Apply to this Sound Engineer Job

SHOW DESCRIPTION - 

In Depth with Graham Bensinger averages 3 million television viewers/episode and 2.5 million digital views/episode airing weekly across the U.S. on the local NBC, CBS, ABC and FOX stations. It re-airs on NBC Regional Sports Networks and FOX Sports Nets, YouTube, ESPN in Australia/Latin America/Caribbean, BT Sport in Ireland/UK and TSN in Canada. Recent episodes range from a few days in Serbia with tennis star Novak Djokovic, to a trip to Texas for Cowboys quarterback Dak Prescott, to visiting Hong Kong with Arnold Schwarzenegger, to traveling to Monaco with Prince Albert, to the week in the Bahamas with Sir Richard Branson.



We film on Canon C70s
- We record at 48000 khz, 24 bit, shoot at 29.97 drop-fps
- Time code jamming required
- Audio must be recorded to separate tracks - we have to be able to split audio. Mixdowns and backup tracks are welcome but no mixdown as primary track.
- Minimum of (1) IFB required for the producer to monitor audio.
- At least two subjects, no more than four, requiring wireless lavalier microphones throughout the interview and following activities.
- Booming additional subjects and activities will be required.
-Mic redundancies required for sit-down interviews when there are 2 subjects (aka 2 lavs and 2 booms).
- We will provide an SD, CF card or both for each day we film and then collect upon wrapping.

REQUIREMENTS / QUALIFICATIONS 

- Ability to troubleshoot technical difficulties
- Ability to work under stressful and extreme conditions, as well as quickly adapt to last-minute schedule changes
- Be teachable and willing to learn new workflows
- Ability to work under strict deadlines.

Assist A1 with audio layout on setup day and the facilitation of organizations on field during live day. Primary liaison between FloMarching A1 and audio personnel for bands on field during event, may be required to relocate spot microphones and connect direct channels into outside audio systems. Assists FloMarching Production when A1 needs are met. Must have reliable transportation.

The Audio Assistant (A2) directly assists the Audio Lead (A1) with set up and during the live event.

Audio Assistant (A2) responsibilities include:
Proficient knowledge of broadcasting audio equipment set up and live operations
Acts as the primary liaison between the A1 and audio personnel for FloSports live events, facilitates relocation of spot microphones and connects direct channels into outside audio systems.
Assists FloSports Production as needed
Reliable transportation required

Award winning director shooting independent film project in June. Looking for a signature equal parts Robert Altman and David Fincher. Shoots in Madison Wisconsin. Local Wisconsin or Chicago. Please send gear list. Rate is including kit fee.

Need a boom pole operator for a boxing event on Friday 6/28. This person will be responsible for audio in one of the corners of our boxing ring. Equipment is provided. Live audio experience preferred.

$500/10

We will be filming one broadcast spot and one digital spot for our client. We are expecting filming outside but may have to move part of our shoot inside depending on the weather.

Our shoot will consist of OTF style set-ups, and some run-and-gun shots in various businesses. We are an out-of-town crew based in St. Louis, MO we need crew/gear to be local. Our shoot will focus in Clarksburg, West Virginia and ideally we are looking for locals or those that can work as a local. We have $750 in the budget for labor and $350 for kit rental.

Looking for an audio mixer to help with sit down interviews on a well established show in its 4th Season. 1 location, 3 interviews, 1 person at a time.

We need someone who owns their own gear and will pay $300 per shoot day for the gear package.

Gear needed:
2 lavs (we only need 1 but would like a spare just in case)
1 boom
recorder
slate (dumb or smart, doesn’t matter)

Jupiter Entertainment seeks an experienced Sound Mixer as local as possible to Walterboro, SC to join us 7/1 - 7/3 & 7/5. Please note that we will NOT be shooting on July 4th! Gear will be provided (a full list of what we will send will be provided upon hire/request).

This shoot will consist of single on-camera talent with one camera for sit-down interviews (taking place indoors). True crime experience is strongly preferred.

You will be joined by a small team consisting of a DP and Field Producer so a team-oriented attitude is a must!

