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9/5

Production Designer

Los Angeles, CA

Film (Short)

Starts Oct 15

For 3 Day(s)

  • Title: Hail The Charlatan
  • Pay Rate: $250.00 - $350.00 / Daily - Level of Experience Note that this is below minimum industry rate.
  • Job Requirements: Must be local to location (or willing to work as a local).

Developing a Vision:

Work closely with the director to understand and establish the visual style and aesthetic of the film.
Read and dissect the script to determine the various environments, moods, and time periods that need to be portrayed.

Research:

Conduct research to create authentic and era-appropriate designs, especially if the film is set in a specific time period or unique location.

Conceptual Designs:

Create sketches, mood boards, or even 3D renderings to showcase design ideas for sets, props, or specific scenes.

Scouting Locations:

Join the location scouting team to help select or approve shooting locations. Sometimes a real location can be dressed up to fit the narrative, or it can be used as a reference for building sets.

Overseeing Art Department:

Lead and coordinate the art department, which may include set designers, set decorators, prop masters, carpenters, painters, and more.
Collaborate with these teams to ensure the director's vision is brought to life accurately.

Budget Management:

Work within the constraints of the film's budget. This might involve making decisions on which elements to prioritize and where to make cost-effective choices without compromising the overall visual quality.

Building and Dressing Sets:

Oversee the construction of sets. Once built, coordinate with the set decorators to ensure they are dressed appropriately with props, furniture, and other elements.
Collaborating with Other Departments:

Work with the costume designer to ensure that costumes complement the sets and overall production design.
Collaborate with the director of photography (DP) to discuss how the sets and locations will be lit, ensuring that the designs will be showcased in their best light.

On-Set Presence:

Be present on set, especially on the days when new locations or sets are being used, to oversee any last-minute changes or adjustments.
Address any concerns that might arise from the director or other departments about the sets or props.

Wrap-Up:

Once shooting is completed, oversee the process of striking sets, which means taking them down and ensuring everything is returned, recycled, or stored as needed.
Ensure that rented or borrowed items, especially props, are returned in proper condition.

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