Apply to this Sound Recordist Job

We are seeking a a sound recordist for one day 6/19 for a vertical mini series. Rate is $400 per day including kit.

Reality follow-doc filming in West Palm Beach looking for experienced Sound Recordist.

-$35.71 - $39.28/ hourly

$400/day for kit

Standard audio kit to include:
1x mixer/recorder
1x boom
4x wireless mics
2x cam hops
1x Timecode jam for both cams
1x Smart slate
2x ifb

***Must be capable to record individual iso tracks and mix

We are an Equal Opportunity Employer and does not discriminate on the basis of race, religion, color, sex, gender identity, sexual orientation, age, or any other basis covered by applicable law. All employment is decided on the basis of qualifications, merit, and business need. Applicants from diverse backgrounds are encouraged to apply.

Looking for a sound recordist with: wireless LAV Mic, shotgun mic, boom pole, and external recorder.

This will be for a 5 hour b-roll & interview shoot on June 25th at a ranch in Fairburn, SD. The client is a well know rural real estate company.

Reality follow-doc filming in West Palm Beach looking for experienced Sound Recordist.

-$35.71 - $39.28/ hourly

$350/day for kit

Standard audio kit to include:
1x mixer/recorder
1x boom
4x wireless mics
2x cam hops
1x Timecode jam for both cams
1x Smart slate
2x ifb

***Must be capable to record individual iso tracks and mix

We are an Equal Opportunity Employer and does not discriminate on the basis of race, religion, color, sex, gender identity, sexual orientation, age, or any other basis covered by applicable law. All employment is decided on the basis of qualifications, merit, and business need. Applicants from diverse backgrounds are encouraged to apply.

Looking for a sound person for approximately 4 hour shoot. Part of it is audio during a live stage event, feed from the board, and maybe a lav. Other part is two shot interviews with a hard wired mic that I own. Outdoors, shooting June 23rd.

We are producing a short documentary on a local company in San Jose, CA on Aug 15, 2024. We need an audio recordist with their own kit for the day (10 hrs). I've provided some details below. If you're interested, please let me know as soon as possible.

August 15, 2024
10 hour day (7am-5pm)
Hosted walk and talk Interviews with guest + Man on the street interviews.
Sit Down interviews
The full Crew is (1) Field Producer, (2) Cam Ops, (1) Sound Recordist

Equipment Needs
(Please Provide what type of equipment you own)
(2) Lavalier Microphones (Mic needs to be hidden)
(1) Boom Pole/Mic
(1) Audio Mixer

Rate
Labor Rate: $650
Equipment Rate: $300

We are producing a short documentary on a local company in Green Bay, WI on July 17, 2024. We need an audio recordist with their own kit for the day (10 hrs). I've provided some details below. If you're interested, please let me know as soon as possible.

July 17, 2024
10 hour day (7am-5pm)
Hosted walk and talk Interviews with guest + Man on the street interviews.
Sit Down interviews
The full Crew is (1) Field Producer, (2) Cam Ops, (1) Sound Recordist

Equipment Needs
(Please Provide what type of equipment you own)
(2) Lavalier Microphones (Mic needs to be hidden)
(1) Boom Pole/Mic
(1) Audio Mixer

Rate
Labor Rate: $650
Equipment Rate: $300

We are producing a short documentary on a local company in Greenville, SC on June 21, 2024. We need an audio recordist with their own kit for the day (10 hrs). I've provided some details below. If you're interested, please let me know as soon as possible.

June 21, 2024
10 hour day (7am-5pm)
Hosted walk and talk Interviews with guest + Man on the street interviews.
Sit Down interviews
The full Crew is (1) Field Producer, (2) Cam Ops, (1) Sound Recordist

Equipment Needs
(Please Provide what type of equipment you own)
(2) Lavalier Microphones (Mic needs to be hidden)
(1) Boom Pole/Mic
(1) Audio Mixer

Rate
Labor Rate: $650
Equipment Rate: $300

We are shooting a short film, "I HAVE SOME THOUGHTS," written and directed by Taylor Engel.

