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FOH audio engineer for a small stage at a fall festival.
-set up PA system
- Mix FOH/foldback monitors for stage event
-Midas M32 or Soundcraft Si Impact
-Vue Audiotechnik AL4 compact line array hung from truss
- lead set changes with 1 assistant
-secure equipment at each night conclusion.
This event is 3 day community festival for a Catholic Church. The have various performances of bands, dancers, etc.

Friday Sept 29th
Dave’s Not Here (rock & pop)
Tallie & Los Gallenes (cumbia)*
Lumen Atra (rock set)*

Saturday Sept 30th
Line Dancing (will have recorded music to play; will continue during live county set)
Lumen Atra (country set)*
Beatles tribute
Dance Studio 84 (will have recorded music to play)
A Twist on Taylor (Taylor Swift tribute)
Folklorico Dance (will have recorded music to play)
Los Mosquiteros (norteña)*

Sunday Oct 1st
Mariachi Charros de Oro (mariachi)*
Folklorico Dance (will have recorded music to play)
Madeline Neumann Swing Band (big band/swing)*
30-minute talent show
Motown band (still looking for one)
Elisha Band (rock & pop)

Position: Audio Engineer (A1)
Event: Corporate Hybrid Webcast - Chicago
Location: Chicago, IL
Date: October 4th
Rate: $1250/10 including kit

Key Responsibilities:

Set up, operate, and maintain audio equipment for the event.
Ensure high-quality sound reinforcement during the event, adjusting levels and troubleshooting as needed.
Collaborate with the production team to meet audio requirements and enhance the overall event experience.
Perform soundchecks with talent and speakers to ensure optimal audio quality.
Monitor audio equipment throughout the event and make necessary adjustments.
Troubleshoot and resolve any technical issues related to audio equipment.
Maintain a clean and organized audio setup.
Familiarity with sending multiple mix-minus feeds.
Experience with webcasts and Zoom broadcasts.

Requirements:

Proven experience as an A1 Audio Engineer in live event production.
Own audio equipment kit, including:
Mixer with a minimum of 8 inputs and 4 outputs.
6 wireless packs with lavaliere microphones.
2 handheld microphones.
2 in-room speakers with stands suited for a small conference room.
Strong technical knowledge of audio equipment and signal flow.
Ability to work under pressure and adapt to changing event requirements.
Excellent communication and teamwork skills.
Attention to detail and a commitment to delivering high-quality sound.
Familiarity with sending multiple mix-minus feeds.
Experience with webcasts and Zoom broadcasts.

We are looking for a Sound Mixer for a half-day shoot in LA, next week. We will shoot in one location and we only have 2 actors.

15 min film (shot on 16mm).
Recorded sound ANALOG on 1/4 Tape, using a Nagra, then converted the sound files to digital.

While editing, we’ve used mostly vintage optical sound fx to retain the analog sound.

A reference for the sound vibe, though VERY different story wise, is Coppola’s DRACULA. Psychosexual Queer Gothic Short Film

Likely timetable is December, but want to lock in someone early while still in editing stage. :)

We have just completed an absolutely hilarious indie feature film. Everything from the script, to the actors, the cinematography, to the craftie was on point. When the comedy hits, it hits hard. But when the big heart moment at the end of the movie reveals itself, the audience will be left in tears. We know we have something great for upcoming festivals, but we need the sound design to reflect the awesomeness of the rest of the film. That's where you come in!

We're looking for someone who can bring some real artistry to the table. This will not be a simple job of balancing levels and outputting a great sound. We want someone who can collaborate with the director and bring some cool ideas to really heighten the sound design.

Our main character suffers from anxiety. How would you differentiate the sound when he's having an attack? We jump into a lot of fast-paced chaotic movements. How would you attack the audience's auditory senses???? MAKE THIS YOUR BABY!!!

Obviously, we're an indie feature and can't afford to pay you a quadrillion dollars. But we can pay you a minimum of $4k plus deferments. So if you're looking to sink your teeth into something you can really put your stamp on, this is the project for you! Audiences should walk out of the theater commenting on how amazing your sound design was. If you think for a second you can't bring that level of artistry, keep scrolling!

We just started editing, but are looking at a November-December start for the sound design. If interested, shoot us over your reel and let's setup a meeting this weekend to talk!

Equipment Preparation and Maintenance:

Ensure all recording equipment is in working order.
Setup microphones, boom poles, cables, mixers, and headphones.
Check batteries, memory storage, and backup equipment.
Location Scouting:

Join the director and/or other crew members to evaluate shooting locations for potential sound issues.
Identify any ambient noises or challenges that could interfere with recording, such as traffic, air conditioning units, or other machinery sounds.
Mic Placement:

Decide on the best microphone types and positioning, including lavalier mics on actors or boom mics overhead.
Continually adjust and reposition mics as scenes evolve.
Levels Monitoring:

Monitor audio levels during filming to ensure they're neither too high (causing clipping) nor too low (which might capture unwanted noise).
Adjust settings on the fly to adapt to changes in the environment or scene.
Real-time Sound Quality Control:

Monitor the audio quality through headphones to detect any issues (e.g., interference, rustling clothing, or wind noise).
Communicate and coordinate with the boom operator to achieve the best sound capture.
Communication with Director and Crew:

Discuss the sound requirements of each scene with the director.
Work with the assistant director (AD) to request quiet on set or to hold off on certain activities that might interfere with sound capture.
Collaborate with the wardrobe department if lavalier mics are being used to ensure they're hidden and not rubbing against clothing.
Record Ambient Sounds:

Capture "wild tracks" or ambient sounds from the location, which can be used during post-production to help create a more immersive environment or to smooth out audio edits.
Log and Label Tracks:

Ensure all audio files are correctly labeled and logged so that they correspond with the shot list and scene numbers. This is crucial for post-production.
Make notes of any potential issues or concerns with specific takes.
Collaborate with Post-production:

After the shoot, the sound mixer often works closely with post-production teams, especially if there were known issues on set that need addressing.
Provide insights or recommendations for the sound editing process.
Backup and Data Management:

Regularly back up recorded audio to ensure data safety.
Organize files in a manner that makes them easily accessible for post-production.

