and work culture.
Ensure compliance with company guidelines, including deadlines, quality control, and design standards
After Effects knowledge a plus (keyframing, animating text, using expressions, working with track mattes and shapes, and using basic virtual camera controls)

Requirements:
Minimum 4 years professional experience as a video editor with demonstrated ability to create end-to-end original digital video content that is adaptable to multiple social and digital video platforms.
Minimum 3 years professional experience audio mixing, sound design, and color correction.
Interested candidates must submit video samples and a resume/CV to be considered

INE Entertainment is an equal opportunity employer and all qualified applicants will receive consideration for employment without regard to race, color, religion, sex, national origin, gender identity, disability, protected veteran status, or any other characteristic protected by law. We will consider for employment qualified applicants with criminal histories consistent with applicable law.

Editor needed for a digital game show series.

Although distributed through YouTube, this series is formatted similarly to the production value of a television show. In other words, the edit lift is quite heavy compared to what you would think an "average" YouTube edit would be. These edits are comprised of several camera angles, up to nine microphones, and multiple scenes.

The editor needs to be comfortable building story, editing with comedic timing, and dialogue editing. 
The best candidate for this role would be an editor who has experience in editing game shows, reality shows, or quick-paced comedy shows with lots of angles and audio tracks to manage. 



Editor may work remotely but must adhere to standard Pacific Standard Time working hours.

$1,000.00 - $1,200.00 / Weekly - Production is hiring an editor immediately at the rate range above to begin work the week of May 13, 2024.

Supertease Editor needed for hit show. Applicant must be proficient in cutting teases/ trailers and have a reel ready to go!

Non-Scripted Production Company is looking for an experienced AVID (Post) Associate Producer with a great sense of story and experience working on True Crime Shows.

Candidate must have a strong understanding of character, stakes, action and tension, along with the ability to tell a compelling story.

Candidate should be proficient in Avid and great with story; extremely organized; have the ability to work independently on a tight schedule and also be a team player.

Job responsibilities will include: string outs, research and other duties as needed while working closely with the Producers and EP to create compelling television.

Please do not apply to this post unless you are excellent at putting together string-outs and have worked on at least three seasons of Reality Television.

This is currently a REMOTE position.

Seeking Clearance / Post-Production Coordinator for Discovery Channel unscripted television series. This is a work-from-home position reporting to the Post-Production Supervisor, though candidates should be self-starters, confident in both roles of this hybrid position, and should be prepared to work autonomously.

Qualifications:
-Minimum of 3 years experience as a Post Coordinator and 3 years experience as a Clearance Coordinator (or equivalent) on unscripted television series
-Minimum of 1 project experience on Discovery Channel series
-Strong communication skills
-Professional and kind demeanor
-Familiarity with Public Domain and Fair Use
-Experience with Microsoft Office, Google Docs & Sheets, Slack, Avid, Clearpost (or equiv AQ tracking software)
-Experience with Discovery portal and deliverables requirements


Job Description

CLEARANCE
-Manage requests from story producers and editors to source stock clips from popular stock houses including Pond 5, Getty, etc.
-Track all 3rd party materials being imported into the system
-Track budget for any acquired footage that may be included in cut
-Work with Post-Production Supervisor and Producers to ensure creative needs related to AQ are met and remain within budget by the time of lock
-Watch down each cut (RC1, RC2, FC, LC) in step with EDL and make sure all releases have been obtained
-Research, distribute, and collect releases as necessary for people, locations, materials that the field production team was unable to obtain
-Work with Post Production Supervisor, Line Producer, and Legal to determine any clearance issues that may need to be released, blurred, or removed
-Work with Post-Production Supervisor, Line Producer, and Legal for reliance on Fair Use Doctrine and Public Domain

POST-PRODUCTION
-Schedule and communicate graphics, offline, online, and mix needs to various personnel and vendors
-Assist story producers and editors with technical issues
-Work with Production team to ensure all information from the field is being communicated to the Post-Production team in a timely, concise way
-Manage and track deliverables

Please include a minimum of 2 references with Cover Letter or list 'References available upon request.'

EOE

We are looking to add an in house Colorist that will be available during online / color for various shows.

We are building out a Color bay and will need someone to fill it when we have shows in the pipeline. Currently the first show will be late July early August

Coloring shows for various Networks (Netflix, Discovery, Hallmark) that may require HDR / UHD workflows.