Taylor’s visually stunning short, "THE PAVEMENT," was featured on HBO's Project Greenlight. He has worked with filmmakers such as Rian Johnson, Barry Jenkins, and Paul Thomas Anderson, creatively directing and editing their film marketing campaigns.

"I HAVE SOME THOUGHTS" is a character study that explores its protagonist's often humorous obsessive-compulsive thoughts with the gripping tension of a 70s paranoid thriller. The film promises to be both artful and darkly funny, akin to "Limitless" meets "Curb Your Enthusiasm."
It’s a super low-budget, independent film to be submitted to major film festivals.

Please apply if you have experience working as a ProductionSound Mixers. One person to record all the sounds.

Seeking a Sound Designer/Mixer in Los Angeles for independent, short narrative film currently in post-production (running time 19 mins). The ideal candidate is available to begin immediately. This is a paid opportunity, but it requires someone willing to work with a limited budget. Please provide work samples when applying. Logline: Facing angry protesters, a determined drag queen does her best to finish a fairy tale reading at the local library — but an alien invasion puts her skills to extraordinary new tests.

Looking for an experienced sound op for high profile talent.
Please include in reply message:
• Day rate
• Current resume
• Detailed list of current gear with basic kit cost and add on prices

Day rate for Sound Op with full kit- (lavs, boom, mixer, lockit boxes, smart slate, etc)

In search of a sound mixer/boom op for a short film with very little dialogue.

Logline: Amidst the timeless Sahara desert, two 7-year-old identical twins navigate a perilous journey in search of a new home. Bound by strict rules that demand immense emotional restraint, their survival is jeopardized when one twin shatters the emotional restraint guidelines, unraveling the very fabric of their quest and unleashing a lethal threat from within.

Additional details: The production is a small budget one, but we will cover gas to and from the location, full meals, and local accommodations for the entirety of the shoot.

Mixing, mastering, and sound design for a dialogue driven short film between two characters outside on a vineyard.

THE POSITION
Our roster has an opening with your name on it

Audio Technician performs a variety of tasks related to live, pre-recorded, studio and field production, all in support of multiple 24x7 TV broadcast channels and OTT platforms.  Primary duties include, but are not limited to, responsibility for all facets of audio production projects and daily operation of audio mixing, switching and special effects equipment.

THE GAME PLAN
Everyone on our team has a part to play

- Operate all audio mixing, switching, equalizing and special effects equipment for TV production primarily in a live studio environment
- Address daily show requirements from an audio and technical standpoint as communicated by the Director, Producer and production staff
- Coordinate daily feeds, including IFB and PL coordination lines, with the remote tech manager (as required) or - Transmission Operation Center staff
- Test mics, IFB's and PL system with remote A2
- Confirm all audio sources are good and fax inbound remote feeds and mix-minus' prior to show.
- Program production intercom for use in remote locations
- Monitor audio feeds, make appropriate adjustments and mix talent microphones, various audio sources, music playback and sound effects to create a program mix for air
- Create additional mixes for clean feed, iso records and monitoring stations, as required
- Proficient problem solving and troubleshooting techniques and effective communication to best convey the issues necessary for resolution
- Operate routing equipment which may require patching of video, audio and ancillary signals
- Setup and operate different types of adjunct audio and telephone equipment, including analog/digital cartridge machines, audio servers, speech enhancers and intercoms
- Provide proper technical interface between in-plant devices and outside audio and communication sources
- Performs ingest procedure for transfer of media material into the audio air server.
- Quality checks and adjusts video/audio signal levels for optimum quality
- Able to complete tasks and projects with strict deadlines.
- Develop, write and implement Standard Operating Procedures (SOP) for the department.
- Complete formal paperwork for Audio department and other departments including, but not limited to creating, maintaining, and disseminating daily audio schedules, emails, and charts of all audio feeds and remote based information
- Takes direction from control room team for content assignment
- Performs duties on remote broadcasts, as assigned

