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Looking for a tech-savvy, extremely organized and diligent Production Supervisor, to oversee online, finishing & deliverables for a new 4 part doc series. Must be experienced in Avid, and with finishing/final delivery. Experience w/ Showtime a plus. Must have references and a good attitude. :)

Post Supervisor

Words + Pictures is seeking an experienced post supervisor to oversee a handful of films that are part of the award winning documentary series, 30 for 30.

Skills/Experience:
-Have a strong technical understanding of unscripted Post workflows.
-Highly organized
-Great Communicator
-Must be able to manage a small team of editors and AEs, and work in concert with the Line Producer/Producers to oversee changing budget needs and timeliness.
-Should have at least 3-5 documentary or non-scripted features / series
-Flexible and adaptable, able to pivot as needed and the ability to handle many different types of production team needs
-Experience managing multiple projects and teams

Note this is not currently designed as a position for folks who are looking to step up into a post supervisor role

Key Responsibilities:
-Will manage the ingest/organization/processing of high volumes of media
-Find and Negotiate with Post vendors including but not limited to Animation/VFX, Composers, Re-recording Mixers, -Colorists, Music Libraries etc.
-Maintain and alter post production schedule as needed ensuring cuts are delivered on time for internal review, as well as network/distributors
-Communicating changes/ issues with post equipment, post, delays etc to lead producers and key executives as needed and troubleshooting issues that arise.
-Work with network and key executives as needed to communicate post updates, challenges etc.
-Oversee online, finishing and delivery. Working to ensure all post paper deliverables are executed properly and project is wrapped for network or further distribution
-Strong working knowledge of Avid and Premiere. Be able to manage post schedule and budget. Familiar with post deliverables to outside departments and to networks.
-Adept at hiring AEs, Editors, etc. as needed and comes with a rolodex of key talent

Rate is commensurate with experience
Initial contract is a one year term from start date with the opportunity to extend

Post Production Supervisor wanted for 120 episode syndicated show.

Prior post experience on syndicated projects is highly desired.

Will be responsible for hiring and scheduling, and other duties as assigned.

Keep edit running smoothly and shows delivering on time.
 Working knowledge of edit systems and relevant software, including Adobe suite tools
- Manage post production staff, including coordinators or AEs, to keep all media managed, archives up to date, and deliverables properly maintained and delivered.
 Co-manage edit schedules, and help clearly communicate edit plans to both edit team and producer team.
 Learn and troubleshoot various tech systems for producers, editors, talent, etc.
 Help develop and implement training. Make sure everyone understands workflow in a simple and clear manner.
 Stay in constant connection with Senior Producer team to maintain relevant, up-to-date information on content in production and anticipate their upcoming needs.
 Become familiar with deliverable expectations of the client and maintain consistency in quality and workflow
. Help navigate and develop solutions for the many constant, evolving challenges of working from home for the entire team.
 It is a great advantage to be able to jump in to directly troubleshoot any aspect of a post-workflow, from edit, media, graphics, audio, etc. with speed and accuracy.
- Facilitate online/post workflow and communication between online color, sound, and edit/production team. This includes keeping things running on a tight deadline, maintaining proper expectations, all while striving to provide the best finished content.

Seeking an experienced post production supervisor to oversee 2 returning TLC series.

Post Production Supervisor is responsible for a number of tasks including, but not limited to: overseeing media ingest and guiding/assigning workloads to assistant editors; assisting with calendar builds and keeping track of actuals, providing information to edit team that adheres to series/company protocols, overseeing R&C/legal/S&P responses, overseeing final finish process (scheduling, turnover, attending final reviews, overseeing QC process), overseeing post coordinator and PA on paper deliverables. General tech and Avid knowledge necessary.

Must have held a previous post production supervisor position in the unscripted television genre for at least 6 months.

Position is remote. East coast hours (10a-8p). Kit not provided.

Production company looking for experienced Post Sups to join our growing team for a variety of projects from lifestyle to true crime.

