Apply to this Post Production Supervisor Job

Looking for an experienced Post Super who can handle a Live Series for a Streamer. You MUST have prior Live experience. This is an in-person position. You will be responsible for overseeing 1-2 AEs + 1-2 editors, making sure after the live show that the footage gets into edit so we can deliver add'l files to the Network the next day. Will also oversee all package edits leading up to Live Day + Deliverables.

DLP seeks a Post Production Supervisor to oversee a diverse array of post production projects, including sports television, longform documentaries, and commercials.

Ideal candidates will possess strong technical expertise and managerial experience in media management, to off-line editing and finishing.

RESPONSIBILITIES:
Project Management:
Partner with the production team to develop post-production schedules, budgets, and deliverables.
Design and maintain a detailed post-production plan, covering timelines, milestones, and resource allocation.
Track project progress, pinpoint potential issues or delays, and devise solutions to maintain project timelines.
Liaise with external vendors or freelancers as necessary to complete project components.
Team Management:
Lead and mentor the post-production team, including editors, assistant editors, and media managers.
Delegate tasks, set priorities, and offer guidance to ensure efficient and high-quality output.
Cultivate a positive and collaborative work environment, encouraging effective communication and teamwork within the post-production team.
Report project status, progress, and potential issues to stakeholders clearly and promptly.
Quality Control:
Ensure all post-production deliverables meet technical and creative standards, including video/audio quality, color grading, visual effects, and overall aesthetic consistency.
Review rough cuts, graphics, visual effects, and other elements, providing feedback to ensure alignment with project goals.
Implement quality control processes, including testing, reviewing, and approving final deliverables before distribution or broadcast.
Industry Knowledge and Continuous Improvement:
Stay current on industry trends, emerging technologies, and best practices in post-production workflows.
Recommend and implement new tools, software, or techniques to enhance the post-production process.

One of New York City's largest production companies is seeking a Lead AVID Assistant Editor to work on a high profile project. This series will be bilingual so you must be proficient in Italian.

We are looking for a Lead AE who is extremely organized and well-versed in:
- Transcoding
- Syncing multicam footage
- Multigrouping
- Working with SubCaps
- Creating AAFs and EDLs
- Uprezzing
- Exporting, converting & posting cuts for network

Applicants must have in-depth knowledge of Avid and ideally 2+ years of experience working on the platform. After Effects knowledge is a plus but is not required.

This is a hybrid position.

After 90 days of employment you become eligible for health benefits, sick time, and other benefits.

Prior Bilingual project experience is a plus.

Union Assistant Editor - Second Shift - (Afternoon into the evening/early mornings)

**This is a Union Job and Four Days a Week** Current Union daily base hourly rate.

Seeking a talented and motivated Assistant Editor to join our post-production team. The ideal candidate will have a strong passion for the craft, and be proficient in Adobe Premiere alongside the Adobe Creative Suite applications. The Assistant Editor will support the editing team in various aspects of post-production, ensuring smooth workflow and timely delivery of content.

- Work with the lead Assistant editor in all aspects of Post.
- Manage and organize media assets, ensuring all footage is properly labeled and stored.
- Perform basic edits, including cutting, splicing, and sequencing footage.
- Adjust and integrate graphics, effects, and other visual elements using Adobe After Effects if needed
- Collaborate with producers, editors, and other team members to ensure the final product meets the show's high standards.
- Maintain up-to-date knowledge of Adobe Premiere
- Assist in the creation of promotional materials and social media content as needed.
- Handle other post-production tasks as assigned.

What will set you apart:

- Proficiency in Adobe Premiere and the Adobe Creative Suite
- Strong understanding of video editing principles and techniques.
- Excellent organizational skills and attention to detail.
- Ability to work under tight deadlines
- Strong communication, collaboration skills, and well organized
- Extensive knowledge of editing, transcoding, and media management is mandatory
- Minimum of 5 years of experience in video editing or a related field.

Looking for experienced editors for a new A&E series. Must have experience with AVID Media Composer.

Looking for AVID Editors in the tri-state area (NY, NY, or CT) with experience working on multi-cam, unscripted TV shows in the docusoap and formatted series genres. Experience working on series for OWN, or shows like the Housewives or Kardashian series is preferred. Experience with formatted series such as The Bachelor, Love is Blind, or Hell's Kitchen is also a plus.

Start date is [date] and tentative wrap date is [date]. While this position is remote, you must reside in the tri-state area (NY, NJ, CT).

The rate is based on experience and this company doesn't take loan outs

Ideal candidates will have the following:

Ability to work independently as well as collaborate with Producers
Must be able to address notes from producers and network on a quick turnaround
Work with selecting and editing music
Attention to detail and ability to stay organized in a fast-paced environment
Clear and concise communication skills
Positive attitude, collaborative team spirit, good energy, and proactive approach a must!

Our people are our greatest asset and, as an equal opportunities employer, we welcome applicants from diverse backgrounds to work both in front of and behind the cameras.

