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We are looking for an experienced documentary sound recordist for a few days filming in Atlanta. Our crew is a UK team and is flying over for a few days to record sit down interviews and follow observational verity. Experience with working with small documentary crews, being able to be nimble and follow subjects on the go as well as in a controlled environment is very much desired! The rate is $750 a day but we would also offer a kit fee of $350 each day for sound kit.

We are looking for an experienced documentary sound recordist for a few days filming in Minneapolis. Our crew is a UK team and is flying over for a few days to record sit down interviews and follow observational verity. Experience with working with small documentary crews, being able to be nimble and follow subjects on the go as well as in a controlled environment is very much desired! The rate is $750 a day but we would also offer a kit fee of $350 each day for sound kit.

Looking for a Sound Recordist/Operator for a series of interviews on a half day shoot in Boston MA.

Date: May 16th, 2024
City: Boston, MA
Position: Sound Operator
Call Time: TBD, 5-hour shoot
Gear Required: LAV Mic, Shotgun Mic, Boom Pole, External Recorder 
Rate: $350/5h

We pay $350/5h and $35/h after that. We do not expect the shoot to go into overtime 
We reimburse every mile after traveling 50 miles in each direction (not round trip) at $0.54 per mile.

We are producing a college sports documentary focused on women's rowing. We are seeking a Local Non-Union Sound Recordist/Mixer with an audio equipment package in Sacramento, CA for 2 Days.

FRIDAY 05/17/24
SATURDAY 05/18/24

We need someone with their own sound package to integrate with our 2 camera team (mixer, 2 lavs, boom, shotgun mic, and timecode sync) Our team footprint is generally very small: Producer, 2 cams, Sound, and PA.

Our docu-series is a very straightforward sports documentary format. We will film some interviews, OTF sound-byte moments, walk and talks, athlete practice, training, b-roll, lifestyle verite, etc.

The project is operating on a fixed flat rate budget with a rate of $800/Day (including audio package) for this Local Hire Role. 2 total working days for a Local Hire operating on this fixed budget. The days will be shorter 6-8hrs TBD.

Interested and available candidates please respond with a resume, equipment breakout, and any relevant info or links to recent work.

Need audio recordist for feature documentary. Must have your own gear.

We are producing a college sports documentary focused on women's rowing. We are seeking a Local Non-Union Sound Recordist/Mixer with an audio equipment package in Arcata, CA for 2 Days.

WEDNESDAY 05/15/24
THURSDAY 05/16/24

We need someone with their own sound package to integrate with our 2 camera team (mixer, 2 lavs, boom, shotgun mic, and timecode sync) Our team footprint is generally very small: Producer, 2 cams, Sound, and PA.

Our docu-series is a very straightforward sports documentary format. We will film some interviews, OTF sound-byte moments, walk and talks, athlete practice, training, b-roll, lifestyle verite, etc.

The project is operating on a fixed flat rate budget with a rate of $900/Day/12hr (including audio package) for this Local Hire Role. 2 total working days for a Local Hire operating on this fixed budget.

Interested and available candidates please respond with a resume, equipment breakout, and any relevant info or links to recent work.

We are producing a college sports documentary focused on women's rowing. We are seeking a Local Non-Union Sound Recordist/Mixer with an audio equipment package in Bellingham, WA for 2 Days.

MONDAY 05/13/24
TUESDAY 05/14/24

We need someone with their own sound package to integrate with our 2 camera team (mixer, 2 lavs, boom, shotgun mic, and timecode sync) Our team footprint is generally very small: Producer, 2 cams, Sound, and PA.

Our docu-series is a very straightforward sports documentary format. We will film some interviews, OTF sound-byte moments, walk and talks, athlete practice, training, b-roll, lifestyle verite, etc.

The project is operating on a fixed flat rate budget and a rate of $900/Day/12hr (including audio package) for this Local Hire Role. 2 total working days for a local hire operating on this fixed budget.

Interested and available candidates please respond with a resume, equipment breakout, and any relevant info or links to recent work.

Hello! We have a one-day shoot in San Ramon/Bay Area and we're looking for a sound recordist. You're excellent at your craft and come with references you don't mind us checking, you've got the right gear to lav and/or boom and record individual tracks. And you're super fun to work with! We are, too.

The job is a docustyle corporate where we'll be shooting group interviews of 4-5 people and then b-roll. You'll be in at 8 and out by 6, latest. Camera is a Canon C70, yes we have the XLR adapters. But we'll want your pristine-ish native audio files, too.

This is an all-in, 10 hour day rate including kit (boom, mikes, mixer) and delivery of files.

We are looking for a PRODUCTION SOUND RECORDIST / MIXER—ideally someone with 1) extensive experience capturing sound from the sound engineers running LIVE EVENTS and 2) experience simultaneously boom operating and sound mixing on-the-fly interviews in non-production environments.

We are shooting a corporate event at U.S. Bank Stadium — it’s a Gala style event where our key talent will be speaking on stage. We’ll need you to capture audio from the live event team’s microphones by recording a “line out” feed from the sound board controlled by the on-site live event sound engineers. Our producers will help coordinate this prior to the event so the live event team will be aware of your needs. We ask that you join one email thread with the event’s sound engineer to help streamline this communication.

This job will take place on MAY 16th between 3pm and 9pm.