Requirements
- Working Avid knowledge
- Experience with RGS and Jump Desktop remote workflows
- Strong organizational skills
- Experience delivering to A&E or History Channel

Company is based in NY but all applicants are welcome! Opportunity to stay on with the company if you perform well.

Seeking a Post Supervisor to oversee a 30 min design/renovation docu series. Post Sup will oversee the creation of a fully remote setup/workflow for multiple editors and producers. The ideal candidate has solid experience running a remote post team working on tight deadlines. Must communicate effectively with the field team, editors, producers and network. Must be super responsive on email and extremely organized. Must not miss deadlines. Must have experience in Discovery deliverables. Position starts early-mid August. East Coast-based is preferred.

New York City production company specializing in reality, documentary, and scripted series is seeking an EXPERIENCED POST SUPERVISOR to supervise post on a weekly series for Showtime. This position is responsible for an array of duties, including managing final outputs in both tape and tapeless formats, delivering to network, managing picture and mix reviews, and more. This series would require non-standard hours and weekend work. This role is a hybrid role and requires 3 days in office.

This is not a technical position, but in-depth knowledge of Avid and post-production technology is a huge plus. Positive, hard working attitude a must. Long term, staff position at the company is a possibility.

Looking for a seasoned Post Supervisor to oversee post for a food challenge show going into its 3rd season. Food network experience is a plus but not necessary. However recent post supervisor credits are necessary.

Looking for a Post Supervisor/Online Supervisor who can oversee various shows throughout the Online process each week. Our company will have 1 to 4 shows in Online during any given week over the next several months.

All color, audio and Online work is done out-of-house... but it needs to be fully vetted/reviewed/noted to meet technical and creative standards/precedents. Also, this includes ensuring that all teams have adequately addressed all Clearance/S&P/Legal notes. Coordination with various members of the in-house production company and out-of-house Online vendor will be critical to shepherd each episode through the process.

Past experience supervising all elements of the Online process is a must. Familiarity with Adobe Premiere, spreadsheets and shared + cloud storage is also essential because these are among the tools you will need to handle the job. Communication skills and time management are also of utmost importance.

This can be a remote position but will certainly require in-person for a period of time.

Looking forward to speaking with you about your experience and bringing some new talent onto the team!

Seeking a Post Supervisor to oversee an MTV Series. Must be good at multitasking, problem solving, attention to detail, and communicating with Field team, Editors, AE's, Story Team, Producers, and Network. Will be responsible for managing edit, online, and mix schedules. You will be overseeing a small staff - must be good at delegating and managing staff. You will be overseeing online & mix sessions with the EP/Show Runner. Must be comfortable addressing notes and making sure they are handled.

This position is fully remote.

Must be super responsive on email and extremely organized.

Only experienced candidates should apply. MTV or Viamcom credits a PLUS. You must have Post Super credits in order to be considered.

Looking for a Post Supervisor for a Snapchat Series. Must be familiar with Premiere Productions workflow. Work is fully remote. Must be super organized and communicative. Will be overseeing 2 AE's, 3-4 editors and a Post Coordinator/Clearance Coordinator.

Marching Penguin is looking for a full-time Post Production Supervisor.


Marching Penguin is a Los Angeles-based production company that specializes in helping innovative companies in technology, gaming, entertainment, analytics, and e-commerce tell empowering stories through digital and social video. Since 2012, the company has helped up-and-coming startups, as well as major Fortune 500 clients like Sony, Fox, Ford, Facebook, and many more, to produce more than 2000 videos.


The Role:

The post-production supervisor will simultaneously oversee the full post-production process of multiple projects. In addition, they will be the guiding hand making sure that all projects are completed on time and with high quality.


Basic Qualifications:

-At least two years of experience managing the post-production process for commercials and branded content.

-Experience with a diverse background with different video styles, including live-action, documentary-style, motion graphics, and animation.

-A rudimentary understanding of Mac OS and Adobe Creative Cloud apps, including Premiere Pro, After Effects, Illustrator, Media Encoder, and Photoshop.

-Possesses high attention to detail and excellent communication skills.