We are crewing up for an independent feature film that will take place over 19 days (5 days/week) in the Los Angeles area, focusing on the east side (NELA, Pasadena, East Hollywood, etc.).

Oversee all aspects of post production sound, including dialogue editing, sound effects, ADR, and foley.
Collaborate with directors, producers, and other post-production team members to ensure the sonic vision aligns with the overall project goals.

Utilize industry-standard software and tools to mix and master audio to the highest quality.

Address and implement feedback in a timely and efficient manner.

Ensure final audio deliverables are in the correct format and meet all technical specifications.

*This production is not affiliated with any WGA writers, but in solidarity with the WGA, is not affiliated with any struck or signatory entities. Furthermore, production plans to meet all necessary requirements to obtain a SAG-AFTRA waiver.*

JOB REQUIREMENTS: Must be local to location (or willing to work as a local).
A talent will cook a dish in their home. They will need to be mic'd up and boomed to capture any cooking sounds.

Kit 250.00

Low Budget
600/12-hour rate.

All crew members will be paid on timecards.

Mixer Recordist w/ kit
(1) Day
10 Hours

Date is TBD.
Possible dates (ONE DAY ONLY) - between OCT 4 and 7.

Location is TBD.
Location may be outside of Grand Rapids, but within driving distance.

Kit:
Mixer / Recorder
With Lavs and Boom
Blimp / wind cutting support

Notes:
* Outdoor cooking video for social
* Single speaker
* Will need to get cooking foley
* Outdoors / Daytime

To be considered for the job please provide the following:
- Equipment List
- Link(s) to your website and any work examples

Non-union crime docuseries is looking for an audio mixer with their own gear for a 1 (possibly 2) day interview shoot in the Flagstaff, AZ area.

The 1 (possibly 2) days are Monday 10/2 and Tuesday 10/3.

Must be local or can work as a local in Flagstaff!

Production will NOT put you up, provide mileage, or pay your tolls.

This shoot is all interviews. Simple straightforward shoot. Small all-hands-on-deck type crew. The interviews will be primarily filmed in hotel suites and Airbnb.

w/ a $300 kit

Looking for an audio mixer (lav + boom + mixer) to come on board for interview shoot near Texarkana on Wed 09/27. Must be able to also provide .mp3 or .aac files (w/ timecode embedded) for transcription.

$600/12 + kit fee.

Seeking a local A2 in NYC on 11/8 and 11/9 for a corporate event. The A2 will be responsible for mic'ing talent and assisting the A1 with our audio installation on set day. Must have experience working in a live environment.

$500/10 to $550/10 based on experience. OT (time-and-1/2) after 10-hours.

Seeking a local A2 in NYC from 10/22 to 10/25 for a corporate event. The A2 will be responsible for mic'ing talent and assisting the A1 with our audio installation on set day. Must have experience working in a live environment.

$550/10 to $650/10 based on experience. OT (time-and-1/2) after 10-hours.

Sound Mixer with experience needed for a two exterior shoot. One location.

Looking for a sound mixer for a low-budget indie drama feature filming on the east end of Long Island. Rate is $200 per day with a $100 kit fee. Currently looking at 17 days of production. Lodging provided, travel reimbursed.

Gear needed: Mixer, Boom, Wireless Lavs (Most scenes are btwn 2-5 speaking characters), smart slate/timecode gen, ifbs.

Dates are between October 21 and November 15.

Need a sound mixer to record interviews on location in Portland, Maine. Interviews will be done with a single camera. All interviews will be 1 to 2 people.

Gear required:
Mixer/Recorder
2x Wireless Lav Kits
1x Boom
1x TC camera hop
1x Audio Camera hop

Bonus if production can rent 2x additional c-stands and some sand bags

We are looking for an audio mixer to join our team and capture audio for a one-hour interview with talent. Please apply with details including your gear and your rates.

We are looking for an audio mixer to join our team and capture audio for three one-hour interviews with talent. Please apply with details including your gear and your rates.

Looking for an IATSE audio mixer for a one day ENG style shoot. Will be doing a story on a local entrepreneur in Palm Beach.

Filming on a single Sony FX9 camera. Shooting an interview, and ENG style B-Roll (will need to be mobile to move with camera).

Rate is $63.50/hr with an 8hr guarantee. It's paid through our payroll company: Entertainment Partners. We cannot process this position as a Loan out, and cannot accept invoicing for labor.

Kit Rental of (2) Wireless Lavs, Boom, Mixer, Mono Hop to Camera is budgeted at $400.

8hr guarantee

If we do a location change mid day, we can reimburse mileage at .655 cents per mile.

Hi,

We're making content to help advertise a play (The Wiz, which is showing at the Hippodrome Theatre), and it will be doing a first preview show this Saturday. I'm looking for someone to record sound for run and gun interviews and after show testimonials from people who saw the play alongside one camera (probably a Sony a7sii or FX6).

I'm guessing the call time will be 6pm and we will be finished by midnight (though I hope it's more like 7pm to 11:30pm).

Pretty easy evening.