Production / Gear Needs:
1 professional sound mixer for dialogue
intended to record dialogue from wireless mic kit and/or boom mic from on-the-fly interviews
1 additional sound mixer to record the “line out” feed from live event sound engineer
1 adapter kit + misc. cable kit to receive “line out” feed from live event sound board
we will coordinate with the live event team but please prepare to bring multiple options to receive a “line out” feed (XLR adapters, ¼ inch cables/adapters, etc)
1 wireless lavalier mic kit
ideally an RF-interference free solution as this location will be filled with interference
we have access to 2x DPA 6061s and 1x Tentacle 32-bit Sync-E Recorder if we need additional gear

Post Production Needs:
We will need “polywav” files with each individual audio track isolated for mixing in post production.

Some things you should know about this job:
- This job is based in Minneapolis, MN. If you do not live in the Minneapolis Area—please do not apply.

Guaranteed dates:
THURSDAY MAY 16TH

Pay:
~$750 for 6 hours (3:00pm-9:00pm). Unfortunately our budget is fixed. We can’t exceed $750/6 hours, so if your rate is higher than that, you need not apply.

We are dedicated to building diverse teams that fuel an authentic workplace and sense of belonging for each and every employee. We know applying for a job can be intimidating, please don’t hesitate to reach out — we encourage everyone interested in joining us to apply.

WOAH LABS provides equal employment opportunities (EEO) to all employees and applicants for employment without regard to race, color, religion, sex, national origin, disability, genetics, gender, sexual orientation, age, marital status, veteran status. In addition to federal law requirements, WOAH LABS complies with applicable state and local laws governing nondiscrimination in employment in every location in which the company has facilities. This policy applies to all terms and conditions of employment, including recruiting, hiring, placement, promotion, termination, layoff, recall, transfer, leaves of absence, compensation, and training.

We are in search of a Sound Recordist for event coverage and possible interviews on June 1, 2024 in the Morningside Heights neighborhood in Manhattan.

The event will take place in the morning and there is a possibility that interviews will be scheduled afterwards. Please respond with day rate and equipment fees.

We need a Location Sound Recordist for our 4-day shoot in Rio Grande Valley.

You should have at least two credits, and your own equipment including mics and boom.

We are brining the series Black Clown FROM Dallas TO THE RIO GRANDE VALLEY and are looking to connect with up and coming talent in the valley.

The shoot will be 2-days on, 1 day off, 2-days on for a total of 4 shoot days.

Dates: One or more days between May 14-17

Audio Field Engineer: This role will be responsible for recording 2-4 talent each day for lifestyle spots for a senior living brand.

Gear: We ask that you provide an audio recorder, lav mics, and a boom mic.

Sound Recordist for a microbudget short horror film to shoot in Granby, CT on June 1st.

Venmo Zelle or other preferred method of payment

Looking for a professional location sound person for a one day shoot on May 17th in Fort Lauderdale. We will be filming one person against a green screen set up in a hotel meeting room.

Please only apply if you are available on Friday 5/17 and are local to Fort Lauderdale. Please quote your day rate & kit fee total in your application.

Thank you!

Seeking crew for "Real Work," a short film about an elderly getting scammed. The audience will see how the relationship between the scammer and elderly man builds through the story.

Tasked with capturing high-quality audio that complements and enhances the storytelling. They handle recording dialogue, ambient sounds, and any other audio elements required for the film. Working closely with the director and production team, the they will ensure clarity and consistency in audio quality throughout the production.

ISO Sound Mixer w kit in Lincoln, NE for an upcoming documentary shoot on May 20th. Must be able to work as a local. Rate is $1,000 (labor w kit).

Experienced and reliable Audio Mixer with gear needed for a tentative shoot in Salt Lake City, UT 6/1 - 6/2

Applicant must be local to the area as Production does not cover any travel costs or accommodations.

Must have 4-6 channel mixer with a boom and lavs.

Experience on home reno shows and HGTV shows are a plus.

EOE. This company is an equal opportunity employer to all, regardless of age, ancestry, association with a member of a protected class, bereavement leave, color, disability, exercising the right to family care and medical leave related to serious health condition of employee or family member, child bonding, or military exigencies, engaging in protected activity, gender identity or expression, genetic information or characteristic, marital status, medical condition, military and veteran status, national origin, pregnancy, childbirth, breastfeeding, or related medical conditions, Pregnancy Disability Leave (PDL), race (includes hairstyle and hair texture), religious creed (includes dress and grooming practices), reproductive health decision making, sex/gender, and sexual orientation.

Looking for a Sound Mixer in the NYC area for a branded content shoot. We'll be capturing interviews and b-roll. Must be professional, experienced, reliable, and punctual. Please include your resume and any references.

*Must have own equipment.

Looking for a sound mixer with some experience to support a super indie feature in Chicago.

14 day/shoot.

In search of a Sound Mixer with gear, local to or willing to work as a local to Cincinnati, Ohio. This shoot will be an interview and b-roll for a feature documentary.


Gear required: sound mixer, boom, slate, 2x wireless lavs, minimum 5x comteks, and be able to sync timecode to camera.

The documentary's subject matter is neurodiversity/neurosensitivity, and we will feature those from within the community. The individuals participating have kindly offered to share their stories, and we seek to celebrate them while telling honest and informative stories.A little about our team: our team values individuals with diverse backgrounds and perspectives, and we foster a welcoming environment for all. Particularly for this documentary about neurodiversity/neurosensitivity, we encourage those from within the community to apply - we welcome those who can bring a more specific perspective to the team.


Due to the sensitive subject matter of this documentary, we will be conducting video-conference interviews to discuss the specific needs of this production in greater detail.



/12 hours, plus $350 kit