-The ability to identify potential problems and quickly pose creative solutions

Key Responsibilities:

-Create and maintain the post schedule to meet deadlines through all stages of post-production such as; editing, sound editing and mixing, any necessary VFX effects, and color grading.

-Manage our team of editors and other freelance creatives.

-Serve as liaison between Marching Penguin and the client, including but not limited to creative agencies, marketing executives, and outside post-production facilities.

-Must stay in direct contact with the internal team and clients to deliver regular project updates resulting in delivering content that aligns with their vision.

-Quality Control for all final assets.


Preference to those who are LA-based, vaccinated and can work in an office environment.


Please submit your resume along with any relevant work. Thank you!

We are looking for a Post Production Supervisor for a Spanish Language Food Competition series, starting approx July 25. This position is mostly remote, but may require occasionally going into our LA office. You will report to the Head of Post Production and Head of Current and work alongside the Showrunner, Producers, Editors, AE's, story team and liaise with network post contacts.

Responsibilities:
Create and maintain healthy working relationships with creators, show runners, execs, editors, and out-of-house vendors in order to produce and deliver the finest quality product within the given time frame and budget of the project
Manage the post schedule
Track post related expenses and communicate anything with financial or schedule impact to the team in a timely manner
Schedule, manage and attend all Post Production-related meetings and sessions, including, but not limited to: reviews, mixes, graphics, color corrections, and QCs
Liaise with Post Story Teams to ensure deadlines are being kept and inform the proper channels of all changes and delays
Attend regular check-in meetings with Show Producers, communicating any concerns or issues that may cause the production to miss delivery deadlines or to fall outside of the agreed upon Post Production budget
Keep track and ensure all Legal/Network notes are addressed
Oversee and ensure the generation and delivery of on-air masters and all other delivery elements to the Network according to the deliverables list
Learn the network-specific tools used for cut sharing, file delivery, final delivery, and QC review and set due dates for notes from Executives and Producers

What You'll Need:
3-5 years experience as a Post Production Supervisor for a broadcast network, cable network or television production company
Experience with supervising production personnel and scheduling production facilities
Experience overseeing multiple assistant editors and projects that require heavy media sharing
Solid technical background in post-production.
Knowledge of remote edit workflow and ability to troubleshoot on Avid
Proficiency in the Google Suite apps
Well organized and detailed person with strong verbal and written communication skills
Must be even-keeled and work in a space of tight deadlines and simultaneously managing all on-air scheduling

One of New York City's largest production companies is seeking a NIGHT Lead AVID Assistant Editor to work on a high profile project.

We are looking for a Lead AE who is extremely organized and well-versed in:
- Transcoding
- Syncing multicam footage
- Multigrouping
- Creating AAFs and EDLs
- Uprezzing
- Exporting, converting & posting cuts for network

Applicants must have in-depth knowledge of Avid and ideally 2+ years of experience working on the platform. After Effects knowledge is a plus but is not required.

This is a hybrid position.

I am looking for an AE to help support 2 editors and 2 producers. The project is for a 3-part documentary series. We are looking for someone who can do the following:

Stringouts of scripts, acts from producers.
Stringouts of broll for editor.
Troubleshooting Premiere issues (technical).
Archival transcodes for editor when needed.

This would be for 3 weeks total and would be remote. If you live in NY or LA there is an opportunity for an extension to work on other projects. There are many things happening at the company and we are always looking to keep people on. We work in Premiere so please only apply if you know that program.

We likely will not be shooting during that time but there is a chance that we might. If that's the case there would be some syncing and grouping for any new footage that comes in.

If you read this far please give examples of the above ^ and how you have done this work as an AE. Please do not apply if you are not an AE with some experience.

Thank you.

Hi all! Looking for a REMOTE editor who can start mid August and go til mid October on a brand new studio competition series with Bobby Flay. Strong food competition experience required.

Hi all! Looking for REMOTE producers who can start mid July and go til end of September on a brand new studio competition series with Bobby Flay. Strong food competition experience required.