THE STATS
What we're looking for in our next teammate

- Working knowledge of systems/equipment used in functions identified above, including analog/digital/high definition video/audio signals and monitoring equipment
- Minimum of 1 year of experience in broadcast operations at a local TV station, cable/satellite channel or other industry-related environment
- Working level of operational skills and abilities when using all broadcast equipment and technology within assigned operating areas, including but not limited to microphone and IFB signal flows, wireless PL systems, mix minus and Intercom devices
- Ability to travel to remote broadcast sites, as assigned
- Ability to lift up to 50 lbs. un-assisted of technical and or set gear
- Ability to work well in a broadcast team environment, including talent, producers and directors, under strict time deadlines
- Ability to work a flexible schedule consisting of weekends and holidays
- At least 1 year of Audio Technician experience working in a live television studio or remote environment preferred

PLAYER BENEFITS
We treat our team right

From our many opportunities for professional development to our generous insurance and paid leave policies, we’re committed to making sure our employees get as much out of FanDuel as we ask them to give. Competitive compensation is just the beginning. As part of our team, you can expect:

An exciting and fun environment committed to driving real growth
Opportunities to build really cool products that fans love
Mentorship and professional development resources to help you refine your game
Be well, save well and live well - with FanDuel Total Rewards your benefits are one highlight reel after another 

FanDuel is an equal opportunities employer and we believe, as one of our principal states, “We Are One Team!”  We are committed to equal employment opportunity regardless of race, color, ethnicity, ancestry, religion, creed, sex, national origin, sexual orientation, age, citizenship status, marital status, disability, gender identity, gender expression, Veteran status, or another other characteristic protected by state, local or federal law. We believe FanDuel is strongest and best able to compete if all employees feel valued, respected, and included.  We want our team to include diverse individuals because diversity of thought, diversity of perspectives, and diversity of experiences leads to better performance.  Having a diverse and inclusive workforce is a core value that we believe makes FanDuel stronger and more competitive as One Team!

The applicable hourly range for this position is dependent on a variety of factors including relevant experience, location, business needs and market demand. This role may offer the following benefits: medical, vision, and dental insurance; life insurance; disability insurance; a 401(k) matching program; among other employee benefits. This role may also be eligible for short-term or long-term incentive compensation, including, but not limited to, cash bonuses and stock program participation. This role includes paid personal time off and 14 paid company holidays. FanDuel offers paid sick time in accordance with all applicable state and federal laws.

We're seeking a production sound mixer for our independent music film. Currently scheduled for 19 days of filming.

Narrative overview: A struggling LA music producer navigates a career-defining showcase and sudden guardianship of his newly discovered half-sister. Music plays an integral role in their journey of healing and connection.

Sound Needs:
-Heavy emphasis on live music recording (vocals and various instruments).
-Skill in capturing the energy and nuance of both intimate and showcase performances.
-Experience and comfort with on-location sound mixing.
-Budget available for a sound partner/boom operator of your choice at the same rate.

We are looking for a Post Production Sound Designer for our independent music film. The script is fairly contained to mostly indoor locations, but does feature diegetic singing.

A responsibility of this job will also include delivering a fully filled M&E.

The ideal candidate will join our team before filming commences to ensure a seamless and successful workflow.

We are looking for a local Sound Mixer to help capture audio for a conference on June 24th.
The day will be about 4-5 hours of work.

Filming of the conference will be held on Monday June 24th from 10am - 12pm.
There will be some allotted set up time before the conference for crew and there will be a one hour portion dedicated to filming interviews after the conference.

We are looking for a Sound Mixer candidate who can provide Lavalier mics and boom mic option for the audio recording of the conference.

Looking for a union audio mixer for a docu-follow series filming in Denver for 7/22 - 7/24. Experience with fast-paced verite style production strongly preferred. Gear already sourced, no additional needed. 700/10.

We are filming a sports documentary series for a major sports association that will air on ESPN.

We are looking for a Sound Mixer for a shoot happening in the Indy area on Friday 05/17.

The series is a typical documentary series, featuring: run and gun components, sit-down interviews, on-the-fly interviews, scenics, and "hero/portrait" shots.

Gear needed: mixer/recorder, boom, 2 lavs, and timecode/audio to 2 cameras

800/12 + 300 kit fee = $1100/per day