Seeking an editor starting this Sept for about 8 months for a feature documentary about Southeast Asians in American politics. The film is verite driven, following various political candidates throughout the country leading up to the election. Must have prior experience on a feature doc, must have references. Experience w/ political and/or verite centric projects a plus.

CWK Media is a creative agency that specializes in the automotive industry. This role would work with our brand, Cruisin With Kendra, to enhance social media and YouTube storytelling.

Role Description

This is a contract role for a Creative Assistant at CWK Media. The Creative Assistant will be responsible for performing day-to-day tasks related to communication, image editing, video editing, production, and graphics. This is an on-site role located in Pasadena, CA.

Qualifications

Strong communication skills & writing
Willing To Travel
Self Motivated
Proficiency in image editing
Experience in photography and video production
Experience With Adobe Premiere & Creative Suite
Attention to detail and creativity
Ability to work independently and collaboratively
Knowledge of social media platforms and trends
Excellent organizational and time-management skills
Industry
Advertising Services

Employment Type
Contract - Our company payment is hourly.

Looking for a strong editor with feature doc experience.

Need someone creative who likes to unique ways to present material, loves to find comedy in the story and has a feel for making music pop in the edit.

Editor will start with a rough build of the movie, looking to really bring to life and polish up for festival submission.

In ATL or with the ability to work local in ATL for part of the project is preferred.

paid weekly

DaVinci Resolve Colorist and Online Editor Wanted.

Los Angeles based colorist and online editor needed for a 10 episode 1hr unscripted docu-drama series. Remote work is possible but you will need to come into the office for review sessions. UHD and HD deliverables. Position starts within the next 2 weeks.

The Post Associate Producer is responsible for the clearance and deliverables for 10 1-hour compilation docu-series specials. The AP is responsible for working with the clearance department to ensure all materials used in each special are clear for use. This includes pulling releases for archival materials, acquiring releases for any new material, submitting backup as needed, tracking new material as it is added to the episode.

For budgeting, the AP will assist in tracking the costs of the third party materials used in each episode including which materials need to be relicensed based on the clearance department's evaluation, filling out purchase order forms and putting together the cost reports at each official milestone stage of the cut (Rough Cut / Fine Cut / Picture Lock).

The AP will also be responsible for putting together the Rundown for each episode which breaks down all of the material and timecode reflecting the final episode.

Looking for an editor to finish an assembly edit. The film will be approx 70min and about 60% is done.

Must be available to start right away.

Audio has all been connected and logged.

So it’s taking the remaining scenes and creating individual sequences.

We will put the final timeline together later.

Someone with good timing and works very proficiently. You will have many samples of the rhythm of it from the other scenes

Must be able to work with our rate. $1,500 flat fee for the work. 10 days/8 hour days

Must work only on Adobe premiere. Timeline is set up with Adobe "pancake" style layout. Using two sequences on top of each other.

Looking for a solid Lead AE for a Live series for a Streamer. Must be extremely proficient in both Avid and Resolve. Responsibilities will include syncing, grouping, ingesting, exporting, stringing, as well as assisting 1-2 editors. Will need to be familiar with ingesting content in/out of Resolve. Also will handle Deliverables on the back end.

An advocacy organization with a focus on foreign affairs and national headquarters offices in Washington, DC is looking to engage a video and motion graphics-savvy Post Production Manager in a full-time, temporary role that will start in August 2024 and continue for eight (8) months, through March 2025.

We’re also recruiting for this role at the Post Production Coordinator level. We're using two application flows to consider potential candidates with a broad range of relevant experience. Please don’t hesitate to apply to one position or the other, or both if you could truly be happy earning a weekly rate anywhere in the advertised range for both positions. Only one person will be hired.

The person in this role will to run the day-to-day operations of an in-house Post Production team, which consists of full-time staff video editors and a motion graphics artist, as well as a rotating bench of contract editors that are brought in on a per-project basis. The Post Team is responsible for creating content for several channels, which encompass different editing styles: social media, short-form documentaries, news-style productions from an in-house studio, and visuals to accompany presentations at events. This role plays a critical role in workload planning for the team and ensuring projects are launched properly, are running on time, delivered on schedule, and that additional help is brought in when needed.

QUICK OVERVIEW:
- Post Production Coordinator or Manager position
- Hours will fluctuate but expect an average of 40 hours/week
- Guaranteed, static weekly rate up to $2200 regardless of actual hours worked
- Hybrid role with the option to work from home on Wednesdays and Fridays
- Employer is located near Capitol Hill and close to three Metrorail stops in NW, DC
- Starting August 2024 and continuing through March 2025 (8 months)

The job descriptions for both roles are the same, with the exception of weekly rate ranges.

Hybrid | Aug '23 - Mar '24| up to $2200/week

Applications submitted at the Brainstorm website are reviewed within three days of receipt, and the firm keeps applications on file for future consideration if they aren't a fit for currently opportunities. Thanks!