If you are interested and available, please include your rate for a 10-hour day excluding any rentals, as well as your reel/credit list along with your application.

Thank you!

Feature film in need of production sound mixer who can self-boom for a 6hr shoot in a diner location in Brooklyn. Due to actor time constraints, the day should be capped at 6hrs. Must own gear and have at least two lavs and a boom.

$350/6hrs.

We are looking for a skilled film sound engineer to join our team for an upcoming documentary project. We will be outdoor and indoor. Your main task will be capturing high quality audio to ensure clear dialogue and minimal background noise. You must have your own equipment and be familiar with using a boom and lavalier microphones, where and how to place them. Attention to detail and the ability to work in a fast-paced environment are essential.

Equipment Required
- sound mixer
- Boom
- Deadcat, Wombat, Blimp
- High Quality Shotgun Microphone,
- Lavalier Mics
- etc.

Skills required:
- Film sound engineering
- Boom operation
- Audio recording and mixing
- Attention to detail
- Ability to work in a fast-paced environment

Seeking experience audio recordist for corporate/documentary shoot. Standard interviews, single location. Please provide reel and equipment list. Those who do not submit both will not be considered.

Hello!

We are looking to film with a cast member in the Atlanta area from 6/26-6/29. We are looking for someone with more open availability but we are willing to work with your schedule.

Audio Kit Required:
- 6-channel Mixer/Recorder (664, 633, 788, etc)
- 4x wireless lav (COS-11 preferred)
- shotgun mic (416 or MKH60 preferred)
- 3x IFB
- two of the IFBs are for hopping a single channel scratch track to each camera.
- need a way to adapt IFB’s output to the camera’s XLR input.
Audio specs sheet will be provided.

Qualifications:
-Ability to work under stressful conditions as well as quickly adapt to last-minute schedule changes
-Ability to work well with others

If you are interested, please apply with your resume, and will get back to you!

ISO an Audio Mixer with gear for an ongoing series. One room locked off shot with two cast members. This could be a gig a few times a month for the right person. Please note this shoot is in Sequim, WA. We currently cannot fly someone from another state but can cover hotel and mileage cost if you are driving distance from the location but live too far to drive back home after the shoot.

Generic Gear List:
(01) 4 Channel mixer/recorder (ie. SD Scorpio/688/633 etc.)
(03) Talent Wireless Mics (ie. Lectrosonics, Wisycom, etc)
(01) Boom (With Stand)
(02) Camera Hops
(02) Lockit Boxes
(01) Boom Mate
(01) 25ft. XLR Cable

- 2 wireless mics for 2 talent
- 1 Boom with stand

$550/12 & 350/kit

We are an Equal Opportunity Employer and do not discriminate on the basis of race, religion, color, sex, gender identity, sexual orientation, age, or any other basis covered by applicable law. All employment is decided on the basis of qualifications, merit, and business need. Applicants from diverse backgrounds are encouraged to apply.

ISO an Audio Mixer with gear for an ongoing series. One room shoot with two cast members. This could be a gig a few times a month for the right person.

Generic Gear List:
(01) 4 Channel mixer/recorder (ie. SD Scorpio/688/633 etc.)
(03) Talent Wireless Mics (ie. Lectrosonics, Wisycom, etc)
(01) Boom (With Stand)
(02) Camera Hops
(02) Lockit Boxes
(01) Boom Mate
(01) 25ft. XLR Cable

- 2 wireless mics for 2 talent
- 1 Boom with stand

$550/12 & 350/kit

We are an Equal Opportunity Employer and do not discriminate on the basis of race, religion, color, sex, gender identity, sexual orientation, age, or any other basis covered by applicable law. All employment is decided on the basis of qualifications, merit, and business need. Applicants from diverse backgrounds are encouraged to apply.

Need A2 to come be a part of our merry band of travelers bringing a new show for Discovery to town. Think American Pickers or Antique Roadshow in terms of the style and logistics we will be dealing with. We'll be tied to the filming locations (the homes) without any real company moves once we get rolling. Celebrity talent, show for Discovery/Max that will get exposure.

ISO people experienced with on-set protocol and communication, can-do attitude and comfortability in fast-paced shooting environments. Your job should be solely supporting Audio Sup with the basics - boom and batteries. Tons of sitting around time - it's just a hurry up and wait game - you know the drill. Please include a little about the energy you bring to a job like this and an example or two of some busier shoots you've been on!

This is the season finale and throughout the show so far the A2 position has never seen any OT and never been working before sunrise or after sunset. A light gig by any measure.

Thanks!

Micro budget project. Production Sound Mixer for an eight day shoot in Southern California; indie comedy feature film.

We are a small documentary crew passionate about capturing the vibrant essence of the Appalachian String Band Music Festival in Clifftop, WV. This annual gathering is renowned for its rich tapestry of traditional Appalachian music, dance, and community spirit.

Our goal is to create a compelling documentary that highlights the festival's uniqueness and cultural significance. This is our second year returning to the festival, and we are seeking a skilled and experienced Sound Recordist to join our team for a two-week period on location.

The filmmaking process is almost entirely outside or under tents, involving location sound recording in highly variable conditions including rain and wind, as well as mountain temperature drops.

You will be required to record high-quality sound in diverse outdoor settings, capturing clear audio during live music performances (jam sessions with acoustic instruments and some instances where there is a mixing board and stage), interviews, and ambient scenes, collaborating closely with our small crew. You will also be expected to troubleshoot and resolve any audio issues that may arise during recording sessions and ensure all audio recordings are properly stored and organized.

Proven experience as a Sound Recordist, particularly in field and location recording, is essential. You should be proficient with professional audio recording equipment and software, have a strong understanding of audio recording techniques and best practices, and possess excellent problem-solving skills and attention to detail. The ability to work effectively in a team and adapt to the dynamic nature of documentary filmmaking is crucial.

You must be comfortable working in outdoor environments and various weather conditions and willing to camp on-site for the duration of the project.

This contract position offers compensation of $2500 for the two-week period (July 24-Aug 4), with food and travel expenses covered. Camping gear will be provided if needed, but personal camping equipment is welcome.

If you are excited about this opportunity and meet the requirements, please send your
1. resume
2. cover letter detailing your relevant experience with link to recordings of your previous work and information about the conditions under which those recordings were made.

We are looking forward to your joining us in creating a documentary that celebrates Clifftop!

Seeking experience audio recordist for corporate/documentary shoot. Standard interviews, single location. Please provide reel and equipment list. Those who do not submit both will not be considered.

We are looking for an audio mixer to work a news crew this coming week in DC. This is an ENG type gig - straight forward needs, but experience a must. Interviews and Broll - equipment is likely an interview package but we are confirming. Everyday type stuff for an experienced mixer.

We are a 25 Year old Production and Crewing company and take the work very seriously and look for those who do the same to build trust with! Thanks!

Looking for experienced sound recordist to record audio for a one day talking heads shoot we're having in Morrisville, NC. Rate includes equipment (mixer, lav mics, boom, etc).

Sound Mixer/Boom Op combo with their own gear.

Please send your rate and confirm your availability for 6/29 and 7/3 for consideration. Thanks!

Hi there,

We will be capturing a third party vendor during an event in Los Angeles, CA, at the BET Fan Fest 2024.

The project requires one half-day shoot (roughly 6 hours) June 26 ,wednesday, capturing student interviews and testimonials

Deliverables (for editor) will include daily event recaps, student interviews, an internXL testimonial video, and a quick turnaround video of a two-day training experience.

Please let me know at your earliest convenience if this is something you are interested in and available for as I will be finalizing the crew by the end of day today.

Preproduction meeting is Tomorrow June 21 at 9am on google meets.

Submissions that are needed:

Sound Recordist- must have experience and be able to pivot quickly.

Minimum gear needed:
- Two wireless mics
- Boom
- Multi Track Recorder/mixer
- expandables

Must be friendly, have own transportation, local to the area, and able to. be prompt and on time.