We are looking for a colorist for a 20 minute short documentary. The footage is 4k RAW shot on RED Komodo and Sony Fs7's cut in Resolve. This is a 2-3 day job with possible additional days but this has a hard delivery date so it won't extend more than one extra day. The finishing here will be happening right up against the delivery deadline so we will need quick turnarounds for reviews.

Hybrid - Two Days In Office/3 Days Remote - 3 Month Contract

We are looking for a post-producer who is seasoned in short-form content and commercials for a 3-month, full-time contract from May to July. The candidate preferred has at least 3-5 years of post experience, understands creating and updating post calendars, onboarding editors and AEs, can manage frame.io, amongst other things, and is client-forward when needed.

A knowledge of the following software a plus: Adobe Creative Suite, Frame.io, DaVinci Resolve, Monday.com, Wrapbook, iOS, and various media management platforms.

Looking to hire a creative and intuitive Los Angeles editor with an eye for detail and actor performance for an indie thriller/action film. Aprox 90 min.

Movie has a few Jason Bourne fights in it and needs a clean steady smooth flow like a David Fincher film. Work closely with director. Premiere or Avid but not looking for Final Cut.

2 month turnaround. Someone with a good attitude

Must be able to work with out rate our please do not reply.

ISO unscripted Editors for a new daily syndicated Crime Series. Please only apply if you have prior True Crime Credits

Please send resumes
Thank you!

Looking for an editor who is able to craft a story from short on-street interviews with consumers. This is for non-broadcast internal corporate use. We need someone available this week and next week. The rates above are firm. Please provide a brief description of your qualifications and experience.

Social first Video creator

Looking for a social first video editor/motion expert for long term contract job. This role will take pre-recorded content and assemble into innovative short form social videos for TikTok, Instagram, and YT Shorts. The ideal candidate will be a proficient editor/motion artist that likes to push the creative boundaries and experiment with new formats, styles, and esthetics. This person will need to be able to manage their own daily schedule but will have producer support to triage incoming work and set overall priorities over the duration of the contract. They will need to work within a defined brand system but again have the freedom to push the boundaries and try new things. Art director resources will be available for brand guidance when needed. Finally, this candidate will be in the know of current styles and trends across social media in general.

Requirements:
5+ years of editing and motion experience
Expert in creating social first content for TikTok, YouTube Shorts, Instagram
Killer reel showcasing previous work
Ability to work independently and manage their own time
Ability to innovate within a defined brand system
Lives in the Seattle area
Ability for light travel for on-site support throughout the year
Previous experience working with or for a large tech corporation

$2,000/wk flat ($50 per hour)

Seeking an experienced AVID AE to help with string outs and editor prep for documentary.

We are seeking a Post Production Technical & Creative Assistant. The candidate must be highly technical with knowledge of digital tools. We work with Avid Media Composer so we need someone with basic knowledge on how Avid works. The role requires someone flexible who can evolve with the project as the project expands during post development. The ideal candidate will also be creative with a strong desire to learn and grow.

This part-time position starts in early June and runs through approximately 6 months with the possibility of extension. Must be based in NYC and able to work in person. Salary commensurate with experience.

Qualifications
-Must be proficient in Google Suite, Asana, Video Editing Software
-Exception work ethic
-Strong communication skills, verbal and written
-Detail oriented
-Strong time management skills and ability to thrive in a fast paced environment
-Willingness to learn new applications and technology
-Loves to collaborate and works well with others
-Highly technical person
-High energy person with good vibes
-Resourceful and problem-solving mindset
-Avid Media Composer experience a plus but not required
-Position is in person at our Brooklyn office, 3 to 5 days a week
-Strong computer skills

Responsibilities include

-Filtering footage for translation, exporting, tracking what is sent to the translation team, managing a shared translation calendar.
-Avid Project Management: creating media folders / bins
-Backing up Media: Moving data between hard drives and cloud back ups, etc.
-Manage the Media Manager log of the breakdown of all media
-Manage the project scene log. Add tag words or update with new shoot days. Breakdown and log scenes.
-Help locate and log specific scenes, shots, characters and moments in the footage.
-Add tags to the log, get scenes on and off my miro white board, print scene boards, change naming conventions,
print the scenes, locate footage, etc.
-Work with the director and editors to locate footage, create B-roll sequences and gather footage on specific topics
inside the Avid Project
-Sit in on meetings with director and editors, track story beats and arcs and help coordinate everyone around a miro
board.
-Purchase and install software, manage software licenses, troubleshoot basic technical problems
-Maintaining social media pages
-Run office errands
-Additional office duties as required: purchasing office supplies, office craft, booking cleaning services, etc.