Apply to this Sound Mixer Job

JOB REQUIREMENTS: Must be local to location (or willing to work as a local).
A talent will cook a dish in their home. They will need to be mic'd up and boomed to capture any cooking sounds.

Kit 250.00

Low Budget
600/12-hour rate.

All crew members will be paid on timecards.

Non-union crime docuseries is looking for an audio mixer with their own gear for a 1 (possibly 2) day interview shoot in the Flagstaff, AZ area.

The 1 (possibly 2) days are Monday 10/2 and Tuesday 10/3.

Must be local or can work as a local in Flagstaff!

Production will NOT put you up, provide mileage, or pay your tolls.

This shoot is all interviews. Simple straightforward shoot. Small all-hands-on-deck type crew. The interviews will be primarily filmed in hotel suites and Airbnb.

w/ a $300 kit

Looking for an audio mixer (lav + boom + mixer) to come on board for interview shoot near Texarkana on Wed 09/27. Must be able to also provide .mp3 or .aac files (w/ timecode embedded) for transcription.

$600/12 + kit fee.

Sound Mixer with experience needed for a two exterior shoot. One location.

Looking for a sound mixer for a low-budget indie drama feature filming on the east end of Long Island. Rate is $200 per day with a $100 kit fee. Currently looking at 17 days of production. Lodging provided, travel reimbursed.

Gear needed: Mixer, Boom, Wireless Lavs (Most scenes are btwn 2-5 speaking characters), smart slate/timecode gen, ifbs.

Dates are between October 21 and November 15.

Need a sound mixer to record interviews on location in Portland, Maine. Interviews will be done with a single camera. All interviews will be 1 to 2 people.

Gear required:
Mixer/Recorder
2x Wireless Lav Kits
1x Boom
1x TC camera hop
1x Audio Camera hop

Bonus if production can rent 2x additional c-stands and some sand bags

We are looking for a Sound Mixer for a half-day shoot in LA, next week. We will shoot in one location and we only have 2 actors.

We are looking for an audio mixer to join our team and capture audio for a one-hour interview with talent. Please apply with details including your gear and your rates.

We are looking for an audio mixer to join our team and capture audio for three one-hour interviews with talent. Please apply with details including your gear and your rates.

Looking for an IATSE audio mixer for a one day ENG style shoot. Will be doing a story on a local entrepreneur in Palm Beach.

Filming on a single Sony FX9 camera. Shooting an interview, and ENG style B-Roll (will need to be mobile to move with camera).

Rate is $63.50/hr with an 8hr guarantee. It's paid through our payroll company: Entertainment Partners. We cannot process this position as a Loan out, and cannot accept invoicing for labor.

Kit Rental of (2) Wireless Lavs, Boom, Mixer, Mono Hop to Camera is budgeted at $400.

8hr guarantee

If we do a location change mid day, we can reimburse mileage at .655 cents per mile.

Hi,

We're making content to help advertise a play (The Wiz, which is showing at the Hippodrome Theatre), and it will be doing a first preview show this Saturday. I'm looking for someone to record sound for run and gun interviews and after show testimonials from people who saw the play alongside one camera (probably a Sony a7sii or FX6).

I'm guessing the call time will be 6pm and we will be finished by midnight (though I hope it's more like 7pm to 11:30pm).

Pretty easy evening.

Unscripted Documentary Shooting in Canyon City

9/26th Travel from Denver
9/27th-9/29th Shoot
9/30 Travel back to Denver
Plus per diem

Must be able to work as a local from Denver to be considered.

Looking for a Sound Mixer with his own gear for a 1 day branded content interview in Fairbanks, Alaska. We will be filming on either 10/11 or 10/12. Must work as a local.

Looking for a Sound Mixer with his own gear for a 1 day branded content interview in Fairbanks, Alaska. We will be filming on either 10/11 or 10/12. Must work as a local.

We will be paying daily to sound mix plus a kit fee.

Audio mixer with gear needed for upcoming shoot. Please note, job will require travel to a location approximately 3 hours away from Charlotte the day/evening prior (transportation or mileage provided). Ideal candidate will have experience in the documentary space.

Rate is for labor only; gear to be paid in addition.

We'll be filming interviews and with our host and two guests, first on / around the University Campus, and then at a local bar on Friday, September 29th. Video shooting on Sony FX6 and an A7siii, and we'll need three lavs and a boom. $700/labor, $450/gear

Docu-Style Branded Content Shoot in Ankey, Iowa. Minimal crew. Must be local to Ankey, Iowa or able to travel.

Need to have own sound mixer, boom, slate, 2x wireless lavs, and be able to sync timecode to camera

-$600/12 + $250 kit fee for Mixer, boom, 2x lavs, 4x Com techs, slate

"Primary audio engineer, responsible for setting up and live mixing of microphones and direct feeds for FloMarching live streams. Must meet FloMarching guidelines on setup day to ensure the highest quality audio. Works with A2 (PA) on live day to ensure full coverage of audio systems from every organization. A1 needs to have experience with Allen & Heath SQ-5 mixer, wireless audio integration, and be familiar with FloCaster. Must have reliable transportation.

The Audio Lead (A1) is the primary audio engineer for the event.

Audio Lead (A1) responsibilities include:
Comprehensive knowledge of broadcasting audio equipment set up and live operation of multiple microphones and direct feeds for live event streams
Conducts advanced quality control checks to meet FloSports guidelines
Utilizes A2 on live event days to ensure complete coverage of audio systems from all organizations
Proficient knowledge of Allen & Heath SQ-5 mixer and wireless audio integration; familiarity with FloCaster a plus
Reliable transportation required
"

Sound Mixer needed for sizzle being shot in the Miami area.

"Primary audio engineer, responsible for setting up and live mixing of microphones and direct feeds for FloMarching live streams. Must meet FloMarching guidelines on setup day to ensure the highest quality audio. Works with A2 (PA) on live day to ensure full coverage of audio systems from every organization. A1 needs to have experience with Allen & Heath SQ-5 mixer, wireless audio integration, and be familiar with FloCaster. Must have reliable transportation.

The Audio Lead (A1) is the primary audio engineer for the event.

Audio Lead (A1) responsibilities include:
Comprehensive knowledge of broadcasting audio equipment set up and live operation of multiple microphones and direct feeds for live event streams
Conducts advanced quality control checks to meet FloSports guidelines
Utilizes A2 on live event days to ensure complete coverage of audio systems from all organizations
Proficient knowledge of Allen & Heath SQ-5 mixer and wireless audio integration; familiarity with FloCaster a plus
Reliable